Sentences with phrase «kind of light too»

I do think that candy red is the best red to pair with other purple shades, as it's the most energizing one and kind of light too.

Not exact matches

Wonder too what kind of pitch black darkness there is, that the flames of hell do not light up the area?
She was way too busy shining a different kind of light to bother about such trivia.
It was kind of killing me that I was not shooting anything because the light was just too perfect.
But we have a lot fun and they taught me a lot, and I've felt I've brought a little to the table, too, keeping it kind of light
Rather than discuss each kind of policy — broadcast, press, online, etc — separately and on its own terms, we have wanted to provide a more general overview over forms of intervention in increasingly convergent media markets and help shed some light on an otherwise all too opaque policy area attracting increased interest as some commercial media companies continue to struggle and newsrooms in many countries are cut.
According to the lawyer, the kind of begging and apologies issued in court were too light - hearted to convince the court that they were serious and truly remorseful.
When Hubble observations showed this also occurring around galaxies too puny to warp light by themselves, astronomers realized that the galaxies must be suffused with an unseen kind of material — dark matter — that invisibly adds mass to the universe.
If you let it become too hot, it'll melt the ghee and coconut oil when you add it to the bowl and you'll end up with a some kind of a hot soupy mess instead of a light and airy creamed concoction...
If your blood is: thinned out, too little, lighter in color (kind of like watered down cranberry juice) this can indicate your estrogen is too low.
I love candles and would spend more on the right kind, I too have wondered if they last longer because of the price xx Sending love + light your way, My Lovelier Days
Thought quality seems good, they don't look like the picture at all, it is not sunflower yellow, rather it is a yellow highlighter kind of light yellow, the pattern is different too.
It is kind of like a sweater material, but a lighter knit, so it's still not too hot for summer.
Don't forget that light denim, as below, kind of counts as dove blue too, the shades are similar if not the same in different materials!
I kind of stumbled onto this idea by mistake when I was testing my 10 items and changing but too lazy to close my curtains so I threw this skirt on over top and a little light went on.
I was kind of surprised too with the eclipse at how light it was.
This kind of weather calls for lots of light layers that can easily be shed when the heat gets to be too much.
I think the solid light blue color might be an explanation so is the balanced length of all the elements, but the point is that I can't stop obsessing about this «too much» kind of dress.
He might have a little too much swearing to wade through, but every now and again, he is given the perfect line, the kind of dialogue you just want handed to the actor, so he can light up the movie.
«But we kind of also built a traditional game, like an entire traditional game, in the Cauldrons and in the bunkers [all underground], and it was a huge risk for us because we had to build completely new lighting technology and we had to design all these holograms too, to light those spaces and completely new art assets and gameplay and delivering narrative.»
I'm kind of bummed that these featurettes «focus» on the stunts almost to the exclusion of any other subject, though as a camera geek I enjoyed all the IMAX porn, like an outtake in which the lightest IMAX camera, the MSM, proves too heavy yet for a SteadiCam rig, causing the operator to topple over.
Which explains, for you, all the text pop ups throughout the movie, and the flashing lights, because, if you actually pick up a comic book or graphic novel, you'll notice all the action panels and even the normal ones too, have text pop ups, and flashy kind of drawing.
A story that is highly personal to the director, who himself grew up in a collective - living environment, we're certain that the unusual backdrop will prove fertile ground for the kind of ideological, social and interpersonal drama (with lighter moments too) that Vinterberg excels in.
With a performance from Jaeden Lieberher, a Philadelphia - born thirteen - year - old in the role of eight - year - old Alton Meyer, this intellectual addition to the sci - fi genre may be too slow for the «Transformers» crowd but more in line with those who go for pictures like «Close Encounters of the Third Kind» and even «E.T.» Much of Adam Stone's lensing is in the dark because the kid is sensitive to light and David Wingo's happily non-intrusive music, «Midnight Special» will probably get theatergoers to emphasize either its special role or, less happily its midnight downer.
The dashes of light at the end of the tunnel are strong supporting turns from Monica Bellucci's fiesty femme fatale (Bellucci proving she became a Bond girl a decade too late), and Paul Giamatti, always brilliant, and giving this film the kind of meaty villain that raises this story from a senseless thriller to a decent one.
Though she's adequately attired in her country - fried accent and long, hot summer finery, truth be told, she's already too good for this kind of material — a compliment that sheds light on her co-stars (John Travolta, Gabriel Macht), who are, to a one, not up to the film's desperate pretensions.
If you've spent decades knocking on agents» doors, only to be told your work is too quirky / unremarkable, dark / light, similar / different, and «not right for us at this time,» it's kind of nice to get your brain around this wonderful new fact: you don't need an agent to be a successful writer any more.
We have a special love of short books — novella - length fiction and the kinds of essays you can still find in the pages of The New Yorker but not too many other places — and edgy topics, but what we love most are good books that might not see the light of day if it were not for LLP.
Tzufit: With most of the characters there's not, like, a huge variety but you have people who have more ranged abilities, and people who have fewer ranged abilities, you have people who can kind of fly further to be able to get back on the stage if they get knocked out too far, you have heavier characters, and lighter characters, kind of.
Taking out lights actually helps you, too — Aliens can use heavy attacks to knock out all kinds of light sources, and it really will make you harder to spot, at least to Marines.
, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,
BARBARA JOHNS: Is it too extravagant to say that in your very large paintings, you're dealing with space and light with a related kind of mastery of scale?
There's way too many offerings to make any kind of intelligent recommendations, so I'm going to be selfish and suggest some Art21 - related screenings: About Jenny Holzer (2009), a 10 years - in - the - making portrait of artist Jenny Holzer; James Turrell is one of several artists featured in Let There Be Light (2008); and a personal favorite — Art21's Season 5 episode Transformation, featuring Yinka Shonibare MBE, Cindy Sherman, and Paul McCarthy — will screen on March 20 and 21.
And so it's a very big deal that we not push energy prices up too much, so that things like fertilizer, lighting, refrigeration, air conditioning eventually — the kinds of things we take for granted — by 2100 should be available to everyone on the planet.
However, when I read your statement I highlighted above, «I too have been led to conclude that light, and indeed that all kinds of other radiation contains no heat», I get a disconnect!
Having said all that, I too have been led to conclude that light, and indeed that all kinds of other radiation contains no heat.
Thank you for brightening my day and making me think of my grandmother too who is so much like Henrietta - patient, kind with a great big heart who seeks out the lost, prays for them, speaks light into their life and was the only friend many of her neighbors had.
I noticed that I had a headache not too long after my detox from the royal beverage (Coke Light, if you will) and the culprit was of course, the neighbor's kind offering of a Diet Coke.
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