«It is
the kind of thriller which lives up to its name by grabbing your attention at the first moment and not letting you go until the end,» she wrote.
«It's a period drama but it's
kind of a thriller,» she told Ryan Tubridy.
That makes the movie a major disappointment, more of an endurance test than
any kind of thriller.
It resists all temptations to turn this plot into
some kind of a thriller and keeps it grounded on the struggle for economic survival.
This criminally underrated film is
the kind of thriller Hitchcock would have made if he were around in the»90s.
A wonderfuly dark and ridiculous comedy that gives us a slightly different
kind of thriller.
With a combination of practical and CGI effects and tight story that boils down to a single night of hell, this is
the kind of thriller that gets under your skin and stays with you after you leave the theater.
But initially, I was just thinking of
kind of a thriller.
Margin Call is a different
kind of thriller which is amazing
Not exact matches
Asking that
kind of question is like asking, «Could you do a love story with more
of a
thriller element, like The Bourne Identity?»
Yet somehow, miraculously, Weinberger has fashioned her material into the best
kind of airport
thriller.
I also like to just stay in and watch movie, I like all
kinds of movies (
thriller, adventure, action, comedy) and music (rnb, Zou..
The simmering rivalry between Di and Fiamma, inflamed by the
kind of glimpsed indiscretion that makes adolescent melodramas tick, explodes in a
thriller ending that turns an observant coming -
of - age story into something resembling «The Lord
of the Flies.»
Corbijn isn't making a stereotypical Hollywood
thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some
kind of art - house /
thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.
Just serviceable bunker
thriller that asks the question, «Would you want to survive The Big One if it meant being stuck [underground] with the
kind of guy who spent his life preparing to survive The Big One?»
Very, very, very far from being a
thriller of any
kind.
It proceeds to full
thriller mode, and an engaging
kind it is in its over-familiar way, no small thanks to saving infusions
of soap opera.
Two
of Spielberg's recent history films were also made in a messianic spirit
of topical fervor: «Munich,» a dread - inflected
thriller that addressed the post-9 / 11 world, and «Lincoln,» a
kind of dramatized time machine that commented on our own increasingly fractious and divided political arena.
As the latest installment in what has become its own subgenre at this point, The Commuter serves as a fine example
of the
kind of tightly - coiled
thriller that Neeson and Collet - Serra can do together in their sleep.
The AV Club posits that «it's the
kind of intelligent, nuts - and - bolts
thriller that Hollywood should make more regularly.»
Kind of like a cross between Jarhead and True Romance, there is the combination violence, drugs and humour that is common to post Tarantino comedy
thrillers, but somehow it doesn't quite sit well with the setting
of the US military.
«Breaking In» was clearly designed as much a marketing proposition as a movie, a
thriller whose twist on the formula is predicated in part on casting an African - American woman in the
kind of role generally inhabited by guys like Liam Neeson — and as an added bonus, just in time for Mother's Day.
Its scenes and sensibility are all more than familiar, but it exudes a
kind of nostalgic spy - movie charm and, at the same time, is so fresh and free
of the usual
thriller nonsense that it all seems to be happening for the first time.
Eventually it all boils down to cliché, with home invasions by Terry, physical confrontations between Terry and Gabe, a hostage situation, a main character getting gunned down, and all the other standard
thriller tropes that might excite the
kind of audie
It's the worst
kind of convoluted
thriller — it can never unravel satisfactorily because there's nothing simple at its center, just more confusion.
I had a gruesome revenge
thriller, goat staring, and something that demands all
kinds of adjectives and discussions.
My favorite thing about Gary Oldman is that he's done all
of this without ever phoning in a performance, offering the same
kind of gravitas to B - movie junk food like Criminal and thoughtful
thrillers like Tinker Tailor Soldier Spy (which earned him his sole Oscar nomination).
One could, if one was being
kind, assume that the makers
of Gringo were aiming for that elusive jokey crime
thriller tone so brilliantly achieved by Midnight Run.
Most
of the characters in the film also mistakenly believe themselves to be caught up in the
kind of conspiracy
thriller that flourished in the 1970s (Three Days
of the Condor, The Parallax View, Marathon Man, etc.).
Just like an Indian curry dish, the list is filled with all
kinds of genres — comedy, romance, drama, horror,
thriller, et al..
When you get into your «Superman'territory it's harder to maintain the gritty action that the Russo brothers do so brilliantly and she's got that
kind of thing and [you can] really do a spy
thriller.
As a result, we get a Sci - Fi
thriller tinged with Noir (instantly making it my
kind of movie), but done on a budget.
This film feels
kind of like what you'd expect from a collision between George Clooney and the Coen brothers: a comical noir
thriller with a hefty dose
of social commentary.
Positioned as a
kind of educational
thriller, Loving Vincent follows Armand Roulin (one
of van Gogh's many subjects) as he unravels the circumstances that led to the young artist's suicide, spotlighting details
of his life, and meeting many
of the people who would inspire his paintings, along the away.
It takes a special
kind of film to lose me immediately, and «Paranoia,» a particularly sad espionage
thriller with very little espionage and zero thrills, did just that.
I
kind of like slow paced films, especial when they are psychological
thrillers... that's when a movie really gets under your skin.
It has the
kind of romance one would expect in a soap opera, and with a fair amount
of suspense one would expect in a
thriller.
Roadside Attractions has released a new trailer for the espionage
thriller Our
Kind of Traitor.
Castle Rock is an original suspense /
thriller — a first -
of - its -
kind reimagining that explores the themes and worlds uniting the entire King canon, while brushing up against some
of his most iconic and beloved stories.»
I don't know if the indie horror /
thriller neighborhood is steadily growing more crowded, or if it is finally getting the
kind of recognition it deserves.
Once the show ended, Aniston stuck squarely to that path, with the few early diversions (dark
thriller Derailed and indie Friends with Money) not showing the
kind of talent that we had seen her quietly unearth in Good Girl.
Idris Elba shows ass kicking skills in «Bastille Day», a Luc Besson
kind of action
thriller that starts out well enough but runs out
of steam way too early.
But this latest trailer makes the supernatural
thriller look
kind of cute, mostly thanks to Being Human's Sam Huntington.
Two years ago, South by Southwest gave the red - carpet treatment
of Duncan Jones's entertaining time - travel
thriller Source Code, but last year Drew Goddard and Joss Whedon's irritatingly snarky horror - genre deconstruction The Cabin in the Woods got the top honor, and now this year we have The Incredible Burt Wonderstone, which, in spite
of a nasty concluding punchline, can't even claim the
kind of cleverly subversive comic gusto The Cabin in the Woods has in abundance — for better and for worse.
I could discuss similar films that played at this year's Berlinale — but these two examples must suffice to demonstrate the dilemma German cinema faces: these genre films suffer on the level
of craft, while also facing the problem that the socio - cultural context might simply not lend itself to the
kind of genre filmmaking (at least with regard to the
thriller and action film genres) that seems to come so organically to filmmakers working in different national contexts.
That's the foundation
of many a classic heist or men - on - a-mission
thriller and this film offers it as a
kind of skewed redemption for a misfit band
of former military men, most
of them drummed out for conduct unbecoming (you know, petty schemes and such), many
of them fallen into cons and criminal schemes and all
of them adrift in the post-war culture.»
The spy
thriller «Our
Kind of Traitor» gets the first half
of that equation right.
Good Time, a heist
thriller directed by upstart directorial duo the Safdie Brothers, is one
of those
kinds of movies that grabs ahold
of you and refuses to let go until the closing credits.
You have a lot
of character actors who've appeared in indie films and stuff, in
kind of an action
thriller.
But that's ok, it just appears that Mann's movie is not that
kind of picture, and is perhaps just more pure genre -
thriller from Mann, maybe à la «Miami Vice.»