Sentences with phrase «kind of image making»

The painters in this show all utilize abstraction as both tool and content, a particular kind of image making.

Not exact matches

After the other animals Genesis 1:25 - 27 And God made the beast of the earth after his kind, and the cattle after their kind... And God said, Let us make man... So God created man in his own image.

Genesis 1:25 - 27 And God made the beast of the earth after his kind, and the cattle after their kind... And God said, Let us make man... So God created man in his own image.

• Intentional physical violence of any kind against a person made in the image of God solely for entertainment and recreation can not be justified (some pro-lobbyists and Christians cite the Just War thesis, which is at best woefully naive).

that He had defeated death or satan, this crucifixion was a promise that He had to make perfectly clear to His enemy 1st before He could say to the world ALL those who were created in his image, that its done it is finished I did what I said I would do, if you decide you need me, I will be waiting, man talk about patience, and this isnt the kind of patience that your see when people are waiting in line and they arent tapping thier foot, this is called perfect Faith, that comes in trusting and know the end from the beginning, thats HUGE!

In time it came to involve art forms of all kinds, (heiroglyphics, drawings and carvings, images, tools, etc.) and for all purposes (ranging from what we would call economic (making a living) to what we could call religious (giving him a sense of meaning in life)-RRB-.

King and Son of Man, - because as the Angels were made in the sheer likeness of God's immaterial being, so man's kind was, from the beginning, made to the Image not of God in general, but of God to be Incarnate, in Christ.

In western Europe in the Middle Ages, for example, technology was directly spurred by a belief, namely that there are some kinds of work too degrading for creatures made in the image of God to do.16 The result of this view was a great increase in the invention of laborsaving devices.

Here's my take: The last creative act of God was, «Let Us make man (kind) in Our own image.»

We are all going to procreate, reproduce, breed and make more of us in our own image, after our own kinds.

this kind of happened a while ago, but Stephanie made Vietnamese braised beef tacos and that first image literally gives me life.

One of the things we have to do is expose girls to positive attributes, different body images, different kinds of intellect, different kinds of styles, different kinds of careers, and different kinds of strengths, so that they see the world is wide open for them to make choices.

Some applications (like Instagram) DO create mobile - centric outreach opportunities (particularly if you generate a lot of good pictures), but most of them — at least in the short term — require us to take simple steps: we need to go out of our way to make sure that our emails (and landing pages) display and function well on mobile browsers, and that our Facebook content is the kind of image - heavy materials that mobile users can see easily.

Video often evokes a stronger emotional reaction than text or still images alone, making it a powerful way to tell stories or make a political point, but online video isn't television — the kinds of content that succeeds can be quite different, with authenticity (that word again!)

Video often evokes a stronger emotional reaction than text or still images alone, making it a powerful way to tell stories or make a political point, but online video isn't television — the kinds of content that succeeds can be quite different, with authenticity and topic typically more important than polished visuals.

There are many kinds of citizen science, among them: making field observations as in the sunflower project, analyzing images and video such as the terrific Zooniverse.org projects, data crunching with spare computing power, and more.

The images in Bee are the kind of machine - made line work Durer himself would've envied, infusing tiny creatures and surfaces with the depth, insight and majesty they deserve.

ALMA is the only instrument capable of making these kind of high - resolution images.»

«It makes a kind of audiovisual effect: If you yell at the painted image, it will speak back to you,» he says.

In weeding out the bad (again, for my body type) however, I quickly discovered not only the good, but the great, and in trying to make the best of my figure (it, like most peoples», has its own strengths and weaknesses) have attempted to focus the bulk of my wardrobe on these kinds of pieces, fifteen of which I'm going to share with you here today by way of black and white vintage images depicting each of them.

The stamping image and the holographic polish combined makes it kind of trippy!!

Make out some sense in photo that image want to say - some kind of description.

Right now the avatar selection is kind of limited but eventually OmniDate will make avatars in your own image.

Not one that makes you look stupid or easy or strange... Think about what kind of image you want to portray.

The images are marvelous, a lovely example of Ghibli hand - drawn animation and a reminder of the kind of personality that comes through this kind of art, but it is the compassion and depth of character that makes it such a moving film.

«It started actually with the Grenfell Tower fire investigation then it leap - frogged to (the) Miami gun control situation, it was outside the UN... that's the kind of power that an image can have and that's what we're making, we're making powerful images.»

«You make a certain kind of movie because that's the way you see things,» De Palma explains, «and these images keep recurring again and again in these movies.

He's a gregarious make - it - up - as - you - go - along kind of director and helpfully chooses interesting locations for Sonia's film as they work through his own shooting schedule, stealing images and improvising scenes here and there.

This disjunction of sounds and images is of course a classic narrative devise of cinema (27) and functions as a kind of pedagogical entry into the visual regime of the film; it does interpolate the viewer and ask him or her to connect these tracks, not necessarily to make sense of them, but at least to organise a suspended logic of connectivity.

It's a film set at the edge of everything, where reason becomes awe and where the inexplicable somehow makes a resonant kind of sense, and it's as beautiful and infinitely detailed as a fractal image.

Ross recorded a comparable version of this song well before Altman got around to making Short Cuts, and his use of this tune as a kind of impressionistic clothesline on which to hang some of the movie's images, feelings, and themes recalls the lovely instinctual use he made of a few Leonard Cohen songs in McCabe and Mrs. Miller 22 years ago.

Working online means you can deploy all kinds of media — images, video, animations, graphics, audio, games — to deliver content, enhance students» understanding, and make lessons more engaging.

TalentLMS makes this easy by providing all the tools you need to create your courses, starting with a native WYSIWYG web editor, that makes it a breeze to write any kind of text based content, complete with formatting (bold, italics, colored text, etc.), lists, images, links, tables, and, generally, anything else you might ask from a text editor.

While one can add all kinds of files (such as images, audio, video, word documents and presentations, etc.) directly to a lesson unit, not every file an instructor wants to share will make sense to upload as such.

For a burgeoning number of buyers, that kind of image clarity doesn't have to make sense.

I had to make sure that the image was positioned flush to the right margin and anchored to the text; simply placing the paragraph where I wanted it in Word led to all kinds of weird effects.

This makes any kind of slow shutter attempt basically impossible to handle without significant motion blur to your images.

Well, the developer has now shared a second teaser image, which makes it pretty clear that some kind of reveal is imminent.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).

In this respect, drawing comprises an important aspect of her practice — once she has selected an image or a topic, she typically makes numerous drawings on that theme as a kind of mnemonic exercise from which her paintings eventually emerge.

This photographic subject matter reflects on another kind of speed or immediacy in image making, and one that deeply impacted the field of painting.

Strauss - Kahn takes the perp walk in Angel Vergara's Belgian pavilion, in which TV news flashes across seven screens while a gentle paintbrush dabs away at the luminous glass surfaces, as if trying to make sense of the onslaught of appalling images of lust, violence, greed — the seven deadly sins in grim total — turning television into both the base and the source for a new kind of helplessly beautiful abstract expressionism.

As part of this process, we are considering what kind of things, images, information, display structures, events, discussions, archives, attention, temporalities, works, and practices should make up the Center for Curatorial Studies.

Rauschenberg also made one painting of solid and uninflected black, a kind of mirror image of the white pictures.

Ted Mineo: Touché arose as a possible title when I was rooting around for words related to keyboards, which we were both making images of when we began to plan this show — though mine were the musical kind and yours the typing kind.

Images and techniques ricochet off one another, enticing us to make connections of all kinds — within the work and across history.

But I'm not just concerned with materials — I think my pieces also display some kind of sensitivity to image making.

BB: I've made a few paintings that are not based on any kind of image, but basically I start with images.

This kind of interest in the language and meaning of image making found resonance in Australian art, particularly in the 1970s and 1980s, as the dominance of expressionist painting began to wane and a more conceptual, playful and ironic postmodern art emerged.