Sentences with phrase «kind of movie there»

If a film COULD be really good, if it has a good cast, a good basic plot or idea it centers around and uses interesting camera techniques to tell the story, but turns out to be an insulting, stupid, arrogant vanity project for the director, it's the worst kind of movie there is.

Not exact matches

But Moysey said all different kinds of movies were shown there unless they had adult themes like gore, a lot of bad language, or nudity.

There is another kind of dreaming called lucid dreaming, which is more like playing a video game than watching a movie.

«There'll come a time,» says Hawkins, «when we'll be willing to invest in a piece of software the kind of money that now goes into making a movie.»

«I absolutely look at what I call the neighborhood when I'm investing in a stock, to see what other kinds of investors are in there,» says Whitney George, who manages the Sprott Focus Trust, «so you don't end up sitting in a very crowded movie theater when a fire breaks out.»

The audience for the kind of movies he wants to do just isn't there in the traditional theatrical space anymore.

DON: Do you remember the end of M. Night Shyamalan's movie The Village, where you kind of discover the monsters are there just to protect this tribe from the ways of the world?

Evie won't ever know my Granny but we tell her stories like we tell stories of my father's parents and we spin the yarn of their family stories so that they feel like they belong, like they know their place in the story, so they know it didn't start with them, it won't end with them, and there is a kind of love that doesn't show up in the movies.

Once your kids walk out the door, you simply can't insulate them from the kind of culture that is out there: the violence, the sexualization, and the glamorization of criminal behavior that we see all around us in movies, music and video games.

It just kind of starts at that and then builds from there before you know it all your kids wants to do is just up at Disney outfits and watch Disney movies.

So we just think like in a movie, we see somebody who is going down the street and you see just a telephone booth that you are passing and you realize, well that's [not] actually a telephone booth, that's some sort of charging apparatus where people need to charge the surrogates and basically just kind of dock themselves into these charging [bays] and, you know, charging up for half an hour there to refresh the batteries before they have to continue to move on with the day.

Mostow: No, but purposefully not; that there is two kinds of people [in this movie:] the people who are basically, you know, using this technology, which means you are basically using it all [the] time; or people who would have just outright rejected it and don't want to live in a world where people are living like this, and [the movie] make [s a very] clear distinction between those two groups of people.

A collapse in the AMOC could also mean there would be less heat reaching western Europe that could cause the region to plunge into severe winters, the kind of scenario similar to that depicted, albeit in extreme fashion, in the movie The Day After Tomorrow.

Haha sometimes you got to make people stare to take the perfect picture... I love the one where you are twirling — there's something kind of movie magic moment to it if you know what I mean?

There are music, movies, plays and lots of other interesting kinds of performance and entertainment.

I am a lesbian;) I love to hang out, clean, cook, watch movies, shopping, working.I'm kind of shy at first but warm up in no time:) there's plenty more about me just ask and ill tell:)

Whether your idea of having fun is to go to the movies in Tasmania personals or spend an intimate night in front of the fire, there are plenty of Hobart singles looking to have that kind of fun with you.

With the Oscars this Sunday, we were talking all things movies, and our research scientist Jonathan Beber decided to pull the data to see if there was any kind of impact.

«There were pictures and images and there were words and movies and bands, all kinds of stuff, and when you came to another little avatar, you could start chatThere were pictures and images and there were words and movies and bands, all kinds of stuff, and when you came to another little avatar, you could start chatthere were words and movies and bands, all kinds of stuff, and when you came to another little avatar, you could start chatting.

Whenever Shrek (Mike Myers) is sent away on a quest — be it to rescue a princess, find a potion or, in the case of this movie, seek out a royal heir — it's never more than a case of brief, breezy there - and - back - again, with one or two minor diversions (usually some kind of ambush in a forest), plus perhaps a campfire - side heart - to - heart, during which the irascible ogre will at least partially come to terms with whichever self - doubt that's plaguing him — this time his confidence in himself as a father.

He's nothing like the typical protagonist of this kind of movie, and if there's anything «heroic» in what he does, it's hard - won change on his part that allows it.

The early part of the movie, when Wikus gets exposed to the fluid, you'd think that the MNU or gov» t officials would have some kind of quarantine system in place, in case alien bio-matter intermingles with human... and indeed later on you hear about there being other cases of mutation — possibly induced by the illegal experiments — so they knew this kind of thing could happen... it seemed to me very reckless to have Wikus stumble about, puking his guts, bleeding from his nose, and not have his co-workers immediately call the medvac people in.

In «Paprika,» this connection between dreams and movies is worked to a fare - thee - well, but there are other levels of representation, too — Internet sites, which characters enter bodily, and, appearing now and then, a kind of collective unconscious, in which a parade of toys and icons (including the Statue of Liberty) march through an enormous city with a menacing, throbbing insistence that borders on the fascistic.

Ok movie that follows the same path as Wrong turn, Timber Falls and hill have eyes.For a movie of this kind there is hardly any gore, but then the movie work well without it given us the standed volience you would expected from this type of movie.Well if you like your horror gorey and volient then forget this but if not give it a try, was «nt a waste of 80 mins.

There's no good reason anyone should have given Miller any kind of budget or creative control over a movie and Lionsgate, being Lionsgate, did and he created this mess.

What remains is the dullest and most loathsome kind of movie out there, the kind that uses its overtly sarcastic tone to shield from any criticism.

The romance is there to ground the movie, I suppose, and Lawrence and Edgerton have a kind of cool chemistry that suggests not red - hot lovers but two people who enjoy trying to get one over on the other.

Annihilation isn't set up as any kind of «go girl,» «strong female character» message movie, but there is some feminist triumph in seeing this kind of story told from an entirely female perspective.

In fairness, the movie isn't the absolute worst of its kind and there's a certain charm to Butcher's amiable, puppy - eyed performance.

Inspired by the making of the movie «The Room» — a labor of cinematic ineptitude that has been called «the «Citizen Kane» of bad movies» — this sweet, affectionate (and unapologetically slight) comedy is an all - too - rare homage to harmless, hilarious incompetence, at a time when there is plenty of the more hurtful kind to go around.

Although there is a political element to this movie, however, it works on a primal level — that of a person struggling to find not only a path forward but some kind of meaning in an act that lacks reason, compassion, or sense.

And while this is clearly a plot - driven kind of movie, there were still some moments where the language and the situations were rich with poetry.

There are a couple battle scenes during the first bit of the movie that suck and a couple that are good so those kind of cancel out.

For every moment that sags, there are three or four that stand out as the kind of thing we never get to see in movies.

There are powerful moments in «Unbroken,» to be sure, but it also feels like the kind of generically grand - scale movie that five other directors could have made in exactly the same way.

The actor grins, scowls, charms and pummels his way through his latest stand - alone showcase with the kind of good - natured star wattage that might be the most underrated of the movie's many special effects; there are some scenes where I could almost swear Hemsworth's biceps were smiling.

That doesn't mean the movie escapes the intersectional nature of this universe of movies: There's a cameo from one superhero (kind of a favor, since Thor appeared after the end credits of that hero's solo film), and the Hulk, as well as his scientist counterpart Bruce Banner (Mark Ruffalo), has a supporting role.

Still, there's something to be said for a video game adaptation being an interesting and well - intentioned failure and not a raging garbage fire, as is often the default with this kind of movie.

By the end, you feel like kind of an idiot for sitting there watching because the booby - trap slaughter belongs to a movie that does not star Denzel Washington.

There are some extreme moments in these kinds of films where you know certain events and casualties only happen in the movies.

There's not a lot to say about the film's 5.1 DTS - HD MA soundtrack (English only), except that it's everything you expect from this kind of movie.

Lord and Miller inject the movie with the kind of silly, manic energy that's become a touchstone in all their projects, but there aren't enough truly laugh - out - loud moments, with many of the recurring jokes failing to hit their mark.

There's no genre yet for the kind of breathless thrillmaking that Paul Greengrass is achieving in his movies lately — last with United 93, an unlikely triumph, and now with this superb spy threequel, the giddiest warm - weather action movie since John Woo swapped dimples in Face / Off.

It's not that I wanted to claim those movies, or make movies like them one day, but that there's this time when you're an adolescent where you feel more linked [and] can kind of in your mind participate in things you watch or listen to.

Kind of cool BUT there were no morals for children to learn, just cool action which is something that most movies lack nowadays.

If you ignore the fact that there's already something called The People's Choice Awards, then the MTV Movie Awards are kind of like the awards show of the people.

Korean director Park Chan - wook's English - language debut plays like one giant homage to Alfred Hitchcock (particularly his 1943 film «Shadow of a Doubt»), but with a decidedly unique and erotic twist that's every bit as perverse as his previous work — the kind of movie that gets under your skin and stays there for days.

It's not just kind of latex and a costume; it would be a motion - capture performance of the monster — I can give away maybe not too much by saying there's more than one in our version — and then I would go to Europe, shoot the movie, do scenes with the real actors and I would be able to see the motion - captured monster in real time due to SimulCam, so yes that is our technological VFX paradigm for Frankenstein.»

The movie's abrupt appearance generated a flash of intense excitement, but not the kind of prolonged anticipation that most often leads to disappointment: The only thing you expected of The Cloverfield Paradox was that it would be on your computer when the last whistle blew, and there it was.

So while Butch Cassidy and the Sundance Kid is a hugely enjoyable movie - going experience, there's a certain cynicism in Goldman's writing that becomes increasingly apparent the more times you watch the film, and which casts him as a kind of puppet - master pulling our strings.