The AR movement at first may seem like a novelty, but a closer look reveals interdisciplinary perspectives that involve aesthetic explorations of blended realities as a new
kind of artistic practice and cultural space.
It takes a certain
kind of artistic practice to be able to produce a body of work for such spaces.
We declare that this power can be unleashed through many
kinds of artistic practices and through the deliberate inclusion of many voices.
Not exact matches
Manister's
artistic worldview and method is underpinned by the humanist vision
of the older generation, but his commitment to forging an individual
practice is not hampered by the same
kind of high - seriousness and obdurate self - belief often found with other painters working «after the fall.»
More recently, he has continued to attract international attention though his lectures and essays on contemporary dance and on the
artistic practices that emerged in the New York Underground scene
of the 1960s, mainly the work
of Jack Smith, Ronald Tavel and Andy Warhol (e.g. «Our
Kind of Movie»: The Films
of Andy Warhol, 2012)
Architectural models Various
kinds of architectural models have a key role in Thomas Schütte's
artistic practice.
By extension, the act
of inhabiting or occupying a space functions as a
kind of artistic production, serving as the undercurrent
of his predominantly site - specific
practice.
They represented several generations
of Chicago - based artists who apply activist intentions, conceptual strategies, and experimental
artistic approaches to complex social issues; they epitomize a larger «critical mass»
of peers who have sustained and invigorated this
kind of critical art
practice in Chicago.
Art historian Rhea Anastas, media historian Nadja Millner - Larsen, and Light Industry cofounder and director Ed Halter, will discuss whether small - scale organizations establish a
kind of instant art history, serving museums and culture - at - large as test sites for new
artistic practice.
In her «Index», each name or term will become a
kind of micro-essay or expanded definition
of its relationship to contemporary Swiss
artistic practices and its nascent establishment.
Pop Life, the exhibition at Tate Modern formerly known as Sold Out (until one
of the artists featured in the show vetoed the title), is a noisy, rambustious, rhinestones - and - fast - cars
kind of a show, focusing on the Warholian notion
of good art as good business and anatomising this tendency in
artistic practice from Warhol and Jeff Koons to Martin Kippenburger and Richard Prince.
Discussing the transformations wrought by the Internet — particularly the latter's implications for
artistic practices — the participants in this forum illustrate how the impassioned debates taking place on the Net can help forge new
kinds of communities, discourses, and intimate connections across this most transitory
of landscapes.
Art and Photography is the first book
of its
kind to survey the major presence
of photography at the centre
of artistic practice from the 1960s onwards.
Humans have a lot
of different
kinds of attention, some for reading or for conversation, others for creative activity, still others for
artistic practice, dance, meditation, music and so on.
What
kind of ecology do you organize with each
of your
artistic practice?
They were obviously being tongue - in - cheek, yet their words also offered a shrewd insight: Not only had the media image
of the artist's lifestyle become part and parcel
of artistic practice but, after Warhol, art now offered a path to a
kind of mainstream success typically reserved for other quarters
of culture.
Firstly, we will be making a new
kind of space that is needed to support the
practice of today's artists, who are thinking and working in very different ways across
artistic disciplines.
CARDON Well because all
of a sudden you're holding some
kind of power to evaluate other
artistic practices.
There is a
kind of instability embodied in them that epitomises his
artistic practice as a whole.
Together they form a
kind of palimpsest, an important theme that frames much
of my
artistic practice.
They were obviously being tongue - in - cheek, yet their words also offered a shrewd insight: Not only had the media image
of the artist's lifestyle become part and parcel
of artistic practice but, after Warhol, art now offered a path to a
kind of mainstream
Home Away seeks to define the contours
of different
kinds of international
artistic practices, simultaneously global and local, that resonate with the way that we live our daily lives in Southern California.
In my
artistic practice, I seek collaborations
of all
kinds; it allows me to continually learn, grow and make dance / performance that is
of interest to others on as many levels as possible.
In a rare opportunity, Isaach De Bankolé opens up his
artistic practice in a one
of a
kind workshop - based master class.
(exhibitions / workshops / travelling / working / studying / planning to study) 3) What have been / are the main challenges for you in developing your work and
artistic practice (inc professional development) since graduating 4) What
kind of support, advice and guidance in the visual arts do you think would be most helpful for those selected for Platform?