Sentences with phrase «kind of artist today»

She seems to be saying I can be one kind of artist today, tomorrow another.

Not exact matches

The collection veered away from Slimane territory as it progressed through decades of rocker style, ending in a series of bondage - inspired and sheer - fronted dresses that covered, at times, only the nipples — the kind of clothes one could expect to see on today's more daring female musical artists: Rihanna, Nicki Minaj, Miley Cyrus.
This is the kind of story that you go to Marvel for, executed by a writer / artist team doing it as good as if not better than anyone else in the business today.
But being an outside - the - box kind of thinker and doer — an artist, if you will, I had no desire to attempt to jump on the assembly line of uber - capitalist publishing that exists in America today.
What advice would you give to young artists today who are getting that same kind of attention early on?
What's different today is not just the heightened economic inequality we see within the US, but also the widespread de rigueur expectation — reinforced by curators, academics, and, indeed, critics — that serious artists offer a kind of protest, working to subvert the very social and economic power structures their patrons uphold.
Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and exhibitions.
The complexity at work here is an intentional part of the exhibition's curation: «I would argue that the strategies the show's artists use for grappling with such issues goes beyond the kinds of mirroring or enhancing of the aesthetics of such systems that have become standard of much of contemporary art today,» Malick elaborates.
«While group exhibitions are typically built around a technique or aesthetic concerns, this show looks at models of engagement and cooperation between contemporary female artists, and the deeper kinds of networking and community building that happen today in the studios, galleries and across the digital realm.»
From the notorious queues at her museum shows to hundreds of thousands of images of her artworks flooding social media, the Japanese avant garde artist inspires a kind of fan mania rarely witnessed in the art scene today.
She continues to work today, and her career is remarkable not only for its longevity but also because Bourgeois is a rare kind of artist — one who consistently surprises and delights with startling new work.
Firstly, we will be making a new kind of space that is needed to support the practice of today's artists, who are thinking and working in very different ways across artistic disciplines.
When Artspace's Will Fenstermaker spoke with Clark about his collection, the artist noted his is the kind of collection that would be difficult to assemble today without a readily available fortune.
To be an artist today, it is necessary to believe that there are still some kind of job for art to do that can't be done by any other practice.
«We hear so much today about artists working in diverse, socially engaged practices,» said Irene Tsatsos, the Armory's Gallery Director and Chief Curator, «but there's a long tradition of this kind of work.
And while that kind of biographical cache does not always serve an artist's critical reception — romance and heroism are hardly the picks of today's critical litter — it should here.
FLUX Exhibition is a groundbreaking and new kind of art event — a collection of the most dynamic painters, performance artists and musicians, which presents an alternative way to encounter today's best new art.
Kind of Blue — Winter Exhibition considers the magnetism that the color blue has had on artists throughout art history and today.
The first show of its kind in the United States, Sotheby's S 2 selling exhibition of leading Brazilian contemporary art will bring together the vibrant, engaging works of many of the country's most compelling and influential artists today.
Today Kemang Wa Lehulere lives between Johannesburg and Cape Town and is one of the most important representatives of a new generation of South African artists who work in all different kinds of genres and media in order to develop new artistic perspectives and narrative modes, as well as new forms of political action.
While so much of today's common wisdom around appropriation grants that tactic a kind of distanced purview, from which an artist might critique while simultaneously participating in prevailing modes of cultural representation, we all too rarely account for the ways in which a sort of lasciviousness attends the venture — especially, perhaps, as younger generations take up its presumed look and legacy.
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