Sentences with phrase «kinds of arts such»

She is a college student that has an immense passion for numerous kinds of arts such as singing, make - up, and modeling.

Not exact matches

Tolkien says it best: «It is the mark of a good fairy - story, of the higher or more complete kind, that however wild its events, however fantastic or terrible the adventures, it can give to child or man that hears it, when the «turn» comes, a catch of the breath, a beat and lifting of the heart, near to (or indeed accompanied by) tears, as keen as that given by any form of literary art... In such stories, when the sudden «turn» comes we get a piercing glimpse of joy, and heart's desire, that for a moment passes outside the frame, rends indeed the very web of story, and lets a gleam come through.»

Thanks both to the lack of truly divisive issues in the UK (such as abortion, gay marriage or gun control) and more importantly a fear of being branded a maverick by the central party, British candidates sadly can't motivate people to give the kind of money it takes to run a state - ofthe - art campaign.

Paravicini is a prodigious savant — someone with a dazzling talent in one or two fields, normally music, maths, art or memory, but who also has some kind of a disability, such as autism.

By comparison, that's about 15 times smaller than a red blood cell, and Zhang said shrinking an infrared light source to such a small scale could open doors to new kinds of chemical sensing and molecular imaging that aren't possible with today's state - of - the - art nanoscale infrared spectroscopy.

Such cloth is removed later, and you get a perfect work of art that can be turned into any kind of dress or gown your genius is capable of creating.

I am such a sucker for these opalescent kinds of glitters, because there's always something going on with it; it's the easiest way to give a look dimension and style without getting knee - deep in nail art.

At mirraw we believe a trend isn't what a celebrity wears, but is everything the mass would feel comfortable in.Our motto is to design stylish comfort clothes, that adds spark to a woman's persona, that highlights all the right curves and pushes the feminism hidden right out of the covers.Our cotton jackets are part of the big trend to bring forward our traditionally rich art and as a much needed push to our cotton industry that is so diverse and rich but is sinking without much needed support.Our designers drain skills out on a paper to bring out these pieces of absolute elegance.Our ethnic jackets reflect the diversity in culture and incorporates the best of every culture in them.Richly embroidered ethnic jackets in multi colours feel like a mosaic of colours on a canvas.Threads of highly quality are used to immortalise the pattern a designer has mind.Available in every sleeve length from micro to full, and necks such as round and oval, our ethnic jackets bring up a mass appeal with the kind of styling we have added to them.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

The images are marvelous, a lovely example of Ghibli hand - drawn animation and a reminder of the kind of personality that comes through this kind of art, but it is the compassion and depth of character that makes it such a moving film.

They will address many kinds of achievement in areas such as arts, social studies and outdoor education rather than just literacy and math and that also promote safe, healthy and zestful well - being for all our students.

Sometimes in the reform world we've sort of acted like these are soft things, and that you're being soft if you care about school culture and access to particular kinds of classes, such as the arts.

They will address many kinds of achievement in areas such as arts, social studies and outdoor education rather than just literacy and math and that also promote safe, healthy and zestful wellbeing for all our students.

As I've written before, digital disruption is usually kinder to entertainment than to art, but blink, blink, blink: this alignment of commercial forces — a sea of self - produced romance - dominated content, publishers on the prowl for just such material, and commoditized concepts of fast - churn output — might actually present a much more toxic landscape to more serious work than we've seen in the past.

Whatever kind of subject or field of study you might need help with such as Humanities, Social Sciences, History, Psychology, Science, Engineering, Medicine, Arts, Music, Literature, Business, Finance and more, the online writing company you choose should be able to cover any of these with high - quality.

This token of appreciation to large families provides the kinds of benefits usually reserved for seniors, such as 50 % off train tickets if you book in advance, 25 % off the Paris subway, and discounts at museums and art galleries.

And there is more; two languages, over 400 castles, the largest impressionist art collection outside of Paris and a landscape that offers opportunities for all kinds of activities such as walking, cycling, climbing, golf, mountain biking, water sports, paragliding to name but a few.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 201Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 201art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

And in between (literally), at Kai Matsumiya, is a kind of palette cleanser in the display of Rainer Ganahl's wonderfully random photographs of art world lectures being given by such luminaries as the art historian Linda Nochlin and the performance artist Andrea Fraser.

Fine arts and crafts include such work as paintings, photography, printmaking, ceramics, textiles, jewelry, all kinds of sculpture, glass, film, video, and more.

The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.

While I would love to publish such a document, because it would just be the best kind of worlds - colliding art criticism around, I suspect a check will be cut before the judges take out their rulers.

This exhibition — the kind of thoughtful examination typically expected of a museum — will look at some of the aesthetic ties between these two artists, as well as such other commonalities as their shared dedication to collecting folk art.

Private institutions, such as the Saatchi Gallery, open art up to a different kind of market, offering greater choice to the people.

When the august and ever - expanding Museum of Modern Art offers one of its biggest exhibitions of all time, attention must be paid — who could merit that kind of attention, given the fact that such titans as Willem de Kooning have recently had major events at MoMA?

The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

Every week she would lay out on the big table a different kind of art supply such as clay, paint, wood, etc, and let us play around and make whatever we wanted from it.

Not the kind of boats you usually see at art fairs such as rubber boats as part of freaky DIY installations, no, real luxury boats, yachts, what else.

Being in a classroom environment allowed me to be around all kinds of diverse young artists with many different interests, and also to discover artists I had not studied before who were using writing — linguistic abstract gestural expressionism, such as calligraphy — in their contemporary works of art.

All the major kinds of art - works are represented including sculptural work, interior design, visual arts such as portraits, paintings and etchings, architecture and digital media arts.

What's most surprising about the recent return of classical portraiture is realizing how utterly absent it was from the art world for so many years, to such an extent that Andy Warhol — one of the people ostensibly responsible for killing the form — helped found the New York Academy of Art in 1982 in order to salvage the kind of technical fine arts training (most notably figure drawing) that seemed at the time in danger of becoming extinart world for so many years, to such an extent that Andy Warhol — one of the people ostensibly responsible for killing the form — helped found the New York Academy of Art in 1982 in order to salvage the kind of technical fine arts training (most notably figure drawing) that seemed at the time in danger of becoming extinArt in 1982 in order to salvage the kind of technical fine arts training (most notably figure drawing) that seemed at the time in danger of becoming extinct.

Artists such as Nevelson and David Smith became known for large - scale outdoor sculptures and public art, while Aaron Siskind sought to capture the same kind of energy and movement in his photography that Pollock was attempting to evoke through action painting.

It's great to see such art, when we are often confronted by art whose motivation is not necessarily based in that kind of internal necessity.

The complexity at work here is an intentional part of the exhibition's curation: «I would argue that the strategies the show's artists use for grappling with such issues goes beyond the kinds of mirroring or enhancing of the aesthetics of such systems that have become standard of much of contemporary art today,» Malick elaborates.

Characterizing the qualities of this new work in a 1965 essay of the same title, Judd assessed the importance of the paintings of Jackson Pollock, Mark Rothko, Barnett Newman and Clyfford Still in the development of three - dimensional work and references the work of his contemporaries, such as Lee Bontecou, John Chamberlain, Dan Flavin, and Claes Oldenburg, among others, as examples of this new kind of art.

As a result, around the bed there's dirty underwear, used condoms, liquor bottles, trash, and as such was condemned «obscene» by the general public — even «sluttish», and by an art critic too, given that the work was, ironically, fighting this kind of prejudice.

Over the following years, these included presentations by artists such as Matthew Barney and Elizabeth Peyton, as well as curators like Catherine David and Okwui Enwezor, giving informal takes on practice and theory and the goings - on in the contemporary art scene: what Eccles calls ««what's - on - your - mind» kind of talks.»

For such painters as Peter Doig, Marlene Dumas, John Currin, Elizabeth Peyton and Chris Ofili and even such sculptors as Robert Gober, to name but a few, Alice Neel provides a precedent, an outlook on the world and on art that acts as some kind of model.

After 50 years as an artist, Leonard Contino has generated a compelling body of work that, according to Rose, places him as «a visionary artist, in the tradition of Kupka, Klee, Kandinsky and such Americans as Dove and Hartley who «saw art as a kind of spiritual meditation on cosmic phenomena.»

«It makes a great program to have younger artists put in this kind of context,» he added, referring to the history of rotating exhibitions of visual artists such as Tim Hawkinson, Spencer Finch and, currently, Nick Cave, along with performing arts events.

Yes, new power galleries signed on, such as Marian Goodman and Acquavella, and those willing to spend the day on this islet could have happily immersed themselves in thoughtfully prepared talks and intensive soundscapes, but it speaks to our fast in / fast out era that the fair's major interest remained in art of the kind that arrives in crates — what sold, what was new, what was worthy.

Contemporary art's embrace of «time - based media», such as sound and moving image, poses a stark challenge for traditional museum and gallery spaces, which predate such technologies and were designed for a very different kind of experience.

«When something that is such a topic in the world at large becomes that close - to - home, it's a particular kind of shock,» said Catherine Morris, the senior curator of the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art.

The exhibition includes some artists already well known on the art circuit, as well as American outsider artist Joseph Yoakum and other kinds of practitioners, such as Tezuka Architects from Japan.

Art Brut is a phrase coined by Jean Dubuffet (1901 - 85), to denote artworks produced by people outside the established art world, such as solitary artists, the maladjusted, patients in psychiatric institutions, and fringe - dwellers of all kinds - typically not for display or profArt Brut is a phrase coined by Jean Dubuffet (1901 - 85), to denote artworks produced by people outside the established art world, such as solitary artists, the maladjusted, patients in psychiatric institutions, and fringe - dwellers of all kinds - typically not for display or profart world, such as solitary artists, the maladjusted, patients in psychiatric institutions, and fringe - dwellers of all kinds - typically not for display or profit.

Sculptor Joel Shapiro worked with Polich on pieces that bridge conceptual art and metallurgy, such as Untitled (Six Kinds of Metal)(1969).

Schnabel is particularly noted for large paintings that incorporate broken crockery, e.g., The Walk Home (1985), and for other kinds of work that flout high - art conventions, such as paintings on velvet or linoleum.

Artmart is truly dedicated to the real grassroots arts community and no other fundraising art campaign in Hong Kong brings together such diverse artists working in media of all kinds, including visual and performing artists.

Drawings, photographs, books, and all kinds of printed matter (such as tabloid newspapers from the 1920s) by artists including Berenice Abbott, Hans Bellmer, Xenia Cage, Leonora Carrington, Joseph Cornell, Marcel Duchamp, Roger Parry, Pegeen Vail, Dorothea Tanning, and H.C. Westermann, among many others were selected from the art dealer and collector's estate.