Sentences with phrase «kinds of art projects»

Alex: We're interested in how the Creative Capital award was helpful to different kinds of art projects.

From its origins as a hot - dog cart that the restaurateur Danny Meyer set up as a kind of art project in 2001, Shake Shack has become one of the most influential restaurants of the last decade, studied and copied around the country.

I like that it's kind of an art exhibition, kind of an art project, and kind of a way to make some money (and also that it operates outside of normal art world channels).

Not exact matches

Science, art, math, and drama projects are used to promote different kinds of thinking and fun learning experiences.

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This one of a kind St Patrick's Day art project will make a fun decoration!

It's got all kinds of camping art projects, more fun science, recipes and some awesome pretend play!

They have come in handy for all sorts of paint projects from canvas art to painting decor pieces of all kinds, including these projects that I've shared on the blog:

Producing this kind of art takes an army, and for this project the right army was assembled.

These are the kinds of things students learn by playing musical instruments or making art projects — activities disappearing from the early school curriculum.

In a separate strand of the project, the RSA will also research how arts - rich schools get the most out of this kind of activity and provide training to encourage more effective use of evidence in the design of cultural learning projects.

The project explores in depth a diverse group of campuses in the United States that value liberal arts but differ in selectivity and demography, as well as in kinds of curricular and co-curricular offerings.

A few blocks south of new lofts sprouting up around the Bluestar Arts Complex, planted along the Phase 3 section of the San Pedro Creek Improvements Project, a different kind of urban development project has made a home in the San AProject, a different kind of urban development project has made a home in the San Aproject has made a home in the San Antonio.

I'm new to the ramifications and specific processes involved, but am pursuaded this is the likely model for future publication projects that most benefit the first person on the food chain: the writers / artists who conceived them, who are trying to make some kind of living doing what they do best, hoping to find an audience for their work as a * first * resort rather than wearing themselves out with full - time day jobs of no comparable skill or education preparation — but that pay the bills, maybe — and that leave little energy and reserves for their art.

Right now I'm more or less stuck in a huge art - project again, so my time for gaming is kind of self - limited.

direct outreach to influencers who would be interested in the kind of art the artist produces and / or in supporting the project in general

With homes in London, Saint - Tropez, and Munich, Andrea Dibelius supports edgy art projects and start - ups of all kinds Read More

We've seen all kinds of food art projects from peanut statues and Oreo cookie canvases to dinner plate compositions.

Then find every kind of art supply you'll need to create your own projects!

Senam Okudzeto's project is funded in part by The International Council of The Museum of Modern Art and the kind support of Maja Oeri.

«Tania is obviously at the forefront of this kind of art,» said Mr. Finkelpearl, the former executive director of the Queens Museum of Art, which helped Ms. Bruguera form a social - services art project, Immigrant Movement International, in Corona in 20art,» said Mr. Finkelpearl, the former executive director of the Queens Museum of Art, which helped Ms. Bruguera form a social - services art project, Immigrant Movement International, in Corona in 20Art, which helped Ms. Bruguera form a social - services art project, Immigrant Movement International, in Corona in 20art project, Immigrant Movement International, in Corona in 2011.

The event, that for 10 weeks takes over the city, is not a Biennial in the commonly used sense of the word on the art circuit — derived from the oldest of its kind, the Venice Biennale — that nowadays describes an international contemporary artistic showcase with a curatorial project that permeates artworks chosen by a curatorial team.

The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

One of his best known early collaborative projects, the Tumblr - based art platform / meme generator known as Jogging, accomplished this by showcasing the cheeky ad hoc sculptures and Photoshop creations of Troemel and his friends as if the screen were a flat kind of virtual plinth; his Etsy store came at things from the other direction, using the craftsy online commercial forum as a place to present totally ridiculous, often perishable products — a Doritos Tacos Locos taco secured shut by a Masterlock, or a cluster of hot dogs, q - tips, and a SuperCuts pen wrapped up in a Livestrong bracelet — as if they were homespun products people might actually want.

Previously, as director of communications at the Los Angeles County Museum of Art (LACMA), Agsten spearheaded a number of projects related to accessibility, including Reading Room, a first - of - its kind program to make rare LACMA publications available for free online.

Described like this, the project may sound dusty and unpromising, the kind of contemporary art loved by people who hate contemporary art.

In late June, the artist will launch his «Invisible Art Project,» which will allow guests to interact with the massive wood installation via a free custom augmented - reality app (the most advanced yet of its kind), which will create completely three - dimensional, real - time virtual «Harmoniums» between the massive wood image and the viewer.

The remedies offered at this «art apothecary» take inspiration from the local community and so the project is imbued with a kind of modern folklore.

By the mid-1990s Arnett's efforts resulted in an ambitious project to survey the visual tradition of the African American South: an exhibition and two - volume book, titled Souls Grown Deep: African American Vernacular Art of the South, which was ultimately presented at the 1996 Olympic Games in Atlanta and remains the most in - depth scholarly examination of its kind.

The exhibition will bring together a group of artists who deal with these kinds of dilemmas as praxis and will produce a collaborative project integrating different techniques — design, visual art, craft — , into one cohesive ambient.

This volume presents new essays and commissioned visual projects that elaborate on the crucial ideas raised in the forum — the new kinds of cultural identifications facilitated by the Internet; the relationship between art and activism; the poetics of online communication; the relevance of the museum in a digital world; and the complex relationships between bodies, information systems, and urban realities.

The Gamelatron Project has received grants and in - kind support from The Andy Warhol Foundation for the Visual Arts (through the Clocktower Gallery), The Trust for Mutual Understanding, Caramoor Center for Music and the Arts, The Experimental Television Center with The New York Council for the Arts, The League of Electronic Musical Urban Robots, Ableton Gmhb, The CEC Artslink, Scope Arts, Artist Wanted, The New Orleans Airlift, TechShop San Francisco, The Mid Atlantic Arts Foundation and The US Artists International partnership with the National Endowment for the Arts and the Andrew W. Mellon Foundation.

Thomas has exhibited extensively in both solo and group exhibitions including «Americans Now» at the National Portrait Gallery, Washington D.C. (2010); «The Global Africa Project» at the Museum of Arts and Design, New York, NY (2010); and «Mama Bush: One of a Kind Two» at the Hara Museum, Tokyo, Japan (2011).

Coming almost twelve years after the first comprehensive exhibition of its kind at the Queens Museum in 2005 titled «Fatal Love: South Asian American Art Now,» «Lucid Dreams» unequivocally paves the way for what Vishakha Desai, the former president of the Asia Society, and chair of the advisory board of the Smithsonian Asian Pacific American Center, describes as a need to «project» these untold marginalized stories.

Perhaps to underscore his point, he said that a new project, a piece to be included in an upcoming show organized by the artist Tino Sehgal at the Palais de Tokyo in Paris, will include organisms of a kind that few want to think about, much less admire as art: living cancer cells, donated by the Curie Institute.

2011Out of Focus Photography, Saatchi Gallery, London, UK (catalogue) Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA «Render: New Construction in Video Art», California Museum of Photography, University of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug - In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Greece

Arbeiten auf Papier.: Galerie Rohloff, Karlsruhe, Germany On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts Texas Draws, Contemporary Arts Museum, Houston, Texas House of Sculpture, Modern Museum of Art, Fort Worth, Texas; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico Some Kind of Wonderful: Part I, Barry Whistler Gallery, Dallas, Texas Street Life, Project Row Houses, Houston, Texas First Decade: Highlights from The Contemporary Museum's Collection, Contemporary Museum, Honolulu, Hawaii The XMAS Project, Kent Gallery, New York, New York New Acquisitions, Dallas Museum of Art, Dallas, Texas

Artists Assemble at the Museum of Latin American Art Words by Chris Greenspon, Features Writer, Bermudez Projects «There's a certain Mexican way of telling a joke, a really dramatic kind of irony,» said Felipe Flores, founder of Trabajo Press.

The score will be created in part with the kinds of information gathered by the Image of the Black in Western Art Research Project and Photo Archive housed at the W.E.B. Du Bois Institute for African and African American Research at Harvard University.

The purpose of the project is to facilitate a connection of art with discussion and Thai society to gain greater knowledge through all kinds of management and media.

Paused, an exhibition of new work by internationally acclaimed artist Peter Richards heralds the first project of its kind to be shown at Millennium Court Arts Centre.

The Festival is a «one of a kind» project developed between FCR and OCAD U that features a juried exhibition of art by OCAD U students and recent graduates and a set of dynamic events that are programmed exclusively for the festival during the six - day event.

Directors Thomas W. Lollar and Paul Limperopulous established Benefit Print Project as a kind of active think tank, which coordinates the creation of limited edition prints to raise money for non-profit arts organizations.

Selected exhibitions, projects and performances include: Basic Instructions B4 Leaving, Café OTO, London (2016); Deep Space Mathematics, #WanderingWilding: Movment as Movement (curated by Legacy Russell for Daata Editions)(2016); Kind of Flossy (curated by C.R.E.A.M.), Assembly Point Gallery, London (2016); 3 Thousand and 30 High Priestess of Pluto (with Eunjung Kim and Taylor Le Melle), Artsy X Whitechapel First Futures, Whitechapel Gallery London (2016); Coral North (curated by easy!upstream), Schwabinger Tor, Munich; Linguistic Legacies and Lunar Exploration, Saturday's Live, Serpentine Gallery, London (2016); Looking at people, looking at art (curated by Mark Essen), Division of Labour, London (2016); The rose is without a «why».

It is our core belief that projects of this kind can provide necessary time to slow down or suspend time, allowing viewers to more carefully consider the role art can play in illuminating common spaces with new perspective.

Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5 — April 10, 1994; Santa Monica Museum of Art, July 7 — September 5, 1994; Forum for Contemporary Art, St. Louis, September 30 — November 12, 1994; America Center, Paris, December 1994 — January 1995 (Catalogue) Personal Imagery, Chicago / New York, Phyllis Kind Gallery, New York, September 18 — October 30, 1993 Art Works: The Education Project, International Center of Photography, New York, July 2 — September 26, 1993 (Catalogue) 46th International Art Exhibition, La Biennale di Venezia, Venice, June 13 — October 10, 1993 Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc., New York, May 6 — June 12, 1993 (Catalogue) First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, April — November 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut, April 30 — July 31, 1993 (Catalogue) Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 2 — June 3, 1993 Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, February 25 — April 10, 1993 Artists by Artists, Forum Gallery, New York, February 4 — March 14, 1993 The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4 — March 6, 1993 A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York, February 3, 1993 Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Miami, January 1993.

Already tipped as a «Future Great» by Art Review, Thomasson is fast - tracking his way to stardom via live art works that look at the degree to which everyday life is a kind of performance: the horrors of workplace team building have provided the basis for recent projecArt Review, Thomasson is fast - tracking his way to stardom via live art works that look at the degree to which everyday life is a kind of performance: the horrors of workplace team building have provided the basis for recent projecart works that look at the degree to which everyday life is a kind of performance: the horrors of workplace team building have provided the basis for recent projects.

2011 Recent Editions, Pace Prints, New York, USA The Shape of the Problem, Elizabeth Leach Gallery, Portland, OR, USA Plot: Plan: Process, Leslie Tonkonow Artworks + Projects, New York, USA The Women in Our Life: A Fifteen Year Anniversary Exhibition, Cheim & Read, New York, USA Paper A — Z, Sue Scott Gallery, New York, USA The Missing Peace, San Antonio Museum of Art, San Antonio, TX, USA Artists Collect, International Print Center New York, New York, USA One Of A Kind, Pierre Menard Gallery, Cambridge, MA, Uof the Problem, Elizabeth Leach Gallery, Portland, OR, USA Plot: Plan: Process, Leslie Tonkonow Artworks + Projects, New York, USA The Women in Our Life: A Fifteen Year Anniversary Exhibition, Cheim & Read, New York, USA Paper A — Z, Sue Scott Gallery, New York, USA The Missing Peace, San Antonio Museum of Art, San Antonio, TX, USA Artists Collect, International Print Center New York, New York, USA One Of A Kind, Pierre Menard Gallery, Cambridge, MA, Uof Art, San Antonio, TX, USA Artists Collect, International Print Center New York, New York, USA One Of A Kind, Pierre Menard Gallery, Cambridge, MA, UOf A Kind, Pierre Menard Gallery, Cambridge, MA, USA

2003 «Isla,» Galeria Botello, Hato Rey, Puerto Rico 2001 «Lecciones,» Galeria Botello, Hato Rey, Puerto Rico 2000 Nancy Hoffman Gallery, New York «Small Format,» Project Space, Nancy Hoffman Gallery, New York 1998 Galeria Botella, Hato Rey, Puerto Rico 1997 Frederic Snitzer Gallery, Coral Gables, Florida 1996 «Survey,» Nassau County Museum of Art, Roslyn Harbor, New York 1995 Nancy Hoffman Gallery, New York 1994 Barbara Okun Gallery Galeria Botella, Puerto Rico Marta Gutierrez Fine Arts, Key Biscayne, Florida Nancy Hoffman Gallery, New York 1992 Nancy Hoffman Gallery, New York 1990 Nancy Hoffman Gallery, New York Mangel Gallery, Philadelphia 1989 Nancy Hoffman Gallery, New York 1988 Nancy Hoffman Gallery, New York Mangel Gallery, Philadelphia 1986 Nancy Hoffman Gallery, New York 1985 Galerie Darthea Speyer, Paris Nancy Hoffman Gallery, New York «Paintings 1981 - 85,» Minneapolis College of Art and Design, Minnesota «Rafael Ferrer,» Beaver College, Glenside, Pennsylvania «Rafael Ferrer,» Neuberger Museum, State University of New York, Purchase, New York 1984 Nancy Hoffman Gallery, New York 1983 Indiana State University El Museo del Barrio, New York University of Southern Florida 1982 Frumkin & Struve, Chicago Nancy Hoffman Gallery, New York Northern Illinois University, De Kalb «Rafael Ferrer: Impassioned Rhythms,» Laguna Gloria Art Museum, Austin, Texas 1981 Okun - Thomas Gallery, St. Louis 1980 Frumkin & Struve Gallery, Chicago Hamilton Gallery of Contemporary Art, New York 1978 Nancy Hoffman Gallery, New York Institute of Contemporary Art, Boston The New Gallery, Cleveland 1977 Albright - Knox Art Gallery, Buffalo Marianne Deson Gallery Fort Worth Art Museum, Texas Galerie Darthea Speyer, Paris Nancy Hoffman Gallery, New York 1976 Central Michigan University, Mount Pleasant The New Gallery, Cleveland 1975 Instituto de Cultura Puertoriquena, San Juan Nancy Hoffman Gallery, New York 1974 Delaware Art Museum, Wilmington «Isla,» The Museum of Modern Art, New York Nancy Hoffman Gallery, New York Phyllis Kind Gallery, Chicago Phoenix Gallery, San Francisco 1973 Contemporary Arts Center, Cincinnati Miami - Dade Community College Art Gallery, Florida 1972 The Museum of Contemporary Art, University of Pennsylvania, Philadelphia University of Rhode Island Fine Arts Center, Kingston Whitney Museum of American Art, New York 1970 Leo Castelli Gallery, New York «Defected Fountain,» Philadelphia Museum of Art, Pennsylvania Galerie Michery, Amsterdam Galerie M.E. Thelen, Cologne, West Germany University of Hartford Art Gallery, Connecticut 1969 Eastern Connecticut State College, Willimantic Galerie M.E. Thelen, Cologne, West Germany «Three Leaf Pieces,» Castelli Gallery, New York 1966 Pan American Union, Washington, D.C. 1964 University of Puerto Rico, Mayaguez