Not exact matches
«Healing spheres» will be a
key feature of the
installation — three - dimensional
sculptures that invite you to submerge your head inside to experience a range of colourful lights.
Central to the exhibition is a site - specific
installation titled «Storm at Sea» in which the artist utilizes piano
keys, an African
sculpture and a glitter - covered ship to suggest motifs associated with the African American experience of the trans - Atlantic slave trade.
In his
installation, Storm at Sea, Bailey utilizes objects such as piano
keys, an African
sculpture, and a glitter - covered ship to suggest leitmotifs associated with the black experience of the transatlantic slave trade.
In her evocative introductory essay for Vitamin 3 - D, Anne Ellegood uses Rosalind Krauss's landmark 1978 essay «
Sculpture in the Expanded Field» as the basis to explore the wildly inclusive breadth and depth of work that the term «sculpture» can now be applied to within contemporary practice — and the key historical moments that serve as the precedents for what we now understand as both sculpture and inst
Sculpture in the Expanded Field» as the basis to explore the wildly inclusive breadth and depth of work that the term «
sculpture» can now be applied to within contemporary practice — and the key historical moments that serve as the precedents for what we now understand as both sculpture and inst
sculpture» can now be applied to within contemporary practice — and the
key historical moments that serve as the precedents for what we now understand as both
sculpture and inst
sculpture and
installation.
This major exhibition includes
key monumental
installations,
sculptures and objects, as well as videos and photography series produced throughout his career.
The exhibition (21 October 2017 — 1 January 2018) will provide visitors with the opportunity to experience six of Kusama's infinity rooms alongside large - scale
installations and
key paintings,
sculptures and works on paper from the early 1950s to the present.
These
sculptures reference an iconic tactility that is
key to all of her films and
installations.
Recently, her
installations have been exhibited at galleries in New York City, at New Museum during its IdeaCity Streetfest, at
Sculpture Key West in Florida, the Fountain Art Fair with the Hullaballoo Art Collective and others.
Kounellis, who died last year at the age of 80, was a
key figure in the Arte Povera movement, best known for
sculptures and
installations that invoke the contemporary world of politics and things, industrial and natural, while conjuring experiences that border on the mystical.
The show with the title The Problem Perspective featured
key selections and bodies of work, including paintings,
sculpture, works on paper,
installations, multiples, photographs, posters, announcement cards, books, and music.
Part retrospective, part new work in response to our glorious Beaux Arts galleries, this exhibition will include the full range of media (painting,
sculpture, works on paper) covering many of the
key themes that have featured regularly in Kiefer's work across the years but will also surprise and delight with new site - specific
installations.
Today, Lendvai continues to make
sculpture and site - determined
installations, which have been exhibited in Chicago,
Key West, and Tokyo, and, most recently, in Hoboken, NJ.
The List Gallery is pleased to host Fritz Dietel: 25 Years, an
installation of
key sculptures that demonstrate the artist's evolving vision.
gormley is best known for his
sculptures,
installations and public artworks that explore the relationship between the human body and space — a
key aspect of the exhibition «construct».
Key works include Andrew Erdos's Texture of a Ghost (2011), a 6 x 8 foot room featuring hand - blown glass
sculptures and a video
installation; Josiah McElheny's Landscape Model for Total Reflective Abstraction (I)(2004); Luke Jerram's E. coli (2010), which explores the tension between scientific objectivity and cultural perceptions of viruses, diseases, and bacteria; twelve snow globes by Walter Martin and Paloma Muñoz from the Travelers series; three stained glass light boxes by Judith Schaechter; and a recent body of work by Czech Republic - based artist Karen LaMonte that highlights the role of the kimono in Japanese culture.
The Exhibition provides visitors with the opportunity to experience six of Kusama's most iconic kaleidoscopic environments, alongside large - scales, whimsical
installations of over 60
key paintings,
sculptures and works on paper from the early 1950s to the present.
The exhibition features
key works from all periods of the artist's career, including seldom - seen early works and more recent large - scale
installations as well as a new series of outdoor
sculptures created especially for the Hayward.
Associated with the legendary group of Arte Povera in Italy in the 1960s, Penone's work over the past four decades has contributed to
key developments in
sculpture, including site specific
installation, performance and land art.
Malta Tavares uses, in addition to photography, video,
sculpture, drawing, collage, performance and
installation to bring up
key issues that permeate the relationships between people, and between people and the things of the world.
Sculptures by Anthony Caro (b. 1924), who is considered the most influential and prolific British sculptor of his generation, and a
key figure in the development of modernist
sculpture over the last 60 years, will be featured in The Metropolitan Museum of Art's 2011
installation on The Iris and B. Gerald Cantor Roof Garden, open April 26 — October 30, 2011 (weather permitting).
For his fifth solo show at Casey Kaplan, Berlin - based, British artist, Jonathan Monk, will present a new body of work that takes shape from
key principles of Conceptual art — the favoring of ideas over object - making, serialism, the dematerialization of the art object — interpreting them with a playful sensibility and through a variety of media: 16 mm film, painting,
sculpture, drawing, photography, and a laser - light
installation.
The carefully selected artworks — many exhibited for the first time as part of SFMOMA's collection — encompass paintings,
sculptures, photography, media art, and
installation, including
key pieces by Njideka Akunyili Crosby, Romare Bearden, David Hammons, Wifredo Lam, Glenn Ligon, Consuelo Kanaga, Nicole Miller, Chris Ofili, Lorna Simpson, Mickalene Thomas, Kara Walker, Carrie Mae Weems, and Fred Wilson, among others.
To mark its 9th year, the award invited audiences to engage with some of today's
key cultural, social, political, environmental and economic themes through a selection of shortlisted works in the following categories: Photographic & Digital Art; Three Dimensional Design &
Sculpture; Painting & Drawing; and Video,
Installation & Performance.
Using quotidian materials to create
installations,
sculptures, performances, and videos, these artists were
key participants in the emergence of identity politics within the visual arts.
The exhibition includes
key installations,
sculptures, texts, and videos from a multidisciplinary practice that has encompassed performance,
sculpture, drawing, video, poetry, and site - specific
installations over the course of the past forty years.
A
key member of the Arte Povera group, Mario Merz produced expansive mixed - media paintings,
sculptures, and
installations, through which he propagated an egalitarian, human - centered vision.
The move also culminated in the creation of his last great
sculpture and
installation, the Merz Barn, a continuation of the Hanover Merzbau; an architectural construction considered to be one of the
key lost works of European modernism.
The gallery will present a number of
key sculptures, collages, and
installations from this period in an effort to contextualize the evolution of West's singular practice.
Key innovations from this period — which included the addition of exuberant color to his papier - mâché forms, the incorporation of furniture both as art object and as social incubator, and the inclusion of work by other artists in his own
installations — resulted in dynamic, frequently interactive
installations that helped to redefine the possibilities of
sculpture and the ways in which art is experienced.
«Days are Dogs» gathers
key examples of Henrot's prolific output, including paintings,
sculptures,
installations and Ikebanas, organized into seven chapters, each named after a day of the week.