Sentences with phrase «kind of movie gives»

But what kind of movie gives you a look at what your life would be like had you not been in it?

Not exact matches

Spielberg's latest kids effort is magical and imaginative but doesn't pack that special punch he's given us with these kind of movies in the past.

showbox gives you mind blowing movies download experience with showbox apk you can download all kind of movies.

So, you came home from the hospital 5 hours after delivery AND you had movie star hair after giving birth = you kind of beat Kate Middleton on that one!!

«We knew if you could speed the information up successfully, it would give rise to all kinds of causality problems, as you see in science fiction movies about people traveling back in time.

«So I think I speak for people who have birthed their children, adopted their children, had kids in every different kind of way you can have kids, family members who are taking care of other family members, older moms, younger moms... This movie is about the love of caregivers, the love of somebody who gives a sh — about the safety and sanctity of a child.»

As a fan of super emo lyrics, the new - to - the - movie song that the Beast sings after giving Belle her freedom and watching her ride off, expecting never to see her again, had me recalling all kinds of teenage angst over lost love.

im a fun lovin man, that luvs too cook, the outdoors, movies, an all kinds of music I know how too treat a woman good by respectin her, giving her flowers an always tellin her how beautiful she is an how much I want to be with her

Instead, the person writing the profile is given more freedom to write exactly what they want to say in six particular categories: four kinds of favorites (t.v. shows, music, books, and movies), and personal turn - offs and - ons.

Out going and full of energy verry athletic and healthy and I like to cage fight as much as I can i am a kind and careing guy looking to explore new thing i love giving back rubs and neck massages i like movies all kinds I'm a gentleman at all times i like to have fun if u are willing u ask...

I'm open, sensual, kind, gentle, romantic... I'm a very family oriented, sensitive and tender person, I want to give all of my tenderness and care to my special man... I like watching movies, going out to dinner, walk, hold hands,.

I am basically a homebody kind of guy, do go out now and then to restaurants and interesting movies, meusems, etc.No longer into clubbing, gave that up years ago.

Well lets see personality wise I am very outgoing have a great sense of humor like to talk to people definitely a romantic type person good hearted and kind and caring very giving of myself in my spare time i enjoy parks beaches movies concerts dog parks bike riding canoeing going out to eat just...

I watched Gino and Mom during the movie and they kept giving it the kind of looks that they give me when I help them retrieve stuff in the trash they must have accidentally thrown away.

The title kind of discourage me to watch it, i would have thought this movie would just be a murder / killing type, but i was wrong after i found out that Joss Whedon was directing the movie and i gave it a go.

Ok movie that follows the same path as Wrong turn, Timber Falls and hill have eyes.For a movie of this kind there is hardly any gore, but then the movie work well without it given us the standed volience you would expected from this type of movie.Well if you like your horror gorey and volient then forget this but if not give it a try, was «nt a waste of 80 mins.

There's no good reason anyone should have given Miller any kind of budget or creative control over a movie and Lionsgate, being Lionsgate, did and he created this mess.

This movie already twisted from the start... and gives more and more twist till the end... but surprisingly enjoyable... in twisted kind of way.

Reynolds repeats the original «Deadpool» dynamic of giving the movie at least five times what it gives him in return, turning neediness, self - pity, desperation and narcissism into different kinds of comic fuel.

Reuniting disaster - resistant star Dwayne Johnson with his «San Andreas» director, this brainless big - screen monster - smash movie assumes that audiences want to see the Rock stop three enormous mutant creatures from destroying American metropolises, when in fact, it's the gleeful prospect of witnessing just that kind of spectacular CG devastation that gave the game its name — and presumably got the movie made.

The script — credited to the tag team of William Nicholson, Richard LaGravenese, and Joel and Ethan Coen — is a little on the nose for my taste, short on the kind of stray narrative curlicues that give movies some extra texture.

It's the kind of movie where teachers are shown giving lectures which directly comment on the action of the movie.

That's one of the ways he gives his movies a mythical quality; the characters don't talk in mundane everyday dialogue, but in a kind of elevated geekspeak that lovingly burnishes the details of their legends, methods, beliefs and arcane lore.

I think NCfOM gave people the wrong idea for what kind of movie this would be.

Normally this kind of documentary manipulation would raise flags for some, but given Panahi's current predicament and subsequent longing for the medium (and additionally the film's unmanufactured feeling), it comes off as an intensely personal, resonant rebellion, an incredibly beautiful movie and one of his best films to date (read our review).

Yes, this movie, about a group of struggling singles in their 60s and 70s may not appeal to the superhero crowd, but for audiences who might need this kind of story or relate to it, these late blooming dancers become another kind of superhero, inspiring those who might be giving up to give it one last shot.

I'm not sure if Universal is saying they give up on those kinds of movies.

He might have a little too much swearing to wade through, but every now and again, he is given the perfect line, the kind of dialogue you just want handed to the actor, so he can light up the movie.

It's not just kind of latex and a costume; it would be a motion - capture performance of the monster — I can give away maybe not too much by saying there's more than one in our version — and then I would go to Europe, shoot the movie, do scenes with the real actors and I would be able to see the motion - captured monster in real time due to SimulCam, so yes that is our technological VFX paradigm for Frankenstein.»

Where Austin Powers poked fun at the James Bond movies» familiar tropes and old - fashioned misogyny by imitating them to exaggerated levels, Spy's female focus allows for a different and more knowing kind of parody, while also giving McCarthy her most nuanced role to date.

While I understand that is kind of the whole point to Movie 43 — I sensed a mocking, if not altogether disdainful view towards not just Hollywood (hence Dennis Quaid's role in this film) but the entire human race given the level of gruesomeness — there simply must have been at least a baker's dozen different and far better ways to shape this rebellious beast.

WHY: «The Other Woman» is one of the worst movies you'll see this year — the kind of film that gives female - centric comedies such a bad name that it's no wonder Hollywood doesn't make them more often.

I'll give the director points for trying, though, and it was the only part of the movie where the 3D technology made any sense, since it is kind of cool to have the words dance in the air.

The movie, co-written and directed by Troma graduate James Gunn, is so self - conscious of its familiar plot machinations that it calls out this MacGuffin with a jab from Quill, who says the orb gives off a «shiny suitcase, Ark of the Covenant, Maltese Falcon kind of vibe.»

It's one of those science - fiction movies made on a spartan budget that gives it a special kind of low - key tension.

Music really isn't this movie's top priority, and as further evidence, before the band even performs three - quarters of a song in front of a crowd, the screenplay by Ryan Landels has already given us the subplot about the robot, which leads the sisters on a hunt to find some kind of message from Jerrica and Kimber's father to the former (Sorry, Kimber, but only Jerrica gets a posthumous pep talk from dad).

He's one of the greats, so for me, it's a privilege to have him on the movie and to give him sequences, and like Daniel says, you're making four movies and every section of the film feels so distinct from the other, feels so alive, it kind of regenerates in front of your eyes really, the film.

He gives the kind of performance that makes you wish you were watching him in a different movie.

Super minor gripe: So, with the exception of Guardians, it seems like every starting marvel movie gives the protagonist a villain who is, to a large extent, some kind of dark version of themselves.

Because this kind of discourse is routinely screened out of movies, we're likely to accept the profusion of insults as unusually candid or real, particularly given the spirited and talented ensemble cast, which Haggis directs with sensitivity.

In Monte Hellman's hypnotic road movie Two - Lane Blacktop, folk singer James Taylor gives a lead performance that is both unassuming and arresting, the kind of askew, unshowy, vanity - free acting that perhaps only a nonprofessional actor is capable o...

Without ever inventing any kind of backstory for Wiseau, and never solving the triple mystery of his birthplace, his age, or his financial situation, the movie gives us a fascinating, dynamic character that, miraculously, never outstays his welcome.

In fact if the splashy and self - consciously sensationalist promotional material so far is anything to go by, his Dom seems like the kind of loudmouth cockney wideboy who'd be a supporting character elsewhere, but has been given his own movie here.

This action filled trailer gives viewers more of an insight to what kind of movie they'll be in for on July 3rd, 2012.

It wants to say something about the media's obsession with the darker nature of humanity and how the populace continually feeds it (or vice versa), but the movie plays right into its own statement, certainly giving us all kinds of violence but without providing any worthwhile context.

«Face / Off» is the kind of action film that gives summer movies a better reputation.

Visually engaging with its washed - out, diseased, Cronenbergian / Lars von Trier colour palette and packed with innovative, maybe self - conscious camera flourishes and affectations, it all plays out a bit insular, a little too obvious given the entire history of the double in this kind of movie, but at least it's executed with a persistence of vision.

The movie ended aburptly & kind of unanwsered it looked like they left the door open for a sequel but who knows, overall it was a good not great movie id give it 2 out of 4 stars

There are definitely moments of greatness, enough to give Minority Report a very solid recommendation, yet it's the kind of movie that you must suspend so much disbelief at the leaps in logic that it might leave you with a hangover trying to resolve all of the gaps in the explanation.

Given the talent behind the camera and accompanying name recognition, it's the kind of movie that Oscar voters will nominate without hesitation.