Sentences with phrase «kind of audience does»

-- What kind of audience does Microsoft want for Xbox?

Not exact matches

«When I uploaded the British dialect videos, as I expected [my Korean audience] found it quite interesting because they didn't know very much about the fact that there are different kinds of British dialects and accents,» he said.
You have magazines like Out and The Advocate that have kind of aged with their audiences, and our users didn't have a publication for them.
There's a lot of things that go into it, which we don't even always 100 percent know the answer to but we kind of guess based on the feedback that we have from our audience.
And, if you work in any kind of business, audience engagement is something you do daily, whether you realize it or not.
Gilbert, author of Stumbling on Happiness, encourages audience members to look past short - term, material, and goal - oriented happiness in order to find a kind of happiness that can be sustained when things don't go according to plan.
The audience for the kind of movies he wants to do just isn't there in the traditional theatrical space anymore.
Patrick Brennan wrote that he didn't think there was a large audience out there clamoring for that kind of conservative news outlet.
Since I didn't really like his last album, I listened to one song, and immediately got kind of annoyed that, 12 years after Whatever and Ever Amen, Folds still uses the same bad words to «shock» his audience.
Well, if you don't have a direct uninteruppted pipeline to the Creator yourself, regular audiences and such to discuss things, then it is kind of pointless to say this is or isn't God's will.
«Whenever... preachers, instead of a lesson in religion, put [their congregation] off with a discourse on the Copernican system, on chemical affinities, on the construction of government, or the characters or conduct of those administering it, it is a breach of contract, depriving their audience of the kind of service for which they are salaried, and giving them, instead of it, what they did not want, or, if wanted, would rather seek from better sources in that particular art of science.»
For the audience the problem wasn't so much why did God do this (God does all kinds of crazy violent stuff all the time) but how was it that anyone survived and why?
If the film - makers continue to project the books» heart onto the screen, then a primarily teenage, Western audience will be forced to consider: what kind of world do I want to live in?
«I don't know what kind of a n --- wouldn't vote with a black man running,» he also told the audience in the St. James Baptist Church in Forsyth, Ga., according to the paper.
Do you think audiences will kind of sense that freedom on the next record?
In addition, target audience tests have a limited capacity to restrict children's exposure to food advertising, because there is no reason to think that they do not notice any other kind of advertisement.
Vint Cerf happened to make the issue snap into focus: while answering a question from the audience, he mentioned that he expected today's young people to change their behavior as they age because they'll be maintaining different kinds of relationships then than they do now.
During a Hay festival appearance, one member of the audience asked Victor: «How do I get my manuscript to you if I don't go to that kind of party?»
So the great thing is, you now, one fascinating opportunity, is that we can put some kinds of articles up on our Web site first, start to present that information, start to immediately, then initiate a kind of conversation with our audience over this and start to draw in their comments, fill [in] any kinds of questions they had that we didn't address in the original form of that editorial, and we can use that to rework what we would then do in print.
Mat Boule: The one - stop shop right now to learn posturology in the English language worldwide, which I believe would appeal to your audience, is a company that I used to teach for for about 10 years and then things kind of got busy for myself so I did other projects.
For example, did you know that Redditters made a survey on what kinds of audience a dating site appeals to?
I'm not sure what kind of audience would really laugh at some of the stuff they do, but I guess there's a crowd for everything.
On the face of it, this film does not appear to be the kind of thing to inspire an audience.
Raunchy frat comedies are as hard to pull off as any other kind because they have to keep surprising the audience, and «The Hangover» does with a bizarre series of uproarious situations with explanations that just about stay within the bounds of plausibility.
The film doesn't take itself too seriously, laying it on thick with the jokes (Michael Pena, especially, steals every scene he's in), and the humor offers a kind of buffer which allows the audience to suspend their disbelief long enough to really accept Marvel's newest hero.
Although the film didn't connect as strongly with mass audiences (although it's considered a «sleeper hit,» you have to wonder what it could have done if it had been released after Whedon's little art house film «The Avengers «-RRB- and more than a few critics found it befuddling and arch (it's neither), «The Cabin in the Woods» is the kind of movie that will ultimately live on as a deserved cult classic, perfect for drunken film studies students and bored kids at slumber parties alike.
«I feel so fortunate to have been able to do it in the first place, and then to have had this really interesting journey, which is kind of once - in - a-lifetime,» she told the day's BAFTA audience.
And if you're going to put an audience through the kind of torturous experience it is in watching young men tortured and beaten by police officers for over two hours, there needs to be a reason to do so.
I don't know if that would work or the audiences would be interested in that, but she was kind of cool.
Comedies tend to do better later in the summer (see: Bad Moms, We're the Millers, or even Horrible Bosses), but it seems like this year audiences are paying more attention to what kind of reviews a movie is getting.
They don't feel authentic nor genuine rather a mere put on to reassure the audience the kind to ensure the mourn and loss of the Bay Area 22 - year - old.
To be honest, there actually is some merit to Kubrick's assertion that the book is unfilmable, as the story itself doesn't really lend well to the kinds of things film audiences would find easy to digest.
While they don't touch on everything, the creators behind I, Tonya manage to blend many of the most relevant incidents and periods in her life together in order to give the audience the kind of film that we rarely get a chance to see.
The recent release of Lady Bird makes Greta Gerwig one of several directorial debuts this year to strike a resonant chord with audiences — it's self - assured and absent of clichés, and if you've seen it already, you're probably aware that it's the kind of movie that will make you want to go and call your mom as soon as its done.
12 Days doesn't need this kind of emotional rhetoric to move its audience; you suspect that if Depardon had just held back and given us the more purely observational work that comprises most of the film, 12 Days would have felt more substantial and incisive.
It willprobably do extremely well certainly in Ireland because Irish audiences seem to go for this kind of crap.
These are the kinds of releases that studios want to reach the widest possible audience, and if you don't aim for a PG - 13, you're already severely limiting your box office potential.
It's almost as if his attention span wasn't large enough to bring the heavier musings to any kind of fruition, or he didn't have faith that his audience would want them, but Sunshine's individual parts, particularly the mesmerizing visuals and score, aren't enough to create a sum meaningful enough to match them.
GTA 5's main audience turned out to be the mainstream casual gamer, the kind that doesn't read Gameinformer, or any kind of gaming news at all.
For another, the books are moderately popular, but certainly not the kind of blockbusters as some of these, so it doesn't have the same built - in audience.
That's kind of a critical moment there, because if the audience doesn't know what the other's thinking, then the whole movie collapses.
«Audiences need new images and I think visual effects are used too often to just blow things up and do the same familiar kinds of stuff,» said director Scott Derrickson.
Well, cult films are films that have kind of failed and then picked up by critics and loved later after the audience didn't love them.
You could say the same thing about nostalgia, whether it's the kind of»80s name - checking that Spielberg and Cline are doing in «Ready Player One» or the kind that politicians and advertisers do when they encourage their audiences to remember the good ole days - comforting if you don't think too hard and, as corporations and film studios well know, monetizable.
And though it may not differ as markedly from the original as Coppola's Apocalypse Now Redux did, it nevertheless remains an unqualified triumph, the kind of cinematic experience that reminds audiences why they fell in love with Wong in the first place, whether they're rediscovering the film or seeing it for the first time.
Felix Thompson's writing and editing feature debut King Jack has the kind of bare - bones plot that inspires potential audiences to think «been - there - done - that»: The film focuses on lonely, weedy small - town 15 - year - old Jack (Charlie Plummer), who's trying to dodge bullies and his overbearing big brother, and carve out a little emotional satisfaction in his barren world.
A smart person would lock Annabelle in a chest filled with concrete blocks and sink that sucker to the bottom of the ocean, but if audiences have learned anything about dumb horror movies like this, it's that those kinds of people don't exist.
Instead, it is marketed as a kind of middle - of - the - road comedy - romance with horror elements, and while it does contain some rom - com and sitcom elements, the increasingly bleak nature of the storyline will probably turn off audiences for that kind of black material.
Levy does an amazing job of letting the adults in the audience join in the same kind of wonder that the kids surely feel; the kind of wonder that is not too often found in this day and age.
It's rarely laugh out loud hilarious, and the film does drag a little as the characters slowly work out that which we the audience have known from the very beginning (even if we haven't seen this kind of film many times before).
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