Waistcoats also fit to different
kind of body figures — long waistcoats easily hide some pounds around the hips, whereas short ones accentuate a look.
Not exact matches
First time moms - we're
kind of going through enough; we're trying to get our
bodies back, and hormones and temperature elevated and regulated, and just to
figure out what you need in a diaper bag to get out the house.
KRISTINA CHAMBERLAIN: Well sometimes moms will deal with it more in the first couple
of months just while their
bodies and babies and still you know
figuring out what's the supply and demand is, so, a lot
of times after the baby's hit you know the 2 or 3 months mark that starts to get better just because again moms and babies
bodies are you know dancing together a little bit better they're getting more in to rhythm, so sometimes that the time and then in itself will
kind of resolve it as baby gets bigger and
kind of figures that out but if after the 2 months mark it's still an issue when it's making nursing hard for mom and baby I would say then start doing some
of the things that we talked about to be a little bit more assertively treating it
Then I
kind of figured out I think that my
body was just trying to adjust after the treatment, and if I would just
kind of lay back and be like «It's okay,» then it would go back up.
ROBIN KAPLAN: There are, you know, most women probably can attest to feeling engorged or feeling like they have oversupply in the beginning when their babies are first born and that's, that's pretty typical to have that
kind of engorgement in the beginning just because your
body and your baby are still trying to
figure out what exactly your baby needs.
However, this
figure doesn't take into account the times when we are using more energy or the
kind of water which will do the best or the worst to or for our
bodies.
In weeding out the bad (again, for my
body type) however, I quickly discovered not only the good, but the great, and in trying to make the best
of my
figure (it, like most peoples», has its own strengths and weaknesses) have attempted to focus the bulk
of my wardrobe on these
kinds of pieces, fifteen
of which I'm going to share with you here today by way
of black and white vintage images depicting each
of them.
By the end
of summer, I had «my
body» back and was
figuring out what
kind of «Mom wardrobe» would be most functional for my new lifestyle: a life at home with two pre-schoolers and a toddler.
Modest Dressing, as a Virtue (The New York Times) «In a vulnerable, volatile time — perhaps one particularly so for women —
figure - obscuring clothing serves as a
kind of armour, as well as a retort to a reality - TV - inured culture apparently intent on exposing any private moment, any intimate
body part, for public consumption.»
They can state their requirements through fields like age, nationality, religion, ethnicity and location, just about any
kind of body features like hair colour,
figure and so forth.
The film challenges most presumptions, with an ethnic array
of individuals as well as a couple
of doting father
figures, aging
body builders who gently and affirmatively help train younger charges (as well as one's working as some
kind of new agey therapist for the bodily laity).
Armand Gamache has a terribly bad feeling about it, and when a
body is discovered soon after the
figure finally vanishes, it seems some
kind of debt set these events in motion.
In this
body of work, White incorporates themes from her past, popular iconography and language from the four countries
of her grandparents, along with lone
figures in silhouette, that allude to a
kind of personal transformation.
From behind the tactile veneer
of his semi-transparent
body dark stars appear, each embedded with a set
of cut - out eyes in mask - like shapes, submitting the viewer to the
kind of intense scrutiny usually reserved for public
figures.
That the final accounting should repose on
figures of the human
kind, a
body and face show, comes as no surprise.
«It's always interesting going back and remembering where you were, or what
kinds of head spaces you were in when you were making certain things, the epiphanies that you were having at that time, and being able to retrace the logic
of whole
bodies of work and
figure out how they're relevant now — and also the things you've forgotten, things that can be reincorporated,» says Hancock.