Sentences with phrase «key scenes moving»

The story was constructed and reimagined in the editing room, with several key scenes moving from the beginning of the film to the end, Linklater says.

Not exact matches

He has been a talented and effective trainer of horses, and some of the film's most moving scenes show him at this work, which he deeply loves, and which may be the key to his future.

He has been a talented and effective trainer of horses, and some of the film's most moving scene show him at this work, which he deeply loves, and which may be the key to his future.

It feels like a video game as the kids run from one chase scene to another fetching objects — get the key, find the locker, get the Bible, break the code — advancing every time to the next level with little sense of a story moving forward, and leaving a gimmicky aftertaste given all the real - life squalor onscreen.

And then there is the key scene: the mortifying moment in the food bank itself, and wretched, proud Katie endures an unspeakable humiliation, which is almost unbearably moving.

Students are challenged to consider what Antonio's problem's may be; then they will move on to analysing the scenes presentation of key themes.

But there are advantages to having some key scenes depicted in «moving pictures» form — with actors, in real settings, «performing» the scenes — in addition to text, graphics, voiceover, sound effects and score.

Moving on to 1954 and the low - keyed eighth painting in the series (now in the Museum of Modern Art, New York)-- greys, blues, muffled yellows on a surface just over six feet high by three and a half feet wide, a motor metropolis of tightly curving ramps with headlight beams spreading like stains suggest a vision, slightly smudged, as if seen through the thick glass window of a skyscraper; at any rate remote from the scene of automotive nightmare.

Bickerton moved to New York in 1982 and after working as a painting assistant to Jack Goldstein, he emerged as a key figure on the newly exploding East Village art scene.

Having moved to San Francisco in 1951 the artist became a key figure in the Bay Area scene, hanging out with the likes of Hassel Smith and Deborah Remmington.

The gun shot then functions as the key note in choreographing this scene, moving it from heaven to hell in different intensities.