Hon Rotimi Amaechi, we are really pleased with your continuous exceptional
kind gestures towards the North, in spite of the attacks on your person and ideology from some sections of the country as a result of that.
The District Director of Health, Madam Florence Ansogmwine who took delivery of the items, thanked the First Lady, Mrs. Mahama for being a mother, a friend and a blessing to the needy and vulnerable, saying the people of Nadowli - Kaleo District will be eternally appreciative of
her kind gesture towards them.
Not exact matches
All the Reformers were of one mind in wanting to abandon the implications of the sometimes hysterical piety of the faithful
towards the «Blessed Sacrament», marvelling at a
kind of almost horrific miracle in the «transubstantiation» which occurred, as it were automatically, when the correct words and
gestures proceeded from a properly ordained priest.
Mr. President, you seriously need to look at this
kind gesture of yours
towards the family of late Capt. Maxwell Adama Mahama again and extend it to we the «sankwas» in the police who are equally dying in line of duties just as the Captain died almost every day.
Ian Gibson MP added: «I guess this is a reaction to the pressure that has been building up and I think this is a
gesture towards recognising that this
kind of lavish behaviour is unnecessary.»
These are the
kind of results good
gestures from Christians
towards sinners yield and it makes it difficult for me to understand why the Christian Council and Catholic Bishops Conference are rather discouraging us from giving these two Guantanamo Bay prisoners believed to be terrorists a new home in Ghana to enable them reform just like Zacchaeus did.
The steel has not been treated with any
kind of artistic
gesture, the original text identifying its industry is in tact, and the helium jacks are in their original state a further
gesture towards the economics involved in what we think of as art in the contemporary sphere.
These wonderful plays between the organic and the geometric, between form and formlessness eventually led her away from art altogether, and
towards what she came to regard as a
kind of therapy, in which objects took the place of speech and
gesture.
The work seeks to locate the possible effects or afterimages of an exhibition across two categories of imprints: on one hand, a
kind of retinal persistence, a blur of works and texts that vie for preeminence in recalling the experience of the exhibition, and, on the other hand, the mode of the archive that exhibitions of contemporary art in general
gesture towards, the database where they would like to register.