Sentences with phrase «kind of war against»

This is a radically different kind of war against a radically different kind of enemy, and it requires different rules and different weapons.

Not exact matches

Russia has already retaliated in kind against Britain for ejecting 23 diplomats over the first known use of a military - grade nerve agent on European soil since World War Two.

It is kind of wacky to make a point that a group of people must stop their war against christmas by accepting it.

Another GW Bush kind of guy leading us for some «God told» crusade to launch some «preemptive» wars, this time against maybe Iran, or China???? The price tag?

Liberals generally are for the killing of babies and other horendous ideas that war against the sanctity and liberty of human beings... Giving men with this kind of a world view «equal time» isn't what I think God desires.

So the «pro-lifers» are against abortion as a legally medical form of «murder», but then vote for politicians in our USA who promote war and all kinds of both domestic and foreign policies that lead to the death of millions of already born humans.

His ferocious jingoism during World War I» «He who is not with us, absolutely and without reserve of any kind, is against us, and should be treated as an alien enemy»» stands as an embarrassment for all of us who revere his memory and admire his undoubted, if flawed, greatness.

• Intentional physical violence of any kind against a person made in the image of God solely for entertainment and recreation can not be justified (some pro-lobbyists and Christians cite the Just War thesis, which is at best woefully naive).

One root of the idea of a «presumption against war» was thus this kind of judgment against modern war as such.

Unprecedented statements against war were released by the Roman Catholic bishops2 and the United Methodist bishops.3 Almost every mainline Protestant church issued statements and launched some kind of peacemaking program.

Bill — I did not say that I was against war of any kind (although specific wars are definitely debatable).

The isolationist party, best known by the name of America First, was in fact a jumble of people with a whole variety of agendas: there were those who believed that the United States should have no truck with Europe and its wars, there were socialists who found nothing to choose among the imperialists on both sides, and there were those who believed that Germany's was not necessarily the wrong side to be on, this latter group itself being a kind of odd amalgam of Anglophobes, anti-Semites who said that the war against Hitler was merely a Jewish war, and immigrant German patriots.

Note that the public protest is «the front lines,» implying a kind of war in which the National Guard represents «our» side — against the protesters.

And while the Ministry of Defence must hedge against the different kinds of future unknowable wars that Britain will have to fight, there is no government department which deals quite as much in the imponderable questions of the future as that of energy.

This provides grist for the kind of think pieces that spar with one another — «Infinity War» is liberal; no, it's conservative; but don't you see that it's a protest against Trump; actually, it's an attack on the tyranny of political correctness — until they catalyze the inevitable anti-intellectual backlash.

The first of her kind, Major is a human mind inside an artificial body designed to fight the war against cyber-crime.

Fire Down Below — A weird one, the first half dark romantic comedy, with Robert Mitchum and Jack Lemmon doing a kind of riff on Bogart and Brennan in To Have and Have Not, the second half a disaster film with a race against time to free a trapped sailor from a ship that could explode at any moment with Napoleon from King Vidor's War and Peace fretting nervously about the dock.

A postmodern Cold War thriller that pits the Russians against England's MI6, Our Kind of Traitor is like a B - roll James Bond flick stripped of most of its action set - pieces, yet imbued with a plot and characters more sophisticated than the average 007 fare.

Sicario: Denis Villeneuve's grimy depiction of U.S. law enforcement's any - means - necessary war against Mexican drug cartels is filmed with the kind of precision and technical artistry that it's almost beside the point whether the story itself is something you care to get swept along with.

His plan, to distribute advanced vibranium weapons to members of oppressed groups around the world, is essentially to spark the kind of global race war Tate warned against.

When Cartman, Stan, Kenny and Kyle are caught going to see the latest Terrence and Phillip movie, their parents launch a war against Canada in order to prevent that kind of smut from hitting America.

Songbird, Zacharius» first and, he says, last novel, the compelling personal tale of a young woman's struggle against the Nazis during World War II, certainly has the kind of plot to keep you up all night.

Created against the backdrop of World War I when millions of horses were perishing on the blood - soaked battlefields of Europe, Be Kind to Animals Week has touched hundreds of millions of people, and over the years has featured many iconic spokespeople and advocates including President Warren Harding, Shirley Temple, Eleanor Roosevelt, Milton Berle, Doris Day, Porky Pig, Dennis the Menace, John Wayne, Lorne Greene, Carol Burnett, Clint Eastwood, Betty White and many others.

In 2003 cockfighting was put into greater test, Made Mangku Pastika was appointed as Bali chief police and he waged a war against all kind of gambling especially cockfighting.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymwar, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

realism: — war is kind is the title of a poem the guy told me, a shell in the kernel, those fluttering flags at the top of the tower, shadow of an arc against the wall, sunspots on shadow wars

«It was «ban the bomb» kind of stuff... vaguely against military, against nuclear - the Korean War was over.

The war against global warming, hunger and despair will be won by the good people of the world because there are more of us than the other kind.

This kind of world, argued George Monbiot, was one in which scientists were instrumental in an an «economic war against the poor» — good science wasn't necessarily «good».

We are yet to see a «Churchill» - figure of our time who will champion the need to a «World War II - kind of mobilisation» against the threats of global warming and climate change — with both the necessary rhetoric skills and a sufficient scientific understanding to actually make voters listen.

We should now be on a «war footing» against the enemy, without any question as to whose interests are really being served, and what kind of society it will create.

We've swapped a centrally organized government effort to distort climate science for a kind of grassroots, guerilla war against it, driven by blogs and skeptic scientist amateurs who nourish a powerful sense of self - motivation, a generous helping of anger and outrage, and seem to smell blood in the water.

Tomorrow, the U.S. Supreme Court hears an incredibly important case called Kiobel v. Royal Dutch Petroleum, stemming from a federal lawsuit brought under the Alien Tort statute, a remarkable federal law that allows people from countries outside the United States to sue foreign individuals and multinational corporations that commit human rights violations abroad - like torture, crimes against humanity, war crimes, genocide, disappearances, summary execution, that kind of thing.