Sentences with phrase «kind of film experience»

Roeg's use of music and surreal imagery made the film both a visceral and an intellectual experience simultaneously — a heartbreaking puzzle — still my favorite kind of film experience.

Won't we be robbing ourselves of a certain kind of film experience?

Not exact matches

The main street looks like a set from a Hallmark film — worn storefronts, light posts wearing seasonal decorations and a certain kind of bustle most cities never experience.

Stanley Kubrick, creator of such memorable films as «Dr. Stangelove,»» 2001: A Space Odyssey,» and «Barry Lyndon,» understands how this happens: «I think an audience watching a film or a play is in a state very similar to dreaming, and that the dramatic experience becomes a kind of controlled dream....

The film's narrator (Norton) attends support groups of all kinds as a way to «experience» something within his unfeeling, commercial existence.

Gravity is not a film of ideas, like Kubrick's techno - mystical 2001, but it's an overwhelming physical experience — a challenge to the senses that engages every kind of dread.

The first clip throws you off at first but eventually the change in sound, the obvious body doubles, and the funny give and take between the different films; it really is a guilty pleasure kind of experience.

So while Butch Cassidy and the Sundance Kid is a hugely enjoyable movie - going experience, there's a certain cynicism in Goldman's writing that becomes increasingly apparent the more times you watch the film, and which casts him as a kind of puppet - master pulling our strings.

Shot with a reverence for the kind of beauty only Michael Mann has ever captured from Los Angeles, the film is a breath of fresh air, a visionary take on a long - storied genre that is one of the most wholly satisfying viewing experiences in a long time.

The story of a wild night where everyone has no idea what happened is just the kind of «post frat boy» antics a generation of film fan have either experienced or wanted to experience.

All of the gross gags and twisted humor are just a way into the film's true theme of loneliness — and not just the kind experienced by people who are truly, literally alone.

And I'm kind of curious how that's changed the experience of making the film for you.

The script on its own is adequate, but the performances by Driver, Mbatha - Raw and Parker raise this film to a new level, turning this story about everything that is wrong with the industry into a kind of cathartic experience for the characters who have to face their own fears and failures.

In an era when moviegoers are increasingly content to view films in multiplexes or on their computers or smartphones, this is a rare chance to see a collection of epic visions in the most sensorially overwhelming manner possible — the kind of cinematic experience that can make someone fall in love with the cinema all over again.

This kind of tone used to depict the interconnectedness between sex and crime set by Cool Hair evokes Harmony Korine's polarizing 2012 feature film Spring Breakers starring Vanessa Hudgens and James Franco, but Mr. Orozco - Cubbon delivers this content much more naturally and with the poise and confidence of an experienced filmmaker who already has a well - defined style, knowingly and purposefully playing with the two intertwining dynamics that keep the audience on its toes.

Notably absent the kind of condescension that can occur when an experienced filmmaker takes on a high school story, here Famuyiwa doesn't just reorient the high school film around the experience of a young black self - confessed geek, but riffs on social and class issues, and the riddles of perception versus reality during those difficult teenage years too.

This kind of episodic romantic comedy practically writes itself, with a loser at the center of the film going back to meet all the wildly eccentric women of his past, one after the other, until he finally matures through the experience and can make the leap to find true love.

So you were talking about this kind of karmic circle where it comes back around — where now «Hoop Dreams,» a film Ebert helped make successful, he was someone that shined a light on these less - well - known films that had weaker marketing budgets or so forth, drew people's attention to Errol Morris, who you saw on screen, really helped launch the careers of some of these people by shining that light on them... and you were saying how from your experience as a critic and all that, you say in your own words, you yourself feel the same desire, that your job is to cast that light.

Even if you don't think it's the best film of last year, it dominated Top Ten lists and critics groups awards and it offered a different and daring kind of cinematic experience, something rare enough in American popular cinema.

Described as some kind of «spiritual sequel» to Linklater's Dazed & Confused, this film is set in 1980 about an «incoming freshman experiencing his first weekend in college as a pitcher on the school's nationally ranked baseball team.»

There isn't anything wrong with either kind of consciousness, and in fact my favorite films of the festival were intimate, small - scale dramas that derived their power to move from their strong sense of personality and human experience.

What could be an interesting reflection on an actress's breakout feature film experience is rendered kind of hokey because Howard's narration is overdramatic, as are the images and James Newton Howard score selections that are set to it.

With the shuffle (injuries from his endurance - running hobby have taken their tolls) and the vocalizations of the character he plays, Dern radiated experience, as well as film history, the kind that a certain type of Oscar voter will doubtless adore.

If this screenplay was given to a different director who had more experience working with this kind of material, there's a good chance this film would be more than what it is.

Few films dare to subject multiplex moviegoers to the kind of hellish experience that this film manages to put you through.

These make the album seem rather longer than its 45 minutes and mean it isn't quite the kind of elegant listening experience which people have come to associate with Desplat (though it's worth stressing again, that with a film like this one, it is exactly the right kind of score).

And though it may not differ as markedly from the original as Coppola's Apocalypse Now Redux did, it nevertheless remains an unqualified triumph, the kind of cinematic experience that reminds audiences why they fell in love with Wong in the first place, whether they're rediscovering the film or seeing it for the first time.

If you love this film, you've certainly never experienced it in this kind of quality before.

Those kinds of quandaries engage all the Watchmen, and are presented in a film experience of often fearsome beauty.

There will be films that will be the jumping - off point for all other kinds of art experiences.»

It is the kind of film that one experiences emotionally within themselves and the characters on screen.

To think that child audiences in 1963 had a far more earth - shattering theater experience than today's young viewers will have with «Percy Jackson» speaks to the effect that «Harry Potter» films have had on reconfiguring what is expected of this kind of picture.

Everest is being toted an IMAX experience, and this is the kind of film that going to a large format theater is all about.

You would think that kind of experience would preclude him from writing, producing, and starring in Gun, a film that glamorizes violence without any creativity or reasoning.

It is worth seeing on the big digital projection screen, just to be engulfed in the experience but it is not the kind of film that will be cherished as a seminal cinematic event.

The rest of these 10 films on my list also had that same kind of effect, the experience being a key component in my connection to the films I genuinely love.

It's kind of like a modern - day Meatballs as written and filmed by recent Academy Award winners, with heart, personal experience, and fleshed - out characters replacing sophomorism.

That being said, the film has gained very positive reviews from critics as most are saying it is an entertaining, but kind of shallow, summer movie experience.

The coming - of - age film has become awfully common; any film in which pre-teen characters experience some kind of life - changing incident qualifies.

These are indelible images, and the film itself is an unforgettable experience — epic, bold, and full of a kind of life that we wish all movies could possess.

On a tidal wave of new e-reader technology and the increasing popularity of Kindles and iPads, the publishing industry — once a staid, tradition - bound sector — is now experiencing the kind of upheaval we're used to hearing about in music, film, and quantum physics.

Prism is comprised of E Ink's bistable ink in a film that can transform architectural materials into dynamic, one of a kind experiences and designs.

Electricomics, the real life emergence of a new kind of digital comic book storytelling experience, ripped from the fiction of Alan Moore and Mitch Jenkins «The Show film projects.

To create a powerful emotional experience and also give the player a lot of freedom is kind of challenging and so what we wanted to do was not try to recreate the film scene for scene, but try to recreate the life that these guys are living.

Perhaps more than any other game to date, Ryse comes close to delivering the kind of experience you'd expect from a pre-rendered CG film.

I consume any genre and love experiencing all kinds of games and film.

The promise of «a new kind of festival for a new age of making» by co-founder, supporter and Lancashire - born designer, Wayne Hemingway, was fulfilled with 30,000 people taking part in over 100 making experiences, encountering 57 invited makers, spanning food, technology, major manufacturing, engineering and crafts, alongside indoor and outdoor markets, street performance, art installations, film screenings, celebrity cookery demonstrations and the opportunity to experience making with some of Pennine, Lancashire and the UK's most significant manufacturers.

As they intended to create a kind of cinematic experience, the team invited Candice Breitz and Mohau Modisakeng, who have a shared fascination for film of a performative nature.

The story of a wild night where everyone has no idea what happened is just the kind of «post frat boy» antics a generation of film fan have either experienced or wanted to experience.