After playing a very different
kind of character in Django, Jackson is back to being Tarantino's textbook definition of cool.
Hugh Jackman (Wolverine) plays a very different
kind of character in the romantic sci - fi Kate and Leopold.
In the past few years, he's shown he can really play
any kind of character in any kind of film, from «Inside Llewyn Davis» to «A Most Violent Year» to «Ex Machina.»
Thor, who has always been a muscles - first
kind of character in the MCU, can easily be mocked because he's already a larger - than - life figure.
Speaking of which, I spoke to your DP, Maryse Alberti, about Philadelphia as a setting and
kind of a character in these movies.
We also wanted to capture some sense of the town, even when it was just background to these intimate scenes, since Ebbing itself is
a kind of character in the film.
I want to see Schumer stretch a bit more and play a different
kind of character in her next movie.
Not exact matches
But without the
kind of imposing presence that Samuel L. Jackson would later capture
in his performance, the
character felt second rate, making this flick a mediocre outing at best.
I called up Richard Harris, I called him up and he was
in the Bahamas somewhere and I asked him to play British Bob, which is a
character that's
kind of... We didn't see there, but is
in the picture.
So maybe Ford took some chances, creating spots
in which McConaughey just
kind of meanderingly freestyles his way through various quasi-philosophical musings about Lincoln and the meaning
of life (it's all been compared to his «True Detective»
character).
Though it's
kind of fun to feel like I'm a
character in a William Gibson novel when we talk about stuff like that.
From playing various sports at the Olympic Games to beating other Nintendo
characters senseless
in Super Smash Bros., Mario has seen action
in all
kinds of video game genres.
In A Higher Loyalty, fired FBI Director James Comey brings to front - and - center
of our national discourse the idea
of President Trump as a
kind of organized crime boss speaking to both his
character and his Administration.
Before it ends, progress
in the gold sector will probably be halting at best, although we remain
of course open to gold sensing future changes
in fundamentals with a long lead time, which can happen out
of the blue — but that
kind of character change will definitely be noticeable.
America should show some
kind of dignity
in character, not just helping with money.
(n. 29) «Therefore, the priest's life ought to radiate this spousal
character which demands that he be a witness to Christ's spousal love, and thus be capable
of loving people with a heart which is new, generous and pure, with genuine self - detachment, with full, constant and faithful dedication and at the same time with a
kind of «divine jealousy» (cf. 2 Cor 11:2)-- and even with a
kind of maternal tenderness, capable
of bearing the «pangs
of birth» until «Christ be formed»
in thefaithful (cf. Gal 4:19).
«Whenever... preachers, instead
of a lesson
in religion, put [their congregation] off with a discourse on the Copernican system, on chemical affinities, on the construction
of government, or the
characters or conduct
of those administering it, it is a breach
of contract, depriving their audience
of the
kind of service for which they are salaried, and giving them, instead
of it, what they did not want, or, if wanted, would rather seek from better sources
in that particular art
of science.»
In some sense, indeed, Kierkegaard's life could be written as a
kind of dark comedy; despite his premature death, and a great number
of sadnesses that afflicted him along the way, there was something enchantingly absurd about his
character, a certain benign perversity that often prompted him to make himself willfully ridiculous, and a peculiarly touching element
of the ludicrous that clung to him all the way to his early grave.
And it should at once be noted also that as long as such a Church law is
in existence, the
character of its obligation, the possibility
of being excused or dispensed from it, the possibility
of discussing its expediency or the need to change it, the possibility
of knowing oneself not bound by it
in a particular concrete case etc., are
of quite a different
kind from any case
in which an immutable divine commandment is involved.
A precise statement
of what the correspondence or the clash might be is not easy to produce and is not necessary here, since our main purpose
in these remarks is merely to emphasize the point that value experiences depend for their
character upon the
kinds of relationships that exist between subject and object.
Now incorporate the eastern philosophies (A huge portion
of what Jesus allegedly said came from the Buddha, Confucious and a few others) into this Jesus
character... then tie the story back
in to the original god (but also ver2.0
of god, same god, but a
kinder, gentler vengeful god)-RRB- and voila... the «new» testament.
We might add also that another corrosive influence upon the
character of the oppressor is the
kind of self - deception which an oppressor is driven to engage
in in order to maintain his / her self - image.
She created and perfected a certain
kind of character whose necessity
in the pop culture canon seemed obvious the moment Plaza filled it.
What an ironic stmt to hear from someone that represents the side that too often equates the
character of a person with the
kind of church they attend and how often they are
in the pew.
An event
of a highly distinctive
kind and
of incalculable creative power occurred
in first century Palestine; it was remembered as centered
in and taking its
character largely from a certain Jewish teacher and prophet.
The fictional lead
character in New
Kind is poised to abandon his ministry until a wise new friend initiates him into the ways
of postmodern Christianity, rehabilitating his ministry and life.
There's so much room within her talent to create a great
character, and that means her turn would lead the new Office
in terms
of the
kind of funny it wanted to be.
The younger writers are so self - conscious, so steeped
in a certain
kind of liberal education, that their
characters can't condone even their own sexual impulses; they are,
in short, too cool for sex.
His judgment seems to be that, even though some
kind of faith or intuition is a formal requisite for critical reflection on the nature
of God, the specific content or
character that faith has as a concrete, historically conditioned phenomenon does not materially affect the reasoning process which is both possible and appropriate
in such reflection.
The paradox
of creativity can be seen
in a peculiar
character of the
kind of process that culminates
in something intelligible and novel that contributes substantively to a tradition
of human endeavor.
Among the rough and ready tests
of character, this seems a very good one, not infallible but close to it, accounting for the occasional hard day, bad headache, annoying companions: «The way people treat restaurant staff is, I think, a
kind of poker tell, revealing a person's
character in as long as it takes to say: «I'll have the sea bass».»
In general, skepticism about a complete explanation of creativity is based on the notion that a creative act issues in an outcome that is new in kind, which was unpredictable, and which has a definite character that is neither reducible to the sum of its elements nor exhaustively traceable to its antecedent
In general, skepticism about a complete explanation
of creativity is based on the notion that a creative act issues
in an outcome that is new in kind, which was unpredictable, and which has a definite character that is neither reducible to the sum of its elements nor exhaustively traceable to its antecedent
in an outcome that is new
in kind, which was unpredictable, and which has a definite character that is neither reducible to the sum of its elements nor exhaustively traceable to its antecedent
in kind, which was unpredictable, and which has a definite
character that is neither reducible to the sum
of its elements nor exhaustively traceable to its antecedents.
Luke had been at pains to make clear that the risen Jesus was no otherworldly spirit but a physical form with flesh and bones, 42 who consequently presented his disciples with infallible proofs.41 The risen Christ came to be regarded as having conducted a fresh ministry with his disciples, and
in these forty days he «taught them about the kingdom
of God».41 But since the experience
of the risen Christ was not
of this
character at the end
of the century when Acts was written, it had to be made clear that this
kind of experience was brought to an end by a new event, the Ascension.
How to be the
kind of person who can stand up to life, face its difficult challenges and hardships, and carry off a victory
in quality
of character and useful living — that central problem confronts us all.
The total political accomplishment
of David still stands as a nearly incredible feat, and let no one be so naive as to suppose that this
kind of performance is carried out anywhere,
in any time, by unadulterated goodness and nobility
of character.
His «wisdom» consisted, we suspect,
in his profligate and ultimately self - flattering sponsorship
of native and imported «wisdom» artists — articulate writers and reciters
of a
kind of prephilosophical moral philosophy current
in the Near Eastern world
of the tenth century and preserved,
in essential
character at least,
in Proverbs,
in many
of the Psalms, and,
in a different vein,
in the Prologue and Epilogue
of job (Job 1 - 2; 42:7 - 17).
Because preaching presses for a God - determined and Christ - realized ethicality, and because the gift
of grace whereby this possibility is bestowed is ensconced
in a holy story, the
character of Christian preaching is a unique
kind of discourse.
The main
character, Violet, outrageously quirky - snobby
in the Stillmanian mode,
kind of a contemporary version
of the Nick Smith
character presented
in METROPOLITAN, turns out to be the daughter
of impoverished writers.
Both questions lead
in the same direction, toward the possibility
of a provisional and qualified answer: if the
character of happening only once is held to belong to the truth and measure
of all things
in their very reality, then there is indeed an essence which more than any other satisfies this truth - criterion, and this is the pure essence
of time: time taken
in itself, or pure movement — movement irrespective
of any possible differentiation into the different
kinds of movement.
What
kind of moral
character must a leader
in a democracy possess?
I'll take you at your word regarding your recommendation to study and suggest you read WHAT GOD DOES TO YOUR BRAIN by two neuroscientists, Andrew Newberg who is a «theist» (believes
in some
kind of divine
character) and Mark Waldman and agnostic (a non commit on the question).
7
In discussing an earlier version of this paper, Hall responded that while there might be some aesthetic quality associated with technology, the «difference of degree» between this and the aesthetic character of other modes of human activity is so great as to constitute a «difference in kind.&raqu
In discussing an earlier version
of this paper, Hall responded that while there might be some aesthetic quality associated with technology, the «difference
of degree» between this and the aesthetic
character of other modes
of human activity is so great as to constitute a «difference
in kind.&raqu
in kind.»
Then again, as this is the same God who supposedly created people knowing they would sin, and then condemned billions to hell because
of his own mistake, that does
kind of seem
in character.
Gooch's portrait
of this major American writer, with its entertaining wealth
of «Flannery» anecdotes from people who knew her
in various capacities» family, neighbors, literary associates, spiritual advisors, admirers» depicts the
kind of character for whom the phrase «an interesting person
in her own right» was coined.
In any program
of reeducation a self - selected group
of intellectuals asserts that it has the authority to decide what
kind of character and belief everyone should have.»
One
of the key
characters in the book is disgraced «faith healer» Holy Wayne (played by British actor Paterson Joseph); a once - average man, bereaved on October 14th, who realises he can take other people's pain upon himself, like a
kind of emotional sponge.
A word more about the inner
character of the event - theoretical framework, which consists
of (1) the usual quantificational theory
of first order, extended to include the theory
of virtual classes and relations, (2) the theory
of identity, (3) Lesniewski's mereology or calculus
of individuals, (4) logical syntax
in its modern form, (5) a semantics or theory
of reference both extensional and intentional, (6) variant renditions
of systematic pragmatics as needed, (7) the theory
of events, states, acts, and processes, and, finally, (8) a theory
of structural or grammatical relations
of the
kind needed for the analysis
of natural language.
Hall was born
in Minnesota, and the editors speak admiringly
of «his understated Midwestern manner, even after he became a New York
character and an odd
kind of international celebrity.»
In accounting for the absolute
character of scientific knowledge, hasn't be eliminated the need for any other
kind of explanation?
Hip - hop historians call this period the Golden Age (Bradley and DuBois date it from 1985 to 1992), and it produced the
kinds of lyrical shifts that are easy to spot
in print: extended similes and ambitious use
of symbolism; an increased attention to
character and ideology; unpredictable internal rhyme schemes; enjambment and uneven line lengths.