I want to see how the gesture and the figure can
kind of paint together.
I would call this a «mixed media» dresser, since I used two different
kinds of paint together to get the finished look.
Not exact matches
I like to
paint ceramics, knit, put puzzles
together, and do all
kinds of crafts.
Sofia Coppola's exquisite second feature is filled with these
kinds of small, beautifully acted scenes that, when taken
together,
paint a rich portrait
of two like - minded souls who take solace in each other when the rest
of their lives seem to be spinning out
of control.
Still, there's something about this couple on screen that
kind of works, partly because Hawkins and Hawke are remarkable
together, and partly because director Aisling Walsh and screenwriter Sherry White let them make much
of small things: The looks on their faces, say, when she starts popping bright, cheerfully
painted cards in with his bills, and a New York visitor offers to pay more for her card than for his fish.
The first - person perspective game has a
kind of morbid beauty to it, sort
of like a Beksiński
painting and Dante's Inferno put
together.
Louis and Noland saw the picture unrolled on the floor
of her studio and went back to Washington, DC., and worked
together for a while, working at the implications
of this
kind of painting.
Curated by Jason Andrew, this exhibition is the first
of its
kind to bring
together important
paintings from the 1970s offering a reflection on Tworkov's tension between spontaneity and restraint, the automatic and the planned.
Each work is an instance
of a ripped frescoes, a technique developed by the artist in the 1980s which brings
together two key moments in his
paintings: a construction, based on a site, as a process for the formation
of a support; and a reluctant walk (
of a fake restauration) in the memory and the material history
of the
painting,
of deconstruction, subtraction, a
kind of intimate and forged archaeology, where a re-emergence
of an unexpected fragment in the shape
of clay, mosaics or shred (
of colour or material) can become the focal point
of the whole
painting.
Tiffany Bell and Frances Morris — the loving curators who put the London survey
of her work
together — include 1954's Untitled, with its Adolph Gottlieb — like shapes and a few other
paintings of its
kind, the better to show what it looked like as Martin moved away from the body and into drawing something more ineffable — nature, or more specifically, the cosmos at the heart
of the natural world.
Richter's swiped - over twin towers, Dumas's crucifixions and portraits
of Osama bin Laden and Phil Spector (looking like a creepy and ageing Ken Dodd) at Frith Street Gallery, and Sasnal at the Whitechapel:
together these artists evidence a
kind of mistrust and doubt, as well as a discovery that
painting can be both revealing and critical.
It consists
of four
kinds of objects: your paper weavings, which you display on horizontal pedestals; inkjet print
of textile patterns; enamel
paintings, and — smack in the middle
of the exhibition — an installation
of your Oyster # 9 (2014)-- a giant, round
painting mounted on what look like several dustbin lids welded
together.
And these big red
paintings, marked in red (with one small white exception) with a
kind of insignia or logo pushed at times to the edge
of the field or centering it grandly, all on sumptuous brown linen, would appear to be an attempt at finitude, an attempt to bring
together the specificity and thrill
of the now (as embodied by fashion) and the lush severity and awe
of Great
Painting.
Bogin's pictures combine artistic positions that had hitherto not been brought
together, like those
of Donald Judd and Andy Warhol, thus creating a
kind of painting that could be called «Minimal Pop.»
For Crosby, the
painted gesture brings
together line and form in a way that imposes control and at the same time locates a
kind of freedom for the resulting image.
The drawings
of Sol LeWitt, in some rooms, flank the wall from floor to ceiling, with detail that brings your eye a couple
of inches from the wall ------
together, a beautifully curated collection, in an awe - inducing, Hudson School
of painting kind of lighting, nearly perfect space.
As the only exhibition
of its
kind in California, it brings
together more than 120 works by 28 individuals, including large - scale installations, sculpture,
paintings, works on paper, wall drawing and photographs, as well as digital and video art.
Her work is also painful — the broken chair on top
of a rickety stool could be taken for a self - portrait, the filing cabinet and
paint - rimed metal box jammed
together on the wall a
kind of collision
of bodies, her dangling, mangled canvases fighting gravity, twisting in the wind, flopped hopelessly on the floor.
I've introduced a different
kind of artifice into images
of them, photographing them in poses taken from Renaissance
painting, bringing
together two very different codes
of physical expression, each
of which heightens the experience
of the body in its own fashion.
In his introduction John Ashbery calls the book «the finest work
of Surrealist fiction,» noting that de Chirico «invented for the occasion a new style and a new
kind of novel... his long run - on sentences, stitched
together with semi-colons, allow a cinematic freedom
of narration... his language, like his
painting, is invisible: a transparent but dense medium containing objects that are more real than reality.»
Together, though, they strike up a fun dialogue: the height of Bowling's paintings, together with the relative dignity of color field painting, lends them a kind of mute imperiousness next to the playful skittering of Berg's wheely - pa
Together, though, they strike up a fun dialogue: the height
of Bowling's
paintings,
together with the relative dignity of color field painting, lends them a kind of mute imperiousness next to the playful skittering of Berg's wheely - pa
together with the relative dignity
of color field
painting, lends them a
kind of mute imperiousness next to the playful skittering
of Berg's wheely -
paintings.
Mornings and evenings, come rain, hail or shine I will stop and do this, gradually putting
together a
kind of... visual diary which I use as reference for my
paintings.»
As he sees his work as part
painting, part sculpture, Sinsel brings these different
kinds of found objects
together in tight, simple, yet detailed compositions by means
of craft - based practices such as metalworking, ceramics, weaving and sewing.
The two artists
paint together at Wayne Art Center, sharing studio space and creating a
kind of cross-pollination
of painting styles.
«I
kind of blew apart abstract
painting and put it back
together again.
Solitaire Wexner Center for the Arts The Ohio State University Columbus, OH Joan Semmel Sylvia Plimack Mangold Lee Lozano Curated by Helen Molesworth Solitaire brought
together three artists who came
of age aesthetically in New York in the 1960s and engaged in representational
painting even while the art world seemed to turn its back on that
kind of art - making.
He pieces his picture surfaces
together from many
kinds of flat material,
painting on them as he goes.
Yet always we feel a whole
painting pulling itself
together with a
kind of fresh and cool perfection.
Because
of the way I loved so many
kinds of art, Milton said that I had «Cézanne's ear,» meaning, I think, that I wanted to put diverse aspects
of painting together.
They're
kind of a
paint to put
together but worth it for the $ $, in my opinion.
I also threw
together a simple fall table setting - but because this is our do homework, eat at, sleep on,
paint on, saw on,
kind of table - it can't be much!