She created and perfected a certain
kind of character whose necessity in the pop culture canon seemed obvious the moment Plaza filled it.
Not exact matches
Gerald B. Lefcourt,
whose clients have included a former Bronx Democratic leader, Stanley M. Friedman, and another Democrat who was speaker, Mel Miller, said
character evidence «opens the door to all
kinds of decisions politicians routinely engage in.»
Mr. Carrey is the
kind of performer
whose shtick reliably trumps psychological sense, and the film's blithe incoherence with respect to its main
character is one
of its virtues.
Kudos to Channing Tatum for the
kind of self - effacing star turn you wouldn't expect from an actor
whose character is both eponymous and «magic»; cheers to Jada Pinkett Smith (as the troupe's hype - woman) and Andie MacDowell (as a wealthy society client
whose chaste amusement ripens into something else) for stealing their scenes with the evident pleasure
of consummate thieves.
The only weak link is Mel Rodriguez's sexually ambiguous Patsy De La Serda,
whose character is so annoying (even if that's
kind of the point) that the show becomes infinitely less entertaining whenever he appears on screen.
Sarah Silverman, as Naomi Watts» friend Sheila from the diner, has proven herself to be a real treasure in her dramatic roles bringing heart and sass to what would otherwise be a throwaway
character whose main purpose is to be the
kind of emotional ballast to Susan that sometimes only other adult can be.
Ben Stiller is the
kind of actor
whose default expression is around 5 on the face pain scale, and that tenuous middle ground between hurt and happiness is the bittersweet spot in which writer - director Mike White's masterfully handled seriocomic
character study «Brad's Status» operates.
The smart element
of this
character is that he is a man out
of time and place — another helpful description offered by the narration (provided by Rex Linn,
whose voice is exactly the
kind we'd anticipate to talk about the Old West).
The former indicted Gerwig as part
of a nouveau - boho class
of Brooklyn artists who blended the slacker archetype
of the early»90s with a
kind of scarf - wearing artistic pretension; the latter was a term invented as a critique
of movies that created female
characters whose dual purpose was to beguile the male hero and then send them on their way a changed - for - the - better person, all without asking for even basic personhood
of her own.
Nonetheless, great work by Blunt,
whose character is
kind of reminiscent from an alignment standpoint
of Tommy Lee Jones»
character in NCFOM.
Fans
of Fingersmith and The Dress Lodger will love Accidents
of Providence, absorbing historical fiction featuring Rachel Lockyer, a
character wronged by her time and the
kind of woman forgotten by history,
whose love affair leads to her trial for murder.
This is a different
kind of fantasy with a flawed hero
whose character develops through the story.
It leaves the
character himself
kind of an empty shell
whose personality is largely determined by each individual player.
There's quite a bit
of wiggle room in these rules, depending on
whose character you're trying to prove, what
kind of notice your provide, and what other justifications you might be able offer for introducing this evidence.