Sentences with phrase «kind of musical score»

The escape from the hospital is accompanied by the kind of musical score we might expect in a heist film with more humor than tension.

Not exact matches

Edelman's music isn't particularly similar to any of the previous scores, though they're all rather different from one another so one could hardly accuse him of breaking any kind of musical continuity.

I also felt that the musical score was somewhat forced for the purpose of provoking on the emotional level and was only there to make up for the lack of it in the film, it did seem quite unnecessary in parts where I thought silence could have worked better, but thats not to say of course that it was brilliant to listen too, and the changes were spot on to suit the changes determined in the film but for a simplistic kind of story it seemed excessive.

A Sacramento - based husband to a loving, working wife named Melanie (Jenna Fischer), Brad runs a non-profit that connects donors to charities, and is immensely proud of their musical prodigy son Troy (Austin Abrams, «Paper Towns»), who's on the right kind of track to score acceptance to a great college.

Yet, like all of Wingo and Nichol's collaborations, «Midnight Special» is about a kind of spectral intimacy, these particular ghost - like characters floating through their peculiar universe, even as Wingo's most transcendently, and subtly powerful score opens the gateway to another world just beyond our musical perception..

The acting is solid, particularly from Dano; Pohlad's direction is assured and graceful; and Atticus Ross's score is kind of incredible, especially when you consider that he had to create music for a movie about a musical genius.

Taylor's original choice of composer was Carter Burwell who didn't seem the most natural of choices, so it wasn't entirely a surprise when he departed the project (seemingly not the director's choice, but the studio's); a very capable replacement was hired in the form of Brian Tyler, who also scored the previous film in the franchise, Iron Man 3, and just maybe he will become the «house composer» for this series, which has so far failed to establish any kind of distinctive musical identity.

We looked at the musical journey of the game as kind of a «history of horror film», from orchestral, through the 1980s synth scores, and on to a more processed, artificial modern sound.

In his collages, he took a personal, lyrical approach, combining fragments of colored paper, musical scores, labels, letters and stamps in richly evocative compositions that he regarded as a «kind of private diary, not made as autobiography, but one in which all kinds of personal memories are incorporated.»

Across a bank of four screens, Maria Callas, Jimi Hendrix, Marilyn Monroe and scores of other musicians and actors make some kind of sound, seemingly in response to each other — much like players in a musical ensemble.

And as a departure from Wilner's self imposed representational parameters of the year, Making History: September 2009 made use of selections from musical scores to create a kind of soundtrack to the cinematic visuals of the rest of the year, a nocturne composed from the detritus of daily events.