The Conjuring is right up my alley in
the kind of horror film that really grabs hold of me.
Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's
the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...
The atmosphere is overbearingly scary to me; it's just the right
kind of horror film that will make you leave the lights on.
Cabin in the Woods, co-written by Joss Whedon and directed / co-written by Drew Goddard, is
the kind of horror film you would love if you love horror like I do.
I rolled it over in my mind a few times before I came to the conclusion that the film takes on sexual repression as its subject, and uses it as
a kind of horror film without actually embracing the horror genre.
It's
kind of a horror film, but not really, much more of a drama with some horrific elements.
You've also done
the kind of horror film where, if the audience isn't actually traumatized when they walk out the door, they don't feel like they've gotten their money's worth.
They have proven gifted in making the titillating, shocking
kind of horror film that You're Next is at times.
Not exact matches
It plays less like the
kind of blockbusters we are all used to and more like a
horror film.
These mamas, born between October 23 and November 21, are well rounded in a misfit,
horror film kind of way.
Initially, critics were baffled when they attempted to interpret the
film on a literal level and measure it against other typical disaster /
horror films of its
kind.
But I realize that it's like, «Oh my gosh, we're exploiting these women,» but that's what all these old
films did to attract people to
horror films, the partial nudity and that
kind of stuff.
Well some times I love to go walk around beach having sex at home I like wwe wrestling and watching dirty tapes watching movies my best movie is
horror films some times watching sports all
kinds of stuff
This low budget but highly - effective
horror film is exactly the
kind of movie that legendary Hollywood D - movie producer Roger Corman would have knocked out in the»70s: plenty
of writhing female limbs, no surprises.
Haneke
films his actors in meticulously framed master shots, creating a
kind of hushed neorealist medical -
horror suspense.
It is
kind of packaged as a
horror film, but there is nothing about it that is scary or seems to try to be scary.
Click for showtimes and tickets — JR Byzantium Neil Jordan (The Crying Game) shows there's plenty
of life left in the undead - bloodsucker genre: His Irish - seaside
horror story features a brilliantly brooding performance by Saoirse Ronan as an adolescent vamp, and the
kind of mythic, adult - fairy - tale imagery — a mountain waterfall running crimson red — at which this incomparable
film fantasist excels.
OUR TAKE: Alexandre Aja (High Tension, Hills Have Eyes) is a pretty significant
horror icon - and this premise alone sounds like grounds for the
kind of sick twisted fun Aja has with his
films.
As good as the must sees
of the month are, the
film's you should take a chance on are just as good, offering a return to
horror for M. Night Shyamalan in The Visit as well as a few stellar looking indie
horror films with Bloodsucking Bastards, Hellions, and Some
Kind of Hate.
«THE BAY is a shining example
of the
kind of truly fresh
horror film that audiences are always ready for, and that we excel at eventizing with them.
Best described as Home Alone meets Michael Haneke's Funny Games, the sadistic
horror comedy [Better Watch Out] is the
kind of film that's tough to categorise but easy to enjoy.
The trailer for Hereditary is a
kind of nice
horror film previews that piles at the freaky imagery, leaving you in need
of to grasp what's even going down and why.
The premise
of the
film is simple and its
horror simple and virtually devoid
of jump scares (another great plus) but Mitchell pulls all
kinds of horror from it that it's impossible for this
film not to scare the most hardened
of moviegoers.
Get Out is a
horror film — and it's only
kind of funny.
I've never done a
horror film where I was... Well, I was in «Black Christmas,» but I got killed
kind of early on in that
film.
The latest
film to fit under this stunning
horror umbrella is Trey Edward Shults» It Comes at Night, a paranoiac epic that delivers bone - chilling
horror of the deeply personal
kind.
His Cronenberg-esque English - language
horror film, Possession, is among the best
of its
kind, brimming with terror and excitement.
While his directorial debut relied on a smart mix
of humor and
horror, Dougherty's new
film seems genuinely confused about what
kind of movie it wants to be.
«Hereditary» is the
kind of «strap in and hold on»
horror film that will make you sleep with the lights on.
A newish
horror film that's exclusively on Netflix, Perkins's labor
of love runs heavily against today's trends: It's defiantly ungory and the
kind of quiet movie that you need to lean into to appreciate.
Domestic abuse is one
of the scariest
horrors in
film, because it is the most realistic
kind.
«If you went to the 1950s version
of this movie Michael Shannon would be the star and the creature carrying the woman at the end
of the movie would be a scene
of horror, and here is an image
of love, so the complexities are
kind of flipped,» del Toro says, letting loose a minor spoiler for a
film that has PR teams urging critics and writers not to divulge major secrets.
Cabin in the Woods is the
kind of film you would love if you, like me, were introduced to
horror by your older brother — 10 years older — and a well used copy
of John Carpenter's The Thing.
What you get with this
film is a very different
kind of horror comedy.
Not the most original concept for a
horror, but as always we hope there's something unique about these
kind of indie
films.
In a year made
of horror films that have delivered more unintentional laughter than genuine scares, As Above, So Below fits the bill as exactly the
kind of low - budget, lower - quality flick you'd see released on the big screen for the Labor Day weekend.
It's some
kind of feat the hype surrounding Jennifer Kent's much - acclaimed
horror film has gotten to the point where it feels like watching the «scariest
film in years» this far into 2015 is, yeah, a little like... Continue reading The Babadook
WHY SEE IT: An interesting and creative premise for a
film that is clearly a labor
of love —
kind of an indie comedy take on CUBE and LABYRINTH, with a touch
of ALICE IN WONDERLAND and Terry Gilliam insanity thrown in for good measure — DAVE MADE A MAZE is an amusing diversion for fans
of budget filmmaking who can appreciate a smirk - inducing comedy with a light touch
of horror and fantasy.
That is exactly the
kind of person that makes a
film for longtime B - movie producer Roger Corman (Death Race 2000, 1960's The Little Shop
of Horrors), a man who has worked with some
of the biggest names in Hollywood before they were big.
Crucially, it's not a product
of the United States or South Korea, two cultures married to a specific
kind of morally relativistic nightmare that have produced
films like this for years, but
of an Israeli movie industry that marks this as only their second «
horror» release.
(6) Prometheus — I originally thought Ridley Scott's
film was
kind of a stretch to include on my
horror list but I think a lot
of the finale more than justifies the inclusion.
If you're serious about
horror films, you'll be bored out
of your mind, and if you're the
kind of idiot who likes this sort
of thing, you're not reading this, anyway.
It's cheap
horror, the
kind I would criticise if the
film was meant to be scary, but in a detective flick like this, it is a nice change
of pace.
It was our first
kind of crossover
film out
of sequel B -
horror films and gore
films, to something that had more realistic effect in it.
The treachery is usually couched in terms
of ideology or selfless public service, but
of course it's all a power grab
of some
kind, and the longer the movie goes on, the more coldly hilarious Iannucci's stylish deadpan becomes, until, by the end, things take a turn for the gruesomely surreal, and we feel as if we're watching the cheekiest
horror film never made.
«Without Name» wants to echo mood
horror pieces like those
of Polanski or David Lynch but there's a reason that so few people make those
kind of films — they're really hard to pull off.
It's a silly
horror film, especially if you come in expecting the
kind of visceral gut punch Tobe Hooper tends to deliver.
Beyond that, the
film's shrill sense
of confinement, the danger
of one man turning on another, and the unthinkable transformation going on in the cellar build to a startling climax — one that utterly upends expectations — followed by the
kind of absolutely genius ending that guarantees the
film's eternal position in the annals
of horror cinema.
Their characters survived the first
film, and like all good
horror flick survivors, I'm sure they'll offer some
kind of cursory explanation
of what's happening, that explanation will be ignored until it's too late, and then at least two out
of the three survivors will be destroyed.
The upcoming
horror film follows a family in the woods who have to live in silence unless they summon some
kind of threat that is hyper - sensitive to sound.