Sentences with phrase «kind of writer do»

But it could be only a matter of time before the software starts taking over the work that journalists, non-fiction book writers, novelists, and other kinds of writers do.

Not exact matches

It's not the kind of rallying cry that stirs the blood, but as Atlantic writer Rosie Gray said, we should probably just do our jobs — that is, report the facts, without fear or favor.

I didn't want to be that kind of writer.

As Martin tells it, Weiner ran (and still does run) his writer's room with a kind of histrionic paternalism.

While you can hire writers that can do a quick search through Wikipedia and come up with a few hundred words, they won't be able to create the kind of insider content that you would and that your prospects want to read.

Writers, how do you honor God with your work without making him sound like some kind of cosmic literary agent?

I find that 99 % of those who call this kind of post or writer false prophets are usually the ones who didn't really study or understand the word.

For by «mental» prayer traditional writers have intended to denote the kind of conscious relationship with God that does not require the use of words, spoken or formed.

Granting that Addison does not stir one's soul as some writers do, Lewis nonetheless finds a kind of strength and goodness in Addison's affirmation of «the common ground of daily life.»

About this Mingana writes, «It is the constant tradition in the Eastern church that the Apostle Thomas evangelized India, and there is no historian, no poet, no breviary, no liturgy, and no writer of any kind who, having the opportunity of speaking of Thomas, does not associate his name with India.

[8] In looking back and examining such documents, one does so not out of some kind of antiquarian curiosity, but because the issues and themes with which the writers and theologians of the early church wrestled with are of enduring significance even for the self - understanding of the church today.

In looking back and examining such documents, one does so not out of some kind of antiquarian curiosity, but because the issues and themes with which the writers and theologians of the early church wrestled with are of enduring significance even for the self - understanding of the church today.

You don't get this kind of honesty often from writers, and of course it ought to be encouraged.

I don't have that much discipline to be a good writer; I have to sweat things through — I kind of bleed at a typewriter.

Writer / Readers, If this was 1776, what kind of an answer do you think you would get from our founding fathers?

All you guys make up a great blog community but don't criticize the writers or editors here, seemingly innocuous comments get under their skin on a site they created to encourage that kind of dialog for our enjoyment and expression and for their profit.

I recently read a post by another mom, a terrific writer who fills her numerous blogs with all kinds of «great mother» articles: gardening, cooking, natural parenting, crafting, just the kind of articles that make the reader (me) feel inadequate that I'm not doing those kinds of things on a regular basis in MY house.

What kind of selection criteria does baby center use if it's mom readers are significantly more educated than their writers?

«I simply suggest that people who want to be a writer — or any kind of artist, really — just do the work,» she explained.

If you don't like writing about yourself or think you are going to get writer's block it's a good idea to enlist the help of a friend; the kind of friend who is always saying to you «I can't understand why you're still single, you're such a catch».

Just call me, I am not a good writer, feeling kind of shy doing this.

After swapping online dating disasters with friends for hours, writer and poet Erin Bealmear decided she didn't want to be the kind of woman who spends all her...

But I did read the review you linked to, and although the writer «kind of» defends the film, ultimately she concludes she can't recommend this film either.

Like its title, writer - director Macon Blair's I Don't Feel at Home in This World Anymore strains to draw attention to its topicality, unironically trading in the kind of histrionic us - versus - them mentality that characterizes much of our current national political discourse.

Shockingly, the kind of cringe - inducing material upon which Mr. Mazer has built a career as a writer for Sacha Baron Cohen («Bruno,» «Borat,» «Da Ali G Show») doesn't work when rendered by types who could have been cast in «Notting Hill» (someone even makes a Hugh Grant joke).

Last year, comic book writer Tom Waltz unveiled some teaser images on Twitter, pondering what kind of «sick things» she had to do...

As of 2018, he is known as the writer / producer behind the completely excellent «I, Tonya,» an extremely funny, oddly nonjudgmental and kind of ingenious movie about Tonya Harding — not just the scandal for which she is known, but about Tonya herself, from her hardscrabble start to, well, whatever she is doing now.

If Stealing Beauty is shot with a painterliness by Darius Khondji and possessed of scattered nuggets of actual wisdom, not just the kind you get from leaning on coming - of - age clichés (I'm especially fond of dying writer Jeremy Irons's frantic search for what he considers one of his finest pieces of work («I would think that since I can't find it,» he qualifies)-RRB-, it's also rife with shallow performances (Tyler's is particularly impenetrable, pardon the pun — the camera loves her, but she doesn't love it back), perfunctory soundtrack cues (the use of Nina Simone is as uninspired here as the use of Edith Piaf is at the end of The Dreamers), and fizzling payoffs.

Young Adult (2011)- Strongly gives the impression that writer Diablo Cody and director Jason Reitman intended to take the cliches of romantic comedy and apply them to real life: What kind of person would do such things, and how would she be received?

Last year, comic book writer Tom Waltz unveiled some teaser images on Twitter, pondering what kind of «sick things» she had to do and...

Apocalyptic ticking - clock thrillers / buddy road movies are nothing new — Miracle Mile, The Road, and Seeking a Friend for the End of the World are stronger examples — but they're rarely done with the kind of fearlessness, originality, or emotional honesty that writer - director Zak Hilditch delivers with These Final Hours.

It doesn't appear that a lot of time or effort was put into the script, but with this kind of cutting, director Renny Harlin (who also is one of the writers) makes clear what little value he places on words.

Just getting that kind of authentic feedback, especially at that stage where a lot of writers are, where you don't have reps and you don't know where you're going to get financing and you're operating blind.

«So it was kind of nerve - racking for me because there I was around all of these downtown actors and writers — and I did not know anybody.»

Most filmmakers can only dream of having their second movie get the kind of reception that The Usual Suspects did for its director Bryan Singer and writer Christopher McQuarrie.

Says Anderson: «It's kind of European, inspired partly by Hollywood Europe, and also by some European writers around that time... that Europe which is not made in Europe at all [but instead] on the Hollywood back lot, even though we're actually going to Europe to do it.

It is the kind of script I would expect from a fourth sequel, where the writer in charge doesn't really understand the chemistry of the original movie.

And I think Graham and the rest of the writers have just really kind of sunk their teeth into it and just done a wonderful job.

That being said, the possibility of seeing Douglas return for the sequel to Ant - Man, one of the few Marvel adaptations that doesn't take itself too seriously, is the kind of thing that gets even the most skeptical of super-hero movie fans (read: this writer) excited to pay the ticket price again and sit back down for another spin.

An interesting character study only half - successfully masquerading as a kind of specifically plotted romantic thriller, writer - director Matthew Chapman's movie resembles the smart and sensitive but still gangly teenager pushed out of the door, wearing clothes they really don't want to wear, to the party they really don't wish to attend.

It should be impossible to turn this kind of raw material into such an interminable slog, and yet somehow writer and director Marc Abraham (who is best known as a producer; his other writing credits include Moonlighting and the original 21 Jump Street and his only other directorial gig is Flash of Genius) managed to do just that.

It was DeVos articulating the kinds of practical frustrations that bedevil so many educators, parents, and community members — especially that trio of dynamic teachers who might want to launch a charter, but don't have the time or bandwidth to navigate an application process that requires two years, foundation support, and a professional proposal writer.

So in my headline, I asked: What does this mean to us as memoir writers... indeed any kind of writers?

But after sitting on the information over the weekend, I concluded that letting this kind of deception slide does a disservice to the writers I've been trying to help the past couple of months.

I'm not ready to create a indie press myself, but some kind of shared profit co-op where I do marketing magic and writers create wonderful worlds for readers... your pieces give me a little more confidence that my idea has potential.

If you've spent decades knocking on agents» doors, only to be told your work is too quirky / unremarkable, dark / light, similar / different, and «not right for us at this time,» it's kind of nice to get your brain around this wonderful new fact: you don't need an agent to be a successful writer any more.

I generally don't read the 5 - stars, but am more interested in the 3 - to 1 - star reviews (kind of ironic coming from a young, new - world writer, eh?).

All you have to do is present your findings state the kind of experiment it is, and you'll connect to the right writer that is well versed in your subject area.

What matters, is what the writer thinks of him or herself and the work they do — not a label conferred upon them by some kind of association.

This kind of elitist association is crap — and it seems to me — to be nothing more than a way to get money from new writers who think it — a label — may do them some good.