Unfortunately, after all this time, it's
kind of a long shot.
Not exact matches
For example, Hornacek praise can still come after a bad loss, or Porzingis skepticism can still come after a good performance, and these
kind of counter viewpoints should not be
shot down simply because they do not match with the general collective thought
of the moment, as
long as they are calmly and logically reasoned.
I haven't seen many first option guys on a good team or bad team that goes through that
kind of bad
shooting for that
long.
But come on, it's been so
long and all day it
kind of felt inevitable that he was going to slog his way to a number that left him two or three
shots short
of playing the weekend.
Kane can score all
kinds of goals, be it tap ins, headers or
long shots, and he isn't afraid to
shoot either, having had at least 50 % more
shots in the past Premier League season than any other player in the league.
The tax - the - rich plan may face
long odds in Albany, but it pressures the governor and also provides a
kind of triple bank
shot in the game
of local political advantage for the mayor as he gears up for his re-election campaign in November.
The Netroots did a solid job
of identifying and funding candidates in districts where Democrats were a
longer shot — the
kinds of high - risk prospects you wouldn't necessarily want your congressional committee worrying about.»
-- this
kind of PCOS is common for women who have been on the pill or other hormonal birth control like the implant,
shot, or ring, for a
long time.
Long sleeve tees have been huge over the past few seasons and if you've seen any
of the recent fashion week street style
shots you'll know that this
kind of monochromatic futuristic design from SYSTVM is bang on - trend.
It was
kind of hard to get a good
shot of my shoes, but I wore my white booties from Kohls to add some height, since I am so short and the skirt was so
long.
We had to stop along the way to snap
shots on these lava rock walls (which proved to be super uncomfortable and sharp, hence the
kind of less - than - ideal pose)-- though I couldn't last
long, it was at least an opportunity to showcase these Sole Society sandals that I've been wearing tons and my go - to summer dress from Joe Fresh!
Pretending to be someone else can not last for
long, and you will most likely
shoot down the chance
of forming any
kind of lasting relationship.
I'm originally from
Long Island, N.Y. I have 2 daughters I like to bowl,
shoot pool, I like action movies some drama, and all
kinds of music, especially reggae.
I suppose Kinberg is intending it to be some
kind of commentary on marriage, but the shootout is so big, so noisy, and so
long (they are pretty crummy hit persons if they are not better
shots than that) that makeup sex seems stupid under the circumstances.
What George Clooney Does: Stares glumly, stares glumly, stares glumly,
shoots this guy,
shoots the lady he just had sex with, drives and stares glumly, meets contacts, makes a gun, talks on the phone to the boss he no
longer trusts, stares glumly, makes another gun, talks some, meets a lady assassin who's even more cold - blooded than he is, stares glumly, gets
kind of turned on when he
shoots his gun in the lady assassin's direction and she doesn't even flinch, talks to a priest, stares glumly at the priest.
There's a certain
kind of film I see at many festivals: oblique, short on narrative and incident (or filled with repetitive incident),
shot in a style that favors
long (distance and time)
shots of people doing nothing, or doing mundane things like crossing the street in real time.
And compared to many
of its
kind that hold a PG - 13 rating, its outperformed many
of them by a
long shot.
Cianfrance and Bobbitt
shot the movie in a
kind of coldly sunny blur
of metallic speed and near - constant movement that starts out with a five - minute -
long tracking
shot.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner
of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages
of the characters» lives) across the temporal loop
of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns
of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means
of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same
kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too
long — static, meticulously framed
shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family
of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode
of Angel where David Boreanaz turned into a Muppet.
The entire gag takes a
long while to play out (the money
shot - close - up on a set
of buttocks most definitely not those
of the 62 year - old Willis), though it is infused with the
kind of nutty energy that Willis last exhibited in his 1991 megaflop, Hudson Hawk (a film that has since acquired an army
of «guilty pleasure» defenders, including yours truly).
So it was a
long shoot and quite a big epic movie in one way, but very much a character drama, also some
kind of reverse love story between my character and Tom's character: they've been married for eight years when the movie starts and it's like a cold war between them.
Shot with a reverence for the
kind of beauty only Michael Mann has ever captured from Los Angeles, the film is a breath
of fresh air, a visionary take on a
long - storied genre that is one
of the most wholly satisfying viewing experiences in a
long time.
When you're on a
long shoot and it's not going chronologically, you have to
kind of keep tabs on how you played certain things.
The Five - Year Engagement, which runs
longer than two hours and invites all
kinds of bitter jokes about the title, is another collaboration between writer / director Nicholas Stoller and writer / star Jason Segel in which they seem to have written and
shot a movie that is four hours
long, then awkwardly stuffed it into a still - overlong two - hour frame
Greta Gerwig: We had Lola audition a bunch
of times, so we had a really
long shooting schedule so we
kind of just went straight into
shooting.
His earlier films, funny as they are, are hampered by unevenness and overemphasis, and by the
kind of selfcongratulatory distrust
of the audience that makes Brooks hold his
shots too
long, zoom in insistently on his sight gags, use the same joke again and again under the misapprehension that that makes it a running gag, or — when in doubt — have an unlikely person say «bullshit» or burst into Cole Porter.
It's funny that it took this
long for this
kind of news to come out, considering PTA
shot most
of The Master last year around Southern California, but I believe there were rumors a few years ago anyway.
«The Civic Type R has
long been forbidden fruit for enthusiasts in the U.S., so we thought it would be fun to offer one lucky customer a
shot at owning the first
of its
kind in America while benefitting the leading nonprofit solely dedicated to finding a cure for childhood brain tumors, the Pediatric Brain Tumor Foundation.»
«The Civic Type R has
long been forbidden fruit for enthusiasts in the U.S., so we thought it would be fun to offer one lucky customer a
shot at owning the first
of its
kind in America while benefitting the leading nonprofit solely dedicated to finding a cure for childhood brain tumors, the Pediatric Brain Tumor Foundation,» said Jeff Conrad, Senior Vice President, Automobile Division, American Honda Motor Co., Inc..
That date was taking me to a «
shoot - em - up» action movie
of some
kind - I no
longer recall which one - but it was sold out.
To be sure,
long -
shots can sometimes be offset by bonanza profits if success does occur, but that
kind of investing is more in the nature
of a venture capital operation than a value investing operation.
In fact, noting my last post, some
kind of North American merger / listing would be ideal — that's a
long -
shot, but it could potentially exploit a gigantic valuation arbitrage.
It is
long and flat, always giving you the chance to practice all
kind of shots without having to recur to mount climbing as you play.
When you're
shooting film, the cameras use these
long lenses; you
kind of feel this tendency, if it's wide especially, to push it.
Successfully pulling off these
kinds of shots without the laser sight makes this combat system one
of the most rewarding I've encountered in a
long time.
It was obvious that the results were not as good as they could've been, but was more obvious was that as
long as I was standing anywhere near the ball was coming and as
long as I had tapped any
kind of shot at any point before the ball's arrival, my character would return the
shot just fine.
One Mile Film (5,280 feet
of 35 mm film negative and print taped to the mile -
long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints
of all
kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much
of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces
of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images
shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends
of the High Line and the New York City Department
of Parks and Recreation
The likelihood that this bill will make into law with the current congress seems like a
long shot, but it absolutely represents the
kind of ambitious plans we need from our elected officials to fight the consequences
of climate change.
As
long as the attached phone can handle it, the CMOS sensor can snap full - resolution photos at 24 frames per second, or the
kind of relentless
shooting speed that would make One X and Galaxy S III fans happy.