His site - specific constructed installations investigate non-objective abstraction and perceptual qualities in constructed environments that reconstructs architectural space in a blend of minimalism, process
art and
kinaesthetic experience that incorporates immersive light, sensory perception and luminal effects of uniform light (Ganzfelds).
What I vividly recall about The Light at the End, which I saw in a show at New York's Grey
Art Gallery in 1991, is a visceral, physical response so strong it is still lodged in my
kinaesthetic memory.