Sentences with phrase «kind of genre movie»

Not exact matches

* If you're the kind of person who whines about too many superhero movies, then you can read my defense of the genre that I wrote last summer.
fav movie would be based on what genre lol i work as a auto tech full time besides that im either working out or playing some kind of sport and during my free time i like to hang out with family and...
I'm selective about movies, but I do enjoy almost all kinds of music genre with good tunes and lyrics to go along.
I like any kind of music and any genre of movies.
Though for those looking for a more bland entry in the rancid man - child genre and one that has of all things, Tyson singing a Phil Collins song, this might be their kind of unsophisticated and easy - to - take jokey movie.
We've seen movies built around this kind of story a million times and while Jordan Canning's film Suck It Up never makes any attempts to transcend its genre trappings, it's at least sporadically amusing.
All of these conflicts are eventually resolved in the conventional framework of a Marvel action movie — action sequences full of stylized martial arts and the kind of special - effects melee common to the genre.
While both kinds of movies would be films I'd want to watch I feel mixing those genres may make the film slightly unfocused.
It's the kind of movie Guillermo Del Toro would have made back in his Devil's Backbone days; and it certainly doesn't hurt that it knows enough about its genre to make a knowing, haunted reference to Robert Wise's Curse of the Cat People in not just a tree - knot mailbox, but also the depth of its parent / child relationship, all of disappointment and horror.
It's a b - movie genre excursion made by people who know and love these kinds of movies, and if you're of this set, it's more treat than trick.
And like their previous work, which floated between genres and refused to pin the company down as the maker of a certain kind of movie, this one looks visually stunning and unlike anything else being sold to family audiences these days.
The movie is set up as the kind of tart, battle - of - the - sexes picture that reached its pinnacle in the 1930s and 1940s, but Zeta - Jones's character, Marylin, remains remote and inscrutable throughout the film, a femme fatale who's wandered into another genre altogether.
There's no genre yet for the kind of breathless thrillmaking that Paul Greengrass is achieving in his movies lately — last with United 93, an unlikely triumph, and now with this superb spy threequel, the giddiest warm - weather action movie since John Woo swapped dimples in Face / Off.
Even at its most saccharine, it was a dependable genre, the type that left you in a kind of terrible movie heaven of enjoyably unlikely plot premises, clueslessly fated lovers, and fairytale endings.
Blade, to the fresh eye, free of the fandom surrounding the character, comes across as the kind of film that is probably closer to a B Movie in the action genre than a superhero flick, as it is branded to be.
Prior to the rise of superhero movies, the Western was the most static and strictly codified genre we had, but the best of them have always leveraged its tropes to illustrate some kind of foundational change.
The premise involves a shapeshifting monster that stalks its targets until they have sex, passing on the curse to someone else, and though a generation ago, this would seem like a fairly clear - cut AIDS metaphor, Mitchell (The Myth Of The American Sleepover) makes it at once more complicated (for instance, after killing a target, the titular It begins stalking the previous one again) and more primal, a locus for all kinds of sexual and social fears that horror movies tend to express more clearly than any other genrOf The American Sleepover) makes it at once more complicated (for instance, after killing a target, the titular It begins stalking the previous one again) and more primal, a locus for all kinds of sexual and social fears that horror movies tend to express more clearly than any other genrof sexual and social fears that horror movies tend to express more clearly than any other genre.
And she is as much a fan of genre movies and hearing her talk about, not just Star Wars, but hearing her talk about those kind of films, is evidence that she would just kill it.»
But Shimizu also lends the film a unique structure that helps set it apart from the kind of prefabricated scary movies that dominate the genre.
It's the kind of thoughtful, stylish B - movie that genre fans will embrace.
But that's ok, it just appears that Mann's movie is not that kind of picture, and is perhaps just more pure genre - thriller from Mann, maybe à la «Miami Vice.»
But now Brolin is venturing into a very different kind of movie territory: the superhero genre.
Genre becomes a kind of backdoor to innovation, the excuse to make a Hollywood movie so low on dialogue.
EV: Now that we've made the genre film with the more flashy style, it's easy to say that the movies before were kind of naturalist and realist, and this is completely different.
It's mostly a matter of sampling here and there, finding out which kind of martial arts movies appeal to you and exploring that section of the genre.
I thought for that genre it did an excellent version of that kind of a movie.
It is not the fault of black movies and black actors that their success and failure can feel so collectively important — but I am wondering if, in cases like Proud Mary, it might serve the movie best to measure it against the kind of goals that white action films have been aiming at for years: that is, a genre where even a bad one can be good if it manages to be entertaining.
Cronenberg is a good example of a director who has often made my favorite kind of film: a genre movie that feels profound.
The CG spectacle just leaves me cold and even within this shoddy genre there was a kind of microcosm of humanity displayed in those early disaster movies that really isn't present in these newer versions.
Tomb Raider is the kind of draggy, weirdly uneventful blockbuster that makes you fleetingly grateful for the lowest - aiming genre junk; at times, it seems perversely uninterested in delivering what a Lara Croft movie theoretically should.
Foy turns in the kind of genre performance that isn't available, not among movies made by talented directors, for actors of her caliber as often as it should be.
Dragon Eyes stars MMA fighter Cung Le as Hong, a familiar kind of principled genre - movie loner: new to a lawless town (the fictional city of St. Jude), ready to take down a corrupt lawman (Peter Weller) and the rival gangs who pay him for protection.
It's exactly the kind of action movie that the genre's opponents think of when they disparage them - dumb, awkward and gratuitously violent.
WHY: Whether he's making poetic coming - of - age films or pot - fueled buddy comedies, David Gordon Green hasn't allowed himself to be confined to a certain genre, although he does seem to have an affinity for the kind of naturalistic, salt - of - the - earth dramas that he's returned to in recent years, including his latest movie, «Manglehorn.»
Though the movie's supernatural elements aren't as prominent as the marketing campaign would lead you to believe, «Crimson Peak» is a sumptuously designed genre flick that delivers a different kind of horror from the typical ghosts - and - ghouls haunted house story.
Fox, often a genre - friendly studio, have a few pictures which are kinda - sorta aiming for the Comic - Con crowd — the underpromoted «The Watch,» which opens two weeks later, plus «Taken 2,» «Life Of Pi,» the animated «Epic» and «Machete Kills» further down the line — but with «The Wolverine» only shooting right before the event, and the «X-Men First Class» sequel not shooting until next year, they don't really have the kind of big draw movie they've had in the pasOf Pi,» the animated «Epic» and «Machete Kills» further down the line — but with «The Wolverine» only shooting right before the event, and the «X-Men First Class» sequel not shooting until next year, they don't really have the kind of big draw movie they've had in the pasof big draw movie they've had in the past.
Saw is one of those evolutionary horror films, rather than revolutionary, but it's the kind of movie that genre lovers will eat up with relish and proclaim as one of the best films of the year.
«I love it when movies are kind of a cocktail and there's a Venn diagram of various genres,» he said.
Whether he was underappreciated by the industry or simply failed to live up to his promise, Frankenheimer kind of floundered in the middle of his career, directing a number of action and genre B - movies.
Ask Curtis Hanson just what kind of movie he and his collaborators have made and he'll tell you this: «I'm not sure in what genre you'd put «L.A. Confidential.».
The movie has the minimal structure and trappings of a thriller, but it requires a different kind of engagement from the viewer; there's a different kind of contract being made with the viewer in this movie than in the traditional genre movie.
It is seldom that a «pure» science fiction movie gets made without all kinds of genres transposed unto it - take Star Wars for example, which is a pastiche of every movie genre known to mankind.
The «boy and his dog» genre has proven to be a staple of cinema across the world, and I guess there are only so many of those kinds of movies you can make before you arrive at one inevitable conclusion: what if the dog was a robot?
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