Sentences with phrase «kind of action painting»

Unlike the kind of action that is so identifiable in Abstract Expressionist painting, which entails the different layers in the case of Pollock's drip paintings, scraping and repainting in the case of de Kooning, you sort of invented your own kind of action painting, in a way.

Not exact matches

But when painted - up soldiers emerge from enormous wooden lean - tos and start slashing each other's throats with what looks like serrated ping - pong paddles, that kind of local color lends novelty to something that a lot of action fans will have otherwise seen before.

Fukui's distinctly fresh approach creates a kind of Pollock - like frenzy of color, re-inventing action painting with a Hadron Collider of images.

Instead of action painting, one has a kind of action curating.

Precisely the same kind of things occur in the act of making a painting except that in painting each action and each judgment is made against the presumption of a final simultaneity, «the thing itself».»

Artists such as Nevelson and David Smith became known for large - scale outdoor sculptures and public art, while Aaron Siskind sought to capture the same kind of energy and movement in his photography that Pollock was attempting to evoke through action painting.

(But there is also a kind of kinship with action painting, the spontaneous delight that comes from discovering the possibility of everything, the act itself, the gesture as material - motif.

Yet in the Bacchus paintings, there's an extraordinary sense of release, so you have this idea of reprise and release, which moves in a kind of temporal action through the different eras of Twombly's work, as though he returns again and again to a problem and then finds new energy in the way he releases it both in gesture and in the way he addresses each canvas.

Larson equates the act of moving the body through the landscape and the act of bending to pick things up as a kind of in - situ action painting.

In a way, he was proposing a new kind of «action painting.»

By reducing paintings to mere signs of themselves, McCollum turned the gallery and the museum setting into a kind of theater, highlighting the drama of presenting, displaying, buying and selling, exchanging, photographing, assessing, criticising, choosing, and writing about the works; the object - paintings at the center of the action were purposely rendered moot, in order to turn one's attention to the supplementary devices and social practices that, in the end, bestow the value on the work.

It brings to mind Allan Kaprow's 1958 essay «The Legacy of Jackson Pollock,» in which he suggested that artists following Pollock could choose to «develop an action kind of painting» or «take advantage of the action itself, implicit as a kind of dance ritual.»

These subjects require a much greater variety of paint - handling than the figure paintings, resulting in loose, open surfaces that are a kind of imagistic action painting.

Unfortunately, what this kind of ripping, cutting, dropping, and rubbing action connected me to were aspects of Color Field painting.

Action painting, direct, instinctual, and highly dynamic kind of art that involves the spontaneous application of vigorous, sweeping brushstrokes and the chance effects of dripping and spilling paint onto the canvas.

Let's talk about Vagina Painting (held at Filmmaker Cooperative at Astor Place in 1965 where Jonas Mekas would occasionally let Maciunas take over the space to use for his Fluxfest) which was considered a kind of parody of Yves Klein's use of the female body as a painting tool, as well as Pollock's action pPainting (held at Filmmaker Cooperative at Astor Place in 1965 where Jonas Mekas would occasionally let Maciunas take over the space to use for his Fluxfest) which was considered a kind of parody of Yves Klein's use of the female body as a painting tool, as well as Pollock's action ppainting tool, as well as Pollock's action paintingpainting.

«Some of the labels that became attached to Abstract Expressionism, like «informel» and «Action Painting,» definitely implied this; one was given to understand that what was involved was an utterly new kind of art that was no longer art in any accepted sense.