Sentences with phrase «kilter approach»

, an exhibition of painting and sculpture by thirteen artists who share an off - kilter approach to modernist abstraction.
Fredericks & Freiser is pleased to present Strange Abstraction, an exhibition of painting and sculpture by thirteen artists who share an off - kilter approach to modernist abstraction.
This amusing introduction to the animal kingdom takes an off - kilter approach: step - by - step instructions for weird animal skills.
That said, I appreciated Almereyda's talky, off - kilter approach to the subject matter, even if it never gets fully beyond the rather tired premise of futuristic, holographic replacements of lost loved ones.
In watching the film, you come to appreciate Al Pacino's off - kilter approach and his counterpart (sort of like a Sienna Miller naturally good looking girl next door) in Kitty Winn, whose Helen makes an almost conscious decision to join Bobby in his downward spiral is just as riveting.
Miu Miu, like its big sister Prada, tends to take a slightly off - kilter approach to its creative output and its most recent digital venture is no exception.

Not exact matches

It's clear, as well, that Killing Ground benefits substantially from Power's time - shifting approach to the material, with the decidedly off - kilter structure lending the early part of the proceedings a puzzle - like vibe that proves difficult to resist.
It's quirky, but Cote's approach is so precise (yet off - kilter at the same time) it's on a completely different planet than the sort of indie comedy you'd expect.
Technical factors: the muni market new issue supply / demand imbalance in place for some time is further out of kilter as we approach the summer months.
Through his trademark emblematic icons, «Mr. Man», «moon face» and other mysterious images, Donato pulls the viewer into his out - of - kilter world with an always - inventive approach.
These shows both examine off - kilter and stagey approaches to representation as a means of exploring pressing social issues.
Butler talks about this approach to painting as «a studied, passive - aggressive incompleteness» and «subversion of closure» that exists within «multiple forms of imperfection: not merely what is unfinished but also the off - kilter, the overtly offhand, the not - quite - right.»
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