Ha's paintings, uniformly titled Conjunctions, propose
a kind of aesthetic experience, a qualitative leap into an epic momentum, referencing both spiritual and secular impulses along the way.
Not exact matches
If indeed we are to judge all thought by the way it «promotes the art
of life,» then I think that we must recognize that there are many ways in which that «art» can be promoted, just as there are many different forms and styles within the fine arts, all
of which can give rise to particular
kinds of rich
aesthetic experience.9
I see no consistent basis within the framework
of Hall's own thought for asserting that this particular
kind of experience is somehow «illegitimate,» that its
aesthetic quality is greatly inferior to that which results from the
experience of art or nature or interpersonal relationships or even
of mystical contemplation.
The fact is that our
experience gives us all this together, as being profoundly one in impact upon us; we can not cut up the world
of experience, after the fashion
of an earlier philosophy, and speak as if that which in its
aesthetic quality has subjective appeal must lack any genuine reality in the world itself, simply because it does not lend itself to a particular
kind of analysis by measurement or testing.
I've got to admit, I've
kind of got a thing for this whole Mid-Century
aesthetic that has been spreading outwardly from the hip Palm Spring hotels that have been rocking this look (both in original and retro form) since, well, the Mid-Century, and there's no better place to
experience this
aesthetic than Scottsdale's The Saguaro.
A
kind of stretched - out minimalist barn that seems to go on and on and on, it's an
aesthetic experience unto itself.
«While each painter exemplifies a
kind of hybrid
experience in his or her work, they differ vastly in their execution,
aesthetic, and biography — creating an eclectic commentary about the nature
of modern amalgamation.
In 2007, Dan Fox wrote for frieze magazine, «for Moffett, painting is used as a
kind of aesthetic compressor concentrating the very real concerns and complexities
of identity politics and human sexuality into a hard - hitting, high - tension visual
experience.»
Kroll asserts his individual freedom by expressing his inner nature in a
kind of spiritual
experience that confers a joyous authenticity to his work and reveals his deep and personal vision in a serene affirmation
of his
aesthetic and pictorial mastery to which this exhibition bears witness.
-
Experienced in all different
kinds of photography - Strong
aesthetic sense - Technical knowledge
of multiple camera technologies - Extensive communication, cooperation, and service skills - Critical thinking, analysis, and strong attention to small details
As a therapist, I provide a language and even a
kind of aesthetic tone to counter the sense
of degradation that's often part
of people's
experience of sex.