Different
kind of narrative set ups that all build a head.
Not exact matches
Narratives of this
kind aren't anything particularly new for Hollywood after the original Death Wish
set the template, and Roth's version lacks something
of note to make it stand from the crowd.
On a purely
narrative level, however, the introduction
of some
of the villains feels somewhat awkward, as the film has to abandon its point -
of - view close to Ruth to show what
kind of people they are before they are
set onto a collision course with Ruth and Tony, which doesn't quite feel organic.
Woody is addled with dementia and has settled into a
kind of leave - me - alone stasis, but he's dead
set on making the trip from Montana to Lincoln to claim it, which in turns leads to a stop in a place where he hasn't seen old acquaintances and relatives for decades — and which opens up the story to all sorts
of narrative and thematic possibilities.
It takes a certain
kind of mindset to spend one's days writing code — Bujalski, whose earlier films mostly orbited around bohemian - hipster types, seems at ease amidst the pasty introverts participating in the weekend - long hotel -
set chess tournament that gives the film its
narrative spine.
Whereas in film you're responding to the
narrative and the process for each film is generally quite similar, with games there are so many different
kinds of them, and within each game, different
sets of circumstances, so from project to project there is almost always going to be a new issue within music that needs to be tackled and dealt with.
They originate in what has been portrayed as a gesture
of serendipitous ad hoc — ism,
of a
kind that dominates the official
narrative of his artistic evolution: In need
of furniture for his empty apartment, Chamberlain cut the cords binding one
of his many unsold foam pieces and then
set to with a large knife, transforming it into an impromptu sofa.
In general, and I'm deeply suspicious
of my motivation for
setting up a funny
kind of narrative.
In her film work, Morris both seduces and alienates the viewer, employing different
kinds of cinematography, from documentary recording to seemingly
set - up
narrative scenarios.