Sentences with phrase «kind of painting by»

This was considered the lowest kind of painting by the Academy, according to its Hierarchy of Genres, which preferred grand paintings with classical or historical significance.

Not exact matches

So in some of the paintings you can see that I tried to draw in something of the beauty of Islamic art and often poetry, and I think this is kind of motivated by a real desire to somehow express and celebrate the really rich cultural heritage there is in the Middle East.

The new cans court a different kind of controversy by painting Budweiser, the self - proclaimed King of Beers, as a «local» product.

Furthermore, it is easy to do this kind of thing to christians, we just get upset, but you'll never see this artist deface Muhamed by painting his likeness in Kool - aid flavored water color for instance.

These problems and concerns raised by the police personnel on duty paints exactly the gloomy picture of the kind of problems teachers, and health workers who are posted to work at these deprived villages face on a daily basis.

The more common kinds of exposure are from dust in houses with lead paint, from water contaminated with lead (by passing through old pipes, which is what happened in Flint), or from toys, jewelry, tableware, or home remedies that may be contaminated with lead.

Typically when an artist who paints with watercolors (which I think you all understand what I mean by watercolor)... the person sketches out a drawing with a special kind of pencil as so when they apply water and paint — the outline from the watercolor pencil blends in versus just being an outline.

By colour we mean painting a picture of what dating you would really be like and the kind of person you really are.

At this juncture you might expect some kind of damning indictment of Disney sexism, sexualising this young girl by painting her as a siren.

In Dark Places, writer / director Gilles Paquet - Brenner has gotten the first part right (kind of) but totally bungled the second, resulting in a boring, soulless, paint - by - numbers mystery that never clicks or finds its footing.

The scene ends with Swinton's mother waking up and leaving her house to find it (and her car) splashed in red paint by her fellow citizens, as her son, possibly stewed in the resentment and frustration of the mother, has grown up to become a neurotic sociopath responsible for murdering his fellow students in a school shooting — which of course is young people splashed in a different kind of red.

Although there are five generations of M3s to choose from here today, we quickly filter through to the brand - new GTS, which is painted fire orange — the same color used by the long - defunct Jagermeister racing team that fielded all kinds of fast BMWs from the 2002 to the 3.2 CSL.

By dream car, Zetsche refers to some kind of high - performance or ultra-luxury halo vehicle that paints electrification in a positive and desirable light.

never been in any kind of accident, no paint work at all, original paint as new, CLEAN TX TITLE BY MY NAME IN HAND, clear CLEAN CAR FAX, never had any problem before.Car has no issues at all, car looks, drives as new, this great family dream, 8 Air bags, AC front and rear BLOWS ICE, daytime running light, folding seats, cruse control, key less entry, power windows front and rear, power locks, ABSa

Getting a book in front of the right agent, followed by the right publisher, isn't exactly a paint - by - numbers kind of operation.

Taking clear design cues from the Samsung Galaxy S3 smartphone, think of the Note 2 as a kind of super-sized version of the flagship handset, swapping straight lines for sleeker curves and a white paint job «inspired by «nature», so the marketing blurb tells us.

Start with one of the many available services that make building your blog kind of like a paint - by - numbers exercise.

On that second day I walked to Chelsea alone and did my own kind of praying in front of huge canvases painted by a pregnant woman from Brazil.

Laguna Beach is also home to summertime's remarkable Pageant of the Masters, a one of a kind event when classic artworks are recreated using brilliantly painted tableaux, all populated by real people done up to exactly resemble figures in the original paintings.

So in addition to helping paint a gritty picture for the rest of the game experience, this kind of sexualized violence against inessential female characters is exploited by developers as a sort of cheap one - note character development for the «bad guys».

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

Users fund artwork of all kinds on Kickstarter — from traditional paintings to more obscure items, like the 64 - foot wooden pyramid named «Temple of Whollyness» by Gregg Fleishman, which raised $ 76,381.

The show curators, as Barrell notes, argue that Wilson's great leap forward was «to turn away from painting «invented compositions» of the kind preferred by Lorrain and Gaspard Dughet, in favour of views of real places.»

The contributions of African American artists to the inventions of abstract painting have historically been overlooked, or else fraught with the kind of questions faced by Jones.

Do people feel alienated by certain kinds of art, like abstract or minimal painting?

I use paper for painting mostly, now I have a new supply I'm painting (feathers of several different kinds of birds, then I will often use paper & multi-meduims (eccept oils)-- I'm sure the by the inch method won't generate replacement costs.

Created over the course of three years from 2012 through 2014, in collaboration with a community of artisans in Rajasthan, India, the large 2 - pole structures (each measuring some 10» x 18» x 12» high) transform MASS MoCA's signature Building 5 gallery into a kind of tent village, inhabited by painted human figures both supine and in motion, and emblematic symbols and signs both obvious and arcane.

Langdon Quin: I'm impressed by the luminosity and the intensity of light in lots of different kinds of painting.

2007 Living Room Paintings, Painted Faces, Kinkead Contemporary, Los Angeles, CA Some Kind of Portrait, curated by Simon Watson, Marc Selwyn Fine Arts, Los Angeles, CA Distinctive Messengers, curated by Simon Watson, House of Campari, Miami, FL

Even earlier works like Fable II and Rite, both from 1957, earn their titles by the nonspecific figurative connotations of their bunched shapes; it would take only a little bit of further manipulation to turn those forms into the kind of stylized figures found in the paintings that Jan Müller was making around this time, or Bob Thompson just a little later.

I've been struck by the fact that contemporary advertising seems to know more about the kind of visual language Labille - Guiard utilized (and for that matter, Johannes Vermeer and other golden age Dutch painters) than they know about contemporary painting.

Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).

Curated by Jason Andrew, this exhibition is the first of its kind to bring together important paintings from the 1970s offering a reflection on Tworkov's tension between spontaneity and restraint, the automatic and the planned.

Each work is an instance of a ripped frescoes, a technique developed by the artist in the 1980s which brings together two key moments in his paintings: a construction, based on a site, as a process for the formation of a support; and a reluctant walk (of a fake restauration) in the memory and the material history of the painting, of deconstruction, subtraction, a kind of intimate and forged archaeology, where a re-emergence of an unexpected fragment in the shape of clay, mosaics or shred (of colour or material) can become the focal point of the whole painting.

Recent exhibitions focused on the work of Alan Shields have included Alan Shields: Protracted Simplicity, a survey accompanied by a chronological monograph by Heidi Zuckerman at the Aspen Art Museum; Alan Shields: A Different Kind of Painting at Beeler Gallery at Columbus College of Art & Design; Alan Shields: Common Threads at Parrish Art Museum; and Into the Maze at SITE Santa Fe, among others.

The following year, with Mountains and Sea, 1952, she created another kind of painterly space by staining unprimed canvas with oil paint while allowing telltale signs of drawing to remain.

This loss is compounded by the falling out of favour of a kind of criticism which systematically ignored what paintings were about, the modernist sort, practised by Clement Greenberg, Michael Fried and early on Rosalind Krauss.

For 40 years, enshrined here in installations and drawings with coteries of remakes of various kinds, Jackson's existential investigations into the meaning and existence of paint embody the opposite of the cool analysis done by Gerhard Richter.

Samb and his peers questioned this emphasis on skin colour, alongside the kind of traditional sculpture and painting beloved by official institutions.

Discussing this series in the context of his «70s output more generally, Stella says, «The effect of doing [the Diderot paintings] «by the numbers,» so to say, gave me a kind of guide in my work as a whole... The Concentric Squares created a pretty high, pretty tough pictorial standard.

BLANK SPACE is pleased to present a solo exhibition entitled «All Kinds of Ways to Your Garden» featuring new paintings by Douglas Witmer.

He began by pouring wet paint onto the paper till it was saturated, he tore, he scratched, he scrubbed at it in a kind of frenzy and the whole thing was chaos — but gradually and as if by magic the lovely ship, with all its exquisite minutia, came into being and by luncheon time the drawing was taken down in triumph.

And these big red paintings, marked in red (with one small white exception) with a kind of insignia or logo pushed at times to the edge of the field or centering it grandly, all on sumptuous brown linen, would appear to be an attempt at finitude, an attempt to bring together the specificity and thrill of the now (as embodied by fashion) and the lush severity and awe of Great Painting.

Continuing an anthropomorphic sensibility begun in her dart paintings, Feu à volonté featured two works, Homage to Bob Rauschenberg and Tir de Jasper Johns (both 1961), which Saint Phalle gifted as individual «portraits» to her friends after inviting them to execute the shootings prior to installation.25 Reviewing the show for the New York Herald Tribune, John Ashbery noted the general significance of her intervention, writing, «[She] has invented a new kind of painting that must be finished by the spectator [emphasis mine] with the aid of the rifle bullets fired at the canvas.»

The show's first section, «Gestural Abstraction,» is dominated by two brushy, wall - filling paintings — one by Lee Krasner, the other by Joan Mitchell — of a kind that has been a staple at the museum since the 1940s.

You have to see it over time, and you have to see different kinds of works by the same artist, and kind of live with it, live with the experience of that painting and come back to it until you sort of connect to it

A key work of the show is a sixteenth - century painting by Lavinia Fontana, who rendered a secular portrait of an infant in a cradle — supposedly the first of its kind in art history.

Over the next two years, he began to make a new kind of picture, the «anthropométry,» by covering models with paint and having them press their bodies against paper or canvas.

Her work has been included in group exhibitions, including «Lines and Spaces», Hartford Art School, CT; «About Painting» and «Twice Drawn», Tang Museum, Skidmore College, Saratoga Springs, NY; and the traveling exhibitions «Drawn by New York: Six Centuries of Watercolors and Drawings at the New - York Historical Society», and «Drawing is Another Kind of Language» which originated at the Harvard University Art Museums and traveled to museums in the U.S. and Europe.

Another room serves as a kind of comic counterpoint to the primacy of painting, in sculpture by David Smith and others.