For instance, even the humanisation of the villain is less compelling than Fritz Lang's portrayal of Peter Lorre's character in M, though an attempt to make him seem ordinary is more evident here than in other serial
killer movies like Dahmer (2002).
Not exact matches
I hold out greater hope for Kirk... maybe
like an action
movie with
killer tomatoes....
In other words, if fighting superbugs is
like a horror
movie, the approach can tell if the call is coming from inside the house, or if the
killer is lurking outside and about to barge through the door.
It is pretty intense, but not scary
like a
movie with serial
killers.
In 1991 The Silence of the Lambs turned the course of horror
movies away from fantastic boogeymen
like Jason Vorhees and Freddy Krueger, and back to real - life serial
killers.
A return to the cinema of adorable mental illness - something that,
like the
killer in a slasher
movie, always seems to lurch back to life just when you think it's safely dead...
It's brimming with imaginative grace notes — a horse that curtsies when it's introduced; a francophile who doesn't know any French — and freewheeling performances, not to mention a
killer soundtrack that,
like the
movie itself, blends retro with modern.
by Walter Chaw The more cynical among us would note that the title might also refer to the time that
movies exactly
like Taking Lives have stolen from hapless audiences, but the fact of it is that if not for our mortal curiosity, we might have missed genuinely good mad - dog
killer flicks like Henry: Portrait of a Serial Killer, Manhunter, The Untold Story, and
killer flicks
like Henry: Portrait of a Serial
Killer, Manhunter, The Untold Story, and
Killer, Manhunter, The Untold Story, and Se7en.
Charles Burnett: If you look back in the day,
like Killer of Sheep, is one of those seminal American
movies... One of the great American
movies that you can look down the line and see how traces itself to Barry Jenkins.
The prison chaplin warns Sister Helen Prejean she should not expect the impending execution of a convicted
killer to be
like «a James Cagney
movie.»
«Behind the Mask» is a clever mockumentary from the era when the genre was booming about a serial
killer who models himself after
movie icons
like Jason, Freddy, and Michael Myers.
At least the
movie gets a solid performance out of Asano, a well - known face in American and Japanese cinema for his work in films
like the Thor franchise and Ichi the
Killer.
Until suddenly he does, and the film shifts gears from a study of trauma into a more conventional (but still eerily effective) horror
movie, with Josh (who looks more than a little
like Glover in River's Edge) enthusiastically casting himself in the role of psycho
killer, as if trying to live up to what he worries his best friend thinks he's become anyway.
Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors
like I've never seen a horror director do before.this
movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt
like all these characters really did go through something, and this
movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a
killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...
jcvd did his job, the
movie is a
killer of all, what more did u expected, if u fill its a flop, jst be actors then & show us what u got coz its
like u critisize what my man produced, he did it his own way, i thought every one has a way of doin his / her own things, we do nt have the same imagination or creativity.my man will ass kick u guys.
You might also
like Check out our roundup of more
killer revenge
movies Jim Jarmusch, Spike Lee, Martin Scorsese and other
movie buffs choose their essential New York film Check out the full list of the 100 best New York
movies See more in Film
The only people to die are the
killers, unlike in a
movie like «Inside» which bring in new victims to kill throughout.
This week the nerds discuss recent
movie trailers
like: Pixar's Brave — starring Emma Thompson, Billy Connolly, Craig Ferguson and Robbie Coltrane
Killer Elite — starring Clive Owen, Jason Statham and Robert De Niro Apollo 18 — In theaters September 2 Flypaper — Starring Patrick Dempsey, Ashley Judd, Mekhi Phifer, Tim Blake Nelson and Jeffrey Tambor Bucky Larson: Born to Be a Star — starring Nick Swardson, Christina Ricci, Stephen Dorff and Don Johnson Moneyball — Starring Brad Pitt, Jonah Hill and Phillip Seymour Hoffman
And that day may come, as it has for fellow Skins actor Nicholas Hoult, who went on to roles in big budget
movies like X-Men: First Class, Jack the Giant
Killer, and the upcoming Mad Max reboot.
For me and, I think, most viewers, other horror
movie villains
like psychotic
killers and deadly animals are simply no match for the faceless unknown that feels
like a more plausible and insurmountable threat.
Yet Kick - Ass isn't a satire so much as a shrine — a celebration of not simply what we love when we go to the
movies, but also what the
movies inspire us to be on drowsy Saturday afternoons, drunk on Mexican stand - offs, cops and
killers acting
like brothers, and physics that bend just enough to allow our heroes to run on walls, dodging bullets in their dark sunglasses.
The
movie wasn't even on my radar until about a week ago, and though it sounds
like a cheesy direct - to - video
movie in just about every way, early reaction has been extremely positive, pegging «John Wick» as an entertaining B -
movie fueled by some
killer action sequences and a great performance by Keanu Reeves.
Basically it looks
like a throwback to what I
like to call the «serial
killer playing cat and mouse games» genre, which includes
movies like Speed, Seven and Die Hard with a Vengeance.
I was maybe thinking what Harry was - that it seems
like their last idea of how to get their retired
killer character back into killing, after the other
movies took all of the other ideas.
You've got your Volcano and Dante's Peak, you've got Deep Impact and Armageddon, and for those of you who don't see Disaster
Movies as the be-all end - all of the cinematic form you've got Capote and Infamous... in which that southern writer was tossed at New York Society
like a
killer meteorite from outer space.
Regardless that this is a prequel so we know that Leatherface is going to survive and therefore lacks any suspense at all, as a
movie Leatherface is all over the place with references to what comes later shoehorned in —
like the blink - and - you'll - miss - it appearance of Grandpa in the opening scenes and the character of Hartman (the unscrupulous Mayor in Texas Chainsaw 3D was called Hartman, in case you'd forgotten)-- and details that just don't make sense, such as Drayton being portrayed as a psychopathic
killer but yet in Tobe Hooper's original
movie he «takes no pleasure in killing», and three people climbing into a cow's carcass to hide from the police which looks as dumb as it sounds.
When: January 13th Why: It's pretty funny that a
movie about counterfeiting should turn out to be an imitation itself (the Icelandic film on which its based featured the U.S. version's director, Baltasar Kormákur, in the lead role), but despite the fact that its clichéd plot seems to have been ripped off from a number of generic action thrillers just
like it, «Contraband» has one thing that a lot of those films didn't — a
killer ensemble cast.
cop Steve Burns (Al Pacino) is asked before going undercover in William Friedkin's dirty - scary thriller about a serial murderer preying on gay men in late - Seventies New York — in which everyone looks
like Al Pacino, all the victims as well as the
killer, which is why he's recruited: he's bait (and the
movie keeps hinting — fuck — he might also be the
killer).
I wonder if the popularity of Naked
Killer as a camp classic isn't inspired in some part by the belief that when Chinese people make terrible pictures, they aren't so much garbage as wacky and quaint; in the interests of cultural equality, however, I'd
like to state for the record that bad
movies are bad in any language, and Naked
Killer, for all its hints at subtext, is just bad.
For McConaughey, it continues an extreme career makeover that started in 2012 with
movies like «Magic Mike,» «Bernie» and «
Killer Joe.»
Killer: Do you
like scary
movies?
Sometimes, the British action star chooses the perfect action
movie,
like «Crank» or «Transporter», but other times, his choice of film could turn into a major flop,
like «
Killer Elite» or «The Italian Job».
There's so much to recommend «Out of Sight,» from it's snappy score that so reminded me of
movies like «Three Days of the Condor» and «
Killer Elite,» and the handsome cinematography of Elliot Davis.
The
movie has a terrific cast: Nagase as a perfect deadpan pilgrim, Taylor and Stevens as natural born
killers who
like to communicate with woolen hand puppets, «Children of Nature» star Gisli Halldorsson as Hirata's last guide and Japanese B -
movie master Seijun Suzuki as Hirata's traditionalist grandfather.
0:00 - 2:05 — Introduction; we didn't do a show on Friday because of reasons 2:05 - 11:00 — «21 Jump Street» review 11:00 - 16:50 — QOTW (
movie characters whose high school years you'd
like to have seen) 16:50 - 41:50 — South By Southwest Film Festival highlights: «Cabin in the Woods,» «Fat Kid Rules the World,» «Big Easy Express,» «
Killer Joe,» «Safety Not Guaranteed,» «Sinister,» «Sleepwalk -LSB-...]
The opening scene, in which Sadie (Brianna Hildebrand) and McKayla (Alexandra Shipp) try to catch the
killer's attention with the bait of a teenage make - out session in a car, plays
like a horror
movie.
As horror and scifi fans well know, John Carpenter isn't just the director of genre classics
like Halloween and Escape from New York — he's also a
killer musician who has created some of the most memorable
movie scores ever.
A glossy emphasis on design and lifestyle (those
killer bespoke and tailored suits, for one thing) permeates the new throwback international espionage
movies like Matthew Vaughn's Kingsman: The Secret Service and Guy Ritchie's The Man from U.N.C.L.E..
There's a potentially engaging jurisdictional triangle at the heart of his story, but it's largely obscured by what amounts to mediocre amalgam of a basic, post-CSI procedural and a serial
killer B
movie, in which a devilish antagonist does things
like phone the police to taunt them as he's snuffing his latest victim.
No one will take this film - about 10 hardened
killers brought to a remote island to slaughter one another for an audience on the Internet - for a great work of art, but there's a place for this kind of B
movie and for performers
like wrestler Steve Austin, a big slab of an American trying to fight his way out of hell.
In those previous
movies, however — especially
Killer Joe — the craziness was part of a larger story, whereas in August: Osage County, it sometimes feels
like that's all there is.
(Why, for instance, do some moviegoers sometimes find themselves half - admiring
movie killers like Jef Costello, the lonely contract
killer with the sharply honed senses in Jean - Pierre Melville's Le Samourai (1967); or Jules and Vincent, the two talkative hit men in Quentin Tarantino's Pulp Fiction (1994)?
After the blaxploitation
movies ran out of steam, she moved back to Denver to be near her family, but continued to work in two or three pictures a year - some of them good roles
like the cop -
killer in «Fort Apache, the Bronx» (1981), some of them throwaways
like «Mars Attacks!»
Next came the
movie's look («The chador, it's so dark and geometric — the
movie just had to be black and white») and a
killer soundtrack featuring underground Iranian bands
like Radio Tehran and Kiosk.
The worst part was hearing the
killer explain their motives
like a Bond
movie villain.
It's one thing to shift to avoid an obvious box office
killer like a superhero
movie, but the January - December move this year is less a show of faith and more about accommodating reshoots.
Part serial -
killer thriller, part old - school anti-Soviet propaganda, «Child 44» plays
like a curious relic of an earlier Cold War mindset, when Western audiences took comfort that they were living on the right side of the Iron Curtain and relied on
movies...
Or make that: we seldom manage to outguess
movies that play fair (
like Sixth Sense, The Crying Game, the original 1960s Planet of the Apes) instead of cheat — usually the «brain in the vat» type of story such as Fight Club, Vanilla Sky and Identity — that thing about the serial
killer at the abandoned motel during a rainy night starring John Cusack.
There were pop culture reverences made that shocked me,
like the lead character talking about the
movie Rise of the
Killer Tomatoes and Tom and Jerry.
The first game that I saw was Mini Ninjas which is a traditional arcade game for all ages that has a few
killer twists, ensuring that this is truly a 21st century gaming title Mini Ninjas Paying homage to those classic Japanese martial arts
movies of yesteryear, gamers play Hiro, a 114 cm tall Ninja who has been given the task, just
like the other Mini Ninjas to save the world.