Lynn Hershman Leeson I think that all art involves
some kind of personal narrative, whether artists consciously include them or not.
If you're unfamiliar with Kiel Johnson's work, his work, he creates transmorphic drawings, paintings and sculpture that seem to synthesize the ever - expanding media explosion through
a kind of personal narrative.
Don't get caught up in a lot of personal accounts and blogs; you don't need
that kind of personal narrative at this point.
Not exact matches
This makes perfect sense, given the divorce
of sexual activity from any
kind of moral framework or
personal narrative.
Three
kinds of material relating to Jeremiah and his times dominate the hook: (1) prophetic oracles deemed in their freshness and vitality to be authentic, in the sense in which we have used this word before; (2) historical - biographical
narratives, conservatively attributed (and rightly, we think) in first origin to Baruch, the prophet's
personal scribe (36:4 ff.)
It doesn't matter whether you require an expository, argumentative,
personal,
narrative or any other
kind of essay.
I believe this initial assessment
of the whole book, rather than reading only a chapter or two, is the best way to see how the author sustains the
narrative arc — creates the premise, develops the action, resolves the problem — and brings the reader to some
kind of satisfying
personal experience, an emotional landing place, whether it's inspiring, happy, tragic or just plain informative.
Narrative essays should a clear introduction in which you need to indicate what
kind of narration you are writing:
personal, past experience, analysis or observation.
Unlike in other
kinds of essays, in
narrative one you can freely use the first or second person singular, which is much easier way to convey
personal experiences and observations.
Downes says he chooses a site because it satisfies a «
personal need» or has a
kind of magic, but whatever his reasons are, he seems to choose sites that challenge him as a painter and that remain devoid
of narrative, rhetoric and cliché.
The works recall a
kind of postmodern
narrative painting, mixing decorative and psychedelic imagery, and blurs the
personal and political by re-contextualizing the ideologies
of the past to establish alternative interpretations
of the value hierarchies that govern everyday life.
In the accompanying catalogue essay, critic Dave Hickey stated that Fisher works in a
kind of formula
of «imperfectly analogous juxtapositions
of three imperfectly distinct
kinds of phenomena (the
personal, the social, the natural), described by three imperfectly distinct information systems (the literary
narrative, the iconographic image, and the cartographic grid).»