Fear not that which can kill the body but that which can
kill body and soul.
Not exact matches
10:28; «
And do not fear those who
kill the
body but can not
kill the
soul.
Matthew 10:28
And do not fear those who
kill the
body but can not
kill the
soul.
Matthew 10:28
And fear not them which kill the body, but are not able to kill the soul: but rather fear him which is able to destroy both soul and body in he
And fear not them which
kill the
body, but are not able to
kill the
soul: but rather fear him which is able to destroy both
soul and body in he
and body in hell.
And fear not them which kill the body, but are not able to kill the soul: but rather fear him which is able to destroy both soul and body in he
And fear not them which
kill the
body, but are not able to
kill the
soul: but rather fear him which is able to destroy both
soul and body in he
and body in hell.
Jesus said in Matthew 28 «
And do not fear those who
kill the
body but can not
kill the
soul.
«Do not fear those who
kill the
body but are unable to
kill the
soul; but rather fear Him who is able to destroy both
soul and body in hell.Matthew 10:28
Next in both Matthew
and Luke the disciples are told not to fear men, who can
kill the
body but not the
soul, or, as Luke has it, «who
kill the
body,
and after that have no more that they can do» (Mt 10:28; Lk 12:4 - 5).
The destroyer of the
body may not be able to
kill the
soul, but it can,
and too often does, rape
and maim the
soul.
That which wounds
and kills the
soul is worse than what is done to the
body... broken hearts are harder to heal than broken arms
and legs.
Mt 10 28
And do not fear those who
kill the
body but can not
kill the
soul.
And since non-violence is essentially a quality of
soul, the only effective appeal to the
soul must lie through non-violence... Pit
soul - force against brute - force... Fear is not a disease of the
body; fear
kills the
soul.
Houses of Worship should be places of comfort
and uplift for the
body and soul, not
killing fields.
(Aronofsky) The Meyerowitz Stories (New
and Selected)(Baumbach) The Death of Louis XIV (Serra) On
Body and Soul (Enyedi) Molly's Game (Sorkin) B - Graduation (Mungiu) The Lego Batman Movie (McKay) Icarus (Fogel) The Florida Project (Baker) Lady Macbeth (Oldroyd) Rocco (Demaizière
and Teurlai) Brawl in Cell Block 99 (Zahler) Faces Places (Agnès Varda
and JR) The Unknown Girl (The Dardennes) The Breadwinner (Twomey) Nobody Speak: Trials of the Free Press (Knappenberger) Wheelman (Rush) Wonder Wheel (Allen) C + Beach Rats (Hittman) Baby Driver (Wright) Blade Runner 2049 (Villeneuve) Colossal (Vigalondo) Ghost in the Shell (Sanders) Coco (Unkrich
and Molina) My Happy Family (Ekvtimishvili
and Groß) Gaga: Five Foot Two (Moukarbel) Gerald's Game (Flanagan) Abacus: Small Enough to Jail (James) Brigsby Bear (McCary) Captain Underpants: The First Epic Movie (Soren) C Get Out (Peele) Phantom Thread (Anderson) The Post (Spielberg) The Disaster Artist (Franco) Dunkirk (Nolan) Joan Didion: The Center Will Not Hold (Dunne) The
Killing of a Sacred Deer (Lanthimos) Becoming Warren Buffett (Kunhardt
and Oakes) The Death of Stalin (Iannucci) Logan (Mangold) The Discovery (McDowell) Wind River (Sheridan) The Ornithologist (Rodrigues) Mudbound (Rees) American Made (Liman) The Trip to Spain (Winterbottom) Saving Capitalism (Gilman
and Kornbluth) Our
Souls at Night (Batra) Pirates of the Caribbean: Dead Men Tell No Tales (Rønning
and Sandberg) The Lego Ninjago Movie (Bean, Fisher
and Logan) Star Wars: The Last Jedi (Johnson) C - John Wick: Chapter 2 (Stahelski) Wonder Woman (Jenkins) It (Muschietti) What Happened to Monday (Wirkola) Call Me by Your Name (Guadagnino) Darkest Hour (Wright) The Square (Östlund) Split (Shyamalan) Spider - Man: Homecoming (Watts) Guardians of the Galaxy Vol.
Solomon Northrup's story involves that, of course, but first
and foremost it's about surviving in the
body and soul,
and how far the human spirit can be pushed before it breaks, as is made clear in the stand - out scene where outstanding debut actress Lupita Nyong» o begs Chiwetel Ejiofor «s Solomon to
kill her.
Kit appears to be
killing not out of need or fear, but out of some perverse pleasure he gets from pulling the trigger
and making a
soul disappear from a
body.
It was the year that saw the release of Born to
Kill (Robert Wise),
Body and Soul (Robert Rossen), Out of the Past (Jacques Tourneur), Dark Passage (Delmer Daves), Crossfire (Edward Dmytryk),
and Dead Reckoning (John Cromwell), all shot in appropriately atmospheric black
and white.
These people call themselves ghosts, call the
bodies they inhabit skins; these people are dead but not dead, their new form of existence was triggered by a violent event that
kills their original
bodies and sends their — let's call them
souls — into another
body.
When the owners of Delicious Foods are finally brought to justice, Darlene is faced with the painful choices of freedom: how to break free of her pain - erasing addiction, how to live without promises, how to feed her
body and soul with truly good food that strengthens rather than
kills.