Not exact matches
* If you're the
kind of person who whines about too many superhero
movies, then you can read my defense
of the
genre that I wrote last summer.
fav
movie would be based on what
genre lol i work as a auto tech full time besides that im either working out or playing some
kind of sport and during my free time i like to hang out with family and...
I'm selective about
movies, but I do enjoy almost all
kinds of music
genre with good tunes and lyrics to go along.
I like any
kind of music and any
genre of movies.
Though for those looking for a more bland entry in the rancid man - child
genre and one that has
of all things, Tyson singing a Phil Collins song, this might be their
kind of unsophisticated and easy - to - take jokey
movie.
We've seen
movies built around this
kind of story a million times and while Jordan Canning's film Suck It Up never makes any attempts to transcend its
genre trappings, it's at least sporadically amusing.
All
of these conflicts are eventually resolved in the conventional framework
of a Marvel action
movie — action sequences full
of stylized martial arts and the
kind of special - effects melee common to the
genre.
While both
kinds of movies would be films I'd want to watch I feel mixing those
genres may make the film slightly unfocused.
It's the
kind of movie Guillermo Del Toro would have made back in his Devil's Backbone days; and it certainly doesn't hurt that it knows enough about its
genre to make a knowing, haunted reference to Robert Wise's Curse
of the Cat People in not just a tree - knot mailbox, but also the depth
of its parent / child relationship, all
of disappointment and horror.
It's a b -
movie genre excursion made by people who know and love these
kinds of movies, and if you're
of this set, it's more treat than trick.
And like their previous work, which floated between
genres and refused to pin the company down as the maker
of a certain
kind of movie, this one looks visually stunning and unlike anything else being sold to family audiences these days.
The
movie is set up as the
kind of tart, battle -
of - the - sexes picture that reached its pinnacle in the 1930s and 1940s, but Zeta - Jones's character, Marylin, remains remote and inscrutable throughout the film, a femme fatale who's wandered into another
genre altogether.
There's no
genre yet for the
kind of breathless thrillmaking that Paul Greengrass is achieving in his
movies lately — last with United 93, an unlikely triumph, and now with this superb spy threequel, the giddiest warm - weather action
movie since John Woo swapped dimples in Face / Off.
Even at its most saccharine, it was a dependable
genre, the type that left you in a
kind of terrible
movie heaven
of enjoyably unlikely plot premises, clueslessly fated lovers, and fairytale endings.
Blade, to the fresh eye, free
of the fandom surrounding the character, comes across as the
kind of film that is probably closer to a B
Movie in the action
genre than a superhero flick, as it is branded to be.
Prior to the rise
of superhero
movies, the Western was the most static and strictly codified
genre we had, but the best
of them have always leveraged its tropes to illustrate some
kind of foundational change.
The premise involves a shapeshifting monster that stalks its targets until they have sex, passing on the curse to someone else, and though a generation ago, this would seem like a fairly clear - cut AIDS metaphor, Mitchell (The Myth
Of The American Sleepover) makes it at once more complicated (for instance, after killing a target, the titular It begins stalking the previous one again) and more primal, a locus for all kinds of sexual and social fears that horror movies tend to express more clearly than any other genr
Of The American Sleepover) makes it at once more complicated (for instance, after killing a target, the titular It begins stalking the previous one again) and more primal, a locus for all
kinds of sexual and social fears that horror movies tend to express more clearly than any other genr
of sexual and social fears that horror
movies tend to express more clearly than any other
genre.
And she is as much a fan
of genre movies and hearing her talk about, not just Star Wars, but hearing her talk about those
kind of films, is evidence that she would just kill it.»
But Shimizu also lends the film a unique structure that helps set it apart from the
kind of prefabricated scary
movies that dominate the
genre.
It's the
kind of thoughtful, stylish B -
movie that
genre fans will embrace.
But that's ok, it just appears that Mann's
movie is not that
kind of picture, and is perhaps just more pure
genre - thriller from Mann, maybe à la «Miami Vice.»
But now Brolin is venturing into a very different
kind of movie territory: the superhero
genre.
Genre becomes a
kind of backdoor to innovation, the excuse to make a Hollywood
movie so low on dialogue.
EV: Now that we've made the
genre film with the more flashy style, it's easy to say that the
movies before were
kind of naturalist and realist, and this is completely different.
It's mostly a matter
of sampling here and there, finding out which
kind of martial arts
movies appeal to you and exploring that section
of the
genre.
I thought for that
genre it did an excellent version
of that
kind of a
movie.
It is not the fault
of black
movies and black actors that their success and failure can feel so collectively important — but I am wondering if, in cases like Proud Mary, it might serve the
movie best to measure it against the
kind of goals that white action films have been aiming at for years: that is, a
genre where even a bad one can be good if it manages to be entertaining.
Cronenberg is a good example
of a director who has often made my favorite
kind of film: a
genre movie that feels profound.
The CG spectacle just leaves me cold and even within this shoddy
genre there was a
kind of microcosm
of humanity displayed in those early disaster
movies that really isn't present in these newer versions.
Tomb Raider is the
kind of draggy, weirdly uneventful blockbuster that makes you fleetingly grateful for the lowest - aiming
genre junk; at times, it seems perversely uninterested in delivering what a Lara Croft
movie theoretically should.
Foy turns in the
kind of genre performance that isn't available, not among
movies made by talented directors, for actors
of her caliber as often as it should be.
Dragon Eyes stars MMA fighter Cung Le as Hong, a familiar
kind of principled
genre -
movie loner: new to a lawless town (the fictional city
of St. Jude), ready to take down a corrupt lawman (Peter Weller) and the rival gangs who pay him for protection.
It's exactly the
kind of action
movie that the
genre's opponents think
of when they disparage them - dumb, awkward and gratuitously violent.
WHY: Whether he's making poetic coming -
of - age films or pot - fueled buddy comedies, David Gordon Green hasn't allowed himself to be confined to a certain
genre, although he does seem to have an affinity for the
kind of naturalistic, salt -
of - the - earth dramas that he's returned to in recent years, including his latest
movie, «Manglehorn.»
Though the
movie's supernatural elements aren't as prominent as the marketing campaign would lead you to believe, «Crimson Peak» is a sumptuously designed
genre flick that delivers a different
kind of horror from the typical ghosts - and - ghouls haunted house story.
Fox, often a
genre - friendly studio, have a few pictures which are kinda - sorta aiming for the Comic - Con crowd — the underpromoted «The Watch,» which opens two weeks later, plus «Taken 2,» «Life
Of Pi,» the animated «Epic» and «Machete Kills» further down the line — but with «The Wolverine» only shooting right before the event, and the «X-Men First Class» sequel not shooting until next year, they don't really have the kind of big draw movie they've had in the pas
Of Pi,» the animated «Epic» and «Machete Kills» further down the line — but with «The Wolverine» only shooting right before the event, and the «X-Men First Class» sequel not shooting until next year, they don't really have the
kind of big draw movie they've had in the pas
of big draw
movie they've had in the past.
Saw is one
of those evolutionary horror films, rather than revolutionary, but it's the
kind of movie that
genre lovers will eat up with relish and proclaim as one
of the best films
of the year.
«I love it when
movies are
kind of a cocktail and there's a Venn diagram
of various
genres,» he said.
Whether he was underappreciated by the industry or simply failed to live up to his promise, Frankenheimer
kind of floundered in the middle
of his career, directing a number
of action and
genre B -
movies.
Ask Curtis Hanson just what
kind of movie he and his collaborators have made and he'll tell you this: «I'm not sure in what
genre you'd put «L.A. Confidential.».
The
movie has the minimal structure and trappings
of a thriller, but it requires a different
kind of engagement from the viewer; there's a different
kind of contract being made with the viewer in this
movie than in the traditional
genre movie.
It is seldom that a «pure» science fiction
movie gets made without all
kinds of genres transposed unto it - take Star Wars for example, which is a pastiche
of every
movie genre known to mankind.
The «boy and his dog»
genre has proven to be a staple
of cinema across the world, and I guess there are only so many
of those
kinds of movies you can make before you arrive at one inevitable conclusion: what if the dog was a robot?
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