Sentences with phrase «kind for real work»

I don't see me ever using a pad device of any kind for real work.

Not exact matches

Not everything adjusts perfectly to a touch - first experience, but it is more than enough for the kind of lightweight stuff you would want to do while switching away from productivity apps and so - called «real work.»

For example, any team which works from any kind of document (be that spreadsheets, presentations, simple Word files etc.) could benefit from a Cloud - based IT solution, which enables users to view and edit documents simultaneously and in real time.

Blockchain can also make escrow a thing of the past, not just for real estate, but for all industries that work with any kind of escrow middle man.

But the real estate queen never planned on getting rich, she tells journalist Farnoosh Torabi for CNBC Make It: «It just kind of happened, as a result of good work I think.»

I've worked with startups and I've invested in real estate and worked with some small businesses, but... over the last nine months I just realized the kinds of tools that should be made available [for new entrepreneurs], the kind of thinking that should be made available, and most importantly, the network opportunity.

Former Philadelphia real estate broker turned developer David Dinenberg (he worked with David Grasso on the Valley Square center in Bucks) says he has raised $ 2 million, from investors including Lindy Snider, daughter of Comcast Spectacor chairman Ed Snider, for his firm Kind Financial, a Los Angeles company that bills itself «the financial solutions platform provider for the quickly - growing legal cannabis industry.»

None of the social media marketers we work (or are in competition) with could pay an employee $ 500 per month for social media work and attract any kind of real SMM talent.

We know a lot from various kinds of evidence: a) the experience of the real estate sector, where recent studies by Macdonald Realty and Re / Max have confirmed the dominance of foreign buyers at the top end of the market especially, as stated for years by individual realtors (accounts often denigrated as «anecdotal»); b) there is the digging of several investigative journalists, and most notably by Ian Young of the South China Morning Post who has boldly and effectively raised issues native journalists have sometimes shied from; c) academic work, including the books by Katharyne Mitchell (2004) Beyond the Neoliberal Line and David Ley Millionaire Migrants (2011).

The way it works is we can send real world items such as money or any kind of value or asset digitally from our phones and computers over a peer to peer network with no need for a financial infrastructure so no fees and no controlling powers saying what we can and can't be done with the currency we earn.

I'm not sure what my point is really, I'm kind of rambling, but I suppose it's just that I'm wondering that if it's possible for a bunch of online strangers to work out their disagreements and come to a friendly understanding (and yes endure temporary offenses and misunderstandings), it must be possible in real life church IF (a big «if») we are willing to stop being too afraid to speak up.

The real question is, if there is some kind of «rapture» for these people, what does it matter if they're working or going on with their normal lives when it happens?

I am sure there's some really fancy shmancy tool just for glazing chocolate on orange peels... but let's be real, I used a wine bottle as a rolling pin this past weekend... clearly this was a make - it - work kind of project.

It's kind of like how discipline and raising a child works for most of us in real life.

And if that isn't enough, with the lid shut (good practice for the real potty, too), it actually looks kind of stylish and even works as a step stool.

Our breakout session for the moms is right afterwards, while parenting expert Annie Fox works with the girls on «Real Friends vs. The Other Kind.»

«Virtual infrastructure» becomes real «The bottom line is we've been working on this kind of deal for years,» Levine said in a telephone interview.

For example, real organs are not simply chunks of tissue interlaced with blood vessels, but internally structured machines comprising various kinds of tissue all working together to do a job.

But dropping 5 or even 10 pounds will not help you land a job or improve your relationships, and this kind of unrealistic thinking sets you up for failure in other areas of your life and can prevent you from proactively working on real issues.

They grant you real life opportunities versus received wisdom from your parents or friends and allow you to discover the kind of relationships and people that work or don't work for you, which helps you ultimately understand what you're actually looking for and need in the end.

And last put the joking to the side here ok I am looking for long term relationship some one WHO want a real relationship and want to work to gather and in joy life to gather and I am speaking from my to your hart and take me seriously here ok this is not a jok I am not here to play any kind of...

UK About Blog I am a witch... have been for a very long time, not the green skinned warty kind obviously... the real sort but I am also a working wife and mother who has also been lucky enough to write and have published a book or three.

There's plenty of raw material here for the kind of ruminative portrait that Haley did so well previously with Danner: Lee's divorce (his ex is played by Elliott's real - life spouse Katharine Ross), his strained relationship with his adult daughter (Krysten Ritter), and his refuge in the company of Jeremy (Nick Offerman), a friendly weed dealer and ex-child actor with whom Lee once worked on a series.

Real movie poster art died as the studios opted for cheap floating head photoshop jobs, but it's currently alive and kicking with companies like Mondo, Bottleneck Gallery, Hero Complex Gallery, Gray Matter Art, Dark Hall Mansion, Cyclops Print Works and many many more releasing dozens of licensed (and unlicensed) screenprints for all kinds of movie properties, new and old.

A neo-hippie destined to become Neo for real, Reeves brought to his early work a kind of befuddled earnestness that informs his best performances (in My Own Private Idaho for instance, or even the first Matrix)-- a quality causing genuine concern for «Hellblazer» fans, who probably deserve a more complex Constantine.

To prepare students for life and work of this kind, the school curriculum needs to include a greater focus on the collaborative solution of real, complex problems.

Providing students with this kind of real - life context for their work helps them understand that their work has broader application and meaning.

Authentic assessments are opportunities for students to write for real audiences, share knowledge with a wide audience, and engage in the kind of work that occurs outside the classroom.

Having access to these kinds of competitions and events accelerates learning, builds grit and exposes students to the real - world working environments, which is paramount for the UK to uphold and indeed break through the current level of catering expertise we have on offer in our towns and cities.

It feels kind of like magic when it works, but it's not nearly predictable enough right now to be a real driver of business rather than an impressive occasional delight for customers.»

Hell, maybe that can even work — though I have a hard time picturing it, and, besides, the physical print market is already niche enough that physical retailers would be, I think, largely foolish to even raise the possibility that customers in their physical stores might migrate to digital (not that I think they WILL, as a mass)(but the REAL problem is that if the «wrong» 10 % — the heavy users who buy most of the comics; the cats who buy 20 + comics every single week — shifts their business, the entirely possibility of much of the physical market kind of disappears for the other 90 % of the participants, whether they want it or not)

One other friend of mine left he was in the real estate space wrote a book with with a major publishing house and then a few years later stopped he left real estate and went into a really strong personal development business and the publisher went up well you're not promoting this book anymore and they took his book word - for - word and put somebody else's name on the cover of it and just put a new introduction on it no credit to anybody he had worked because he had two co-authors help him with it because he's dyslexic so they essentially were the ones that wrote it and he provided a lot of the content and the publisher gave those other authors no credit took his name off and put somebody else's name on the front and then the publisher was 100 % within their rights to do it so you know there's a lot of things that I challenge people to kind of think about what's important and if you're putting all your expertise into this book you want to make sure that somebody's negotiated a heck out of it giving you a contract that actually makes sense for you and your business.

Leaving aside for the moment that a substantial number of bestsellers are not the work of first - time authors submitted over the transom, but are instead commissioned before they are even written — meaning that there wasn't ever any real opportunity for a «rejection» in the first place, or at least not a comparable one — one must recognize that there's more than one kind of «bestseller» out there.

Even with an elderly alcoholic running a stodgy business, this significant excess of real value per share working for you means that all kinds of good things can happen to you.

Even though I earn a good salary I wouldn't consider myself «well off» at any age until I could quit working for long periods of time without any real financial hardships resulting from that kind of move.

This facility, where rescued dogs will learn to be rescuers, will be the first - of - its - kind in America and will provide a training ground for search and rescue teams throughout the nation to work with their canines in an environment that simulates real disaster conditions such as a train wreck, an earthquake zone and a rubble pile.

The dog learns not by tightening real tight but a gentle pressure not to pinch or hurt dog, the rest of training after established collar is on is communicating with the prong, slight up / down motion... having a serious conversation with the prong collar is only necessary at extreme point, lunging to kill a dog or persons extreme and there is no treat or tone or action that stops dog already at a 10 then a calm leash correction and removing dog away from distraction to the other side of dogs thresh hold 6ft to across the street and repeat getting closer and of course treats and a «GOOD» is needed when a job well done Now, I also work with a Old English Bull Dog named Zoey who had to go 2 months to physical therapy for her knee she had surgery on a yr ago and I used a harness by Halti, they said no good, and a flat collar is no good on these kind of dogs.

I just kind of fell into it and it's working well for me so far and I've actually been contemplating adding one more because I've had a real good idea that I'd like to pursue that doesn't really fit either of these venues.

Doug Aitken: For me, the work «Mirage» was a kind of gradual evolution of different projects, looking at the idea of reflectivity, the idea of bringing the viewer into the work and creating an encounter that was happening in real time that wasn't necessarily authored.

In his introduction John Ashbery calls the book «the finest work of Surrealist fiction,» noting that de Chirico «invented for the occasion a new style and a new kind of novel... his long run - on sentences, stitched together with semi-colons, allow a cinematic freedom of narration... his language, like his painting, is invisible: a transparent but dense medium containing objects that are more real than reality.»

With a portion of the ZKM retrospective coming to the U.S. this month, at the Yerba Buena Center for the Arts in San Francisco, Donahue and Hershman Leeson got the idea to put together a show of firsts — works that had mostly not been shown in New York, yet were the first of their kind to utilize different emerging technologies like the interactive laser disc, the touchscreen, and even video that reacts in real time to stock market data.

My work has always had specific origin points in the real world, but I have slowly made a kind of inward progression so that materials, processes, the studio and my own actions have all started to qualify for me as origin points in and of themselves, which can amount to pure invention in some ways.

In as much as there is a kind of hovering connection to the real world, artists working in abstraction directly before and after AbEx — for instance, Marsden Hartley, Arthur Dove, Morris Louis, Helen Frankenthaler, Ellsworth Kelly, Robert Ryman, Paul Feeley or Kenneth Noland — seem much more like kindred spirits.

Gordon, who before starting Depict was working for a clean tech startup, pointed to the fact that there was a lot of new digital art that seemed «trapped inside the format of a laptop or a computer or a mobile device,» far away from the kind of experience she felt necessary for the viewer to have a «real emotional relationship with the art.»

A number of civil society organizations are working to define the right kinds of projects for the GCF to fund, which will lead to real and necessary transformations.

So it seems to me that the simple way of communicating a complex problem has led to several fallacies becoming fixed in the discussions of the real problem; (1) the Earth is a black body, (2) with no materials either surrounding the systems or in the systems, (3) in radiative energy transport equilibrium, (4) response is chaotic solely based on extremely rough appeal to temporal - based chaotic response, (5) but at the same time exhibits trends, (6) but at the same time averages of chaotic response are not chaotic, (7) the mathematical model is a boundary value problem yet it is solved in the time domain, (8) absolutely all that matters is the incoming radiative energy at the TOA and the outgoing radiative energy at the Earth's surface, (9) all the physical phenomena and processes that are occurring between the TOA and the surface along with all the materials within the subsystems can be ignored, (10) including all other activities of human kind save for our contributions of CO2 to the atmosphere, (11) neglecting to mention that if these were true there would be no problem yet we continue to expend time and money working on the problem.

Taking a neutral stance at this point on rehashed work from «NIPCC» (Fred Singer and friends), well known for serial, serious errors in overall interpretation, analysis and communication of the science and transparent but largely unexamined ideological bias at play in their playground «reports» — never mind suggesting that this kind of effort «competes» with the work of the world's climate scientists and the 2,500 multidisciplinary specialists contributing to IPCC reports combined with the tens of thousands of additional scientists and many others who raise real questions that result from reading, reviewing, evaluating and evolving the information in both IPCC summaries and domestic science and discussion of the science, knowledgeably and in good faith and with open identification of the nature of the social and political issues — is just not credible.

If I lived in my tiny house, I wouldn't be too concerned about the cost to relocate to / from wherever for whatever work I might pursue; I wouldn't have that kind of freedom if I were stuck in my house that might not sell in a weak or marginal real estate market.

(FWIW, Figure 9.1 does work as a kind of map for me, since it's organized with a height and a latitude axis — albeit the rectangular geometry is physically incongruent with the real - world space.)

But even beyond the porn angle, the machine learning technology that makes these kind of manipulated videos work will only grow more sophisticated over time, making it even harder for internet - goers to determine what's real and what's fabricated.