-- What
kind of audience does Microsoft want for Xbox?
Not exact matches
«When I uploaded the British dialect videos, as I expected [my Korean
audience] found it quite interesting because they didn't know very much about the fact that there are different
kinds of British dialects and accents,» he said.
You have magazines like Out and The Advocate that have
kind of aged with their
audiences, and our users didn't have a publication for them.
There's a lot
of things that go into it, which we don't even always 100 percent know the answer to but we
kind of guess based on the feedback that we have from our
audience.
And, if you work in any
kind of business,
audience engagement is something you
do daily, whether you realize it or not.
Gilbert, author
of Stumbling on Happiness, encourages
audience members to look past short - term, material, and goal - oriented happiness in order to find a
kind of happiness that can be sustained when things don't go according to plan.
The
audience for the
kind of movies he wants to
do just isn't there in the traditional theatrical space anymore.
Patrick Brennan wrote that he didn't think there was a large
audience out there clamoring for that
kind of conservative news outlet.
Since I didn't really like his last album, I listened to one song, and immediately got
kind of annoyed that, 12 years after Whatever and Ever Amen, Folds still uses the same bad words to «shock» his
audience.
Well, if you don't have a direct uninteruppted pipeline to the Creator yourself, regular
audiences and such to discuss things, then it is
kind of pointless to say this is or isn't God's will.
«Whenever... preachers, instead
of a lesson in religion, put [their congregation] off with a discourse on the Copernican system, on chemical affinities, on the construction
of government, or the characters or conduct
of those administering it, it is a breach
of contract, depriving their
audience of the
kind of service for which they are salaried, and giving them, instead
of it, what they
did not want, or, if wanted, would rather seek from better sources in that particular art
of science.»
For the
audience the problem wasn't so much why
did God
do this (God
does all
kinds of crazy violent stuff all the time) but how was it that anyone survived and why?
If the film - makers continue to project the books» heart onto the screen, then a primarily teenage, Western
audience will be forced to consider: what
kind of world
do I want to live in?
«I don't know what
kind of a n --- wouldn't vote with a black man running,» he also told the
audience in the St. James Baptist Church in Forsyth, Ga., according to the paper.
Do you think
audiences will
kind of sense that freedom on the next record?
In addition, target
audience tests have a limited capacity to restrict children's exposure to food advertising, because there is no reason to think that they
do not notice any other
kind of advertisement.
Vint Cerf happened to make the issue snap into focus: while answering a question from the
audience, he mentioned that he expected today's young people to change their behavior as they age because they'll be maintaining different
kinds of relationships then than they
do now.
During a Hay festival appearance, one member
of the
audience asked Victor: «How
do I get my manuscript to you if I don't go to that
kind of party?»
So the great thing is, you now, one fascinating opportunity, is that we can put some
kinds of articles up on our Web site first, start to present that information, start to immediately, then initiate a
kind of conversation with our
audience over this and start to draw in their comments, fill [in] any
kinds of questions they had that we didn't address in the original form
of that editorial, and we can use that to rework what we would then
do in print.
Mat Boule: The one - stop shop right now to learn posturology in the English language worldwide, which I believe would appeal to your
audience, is a company that I used to teach for for about 10 years and then things
kind of got busy for myself so I
did other projects.
For example,
did you know that Redditters made a survey on what
kinds of audience a dating site appeals to?
I'm not sure what
kind of audience would really laugh at some
of the stuff they
do, but I guess there's a crowd for everything.
On the face
of it, this film
does not appear to be the
kind of thing to inspire an
audience.
Raunchy frat comedies are as hard to pull off as any other
kind because they have to keep surprising the
audience, and «The Hangover»
does with a bizarre series
of uproarious situations with explanations that just about stay within the bounds
of plausibility.
The film doesn't take itself too seriously, laying it on thick with the jokes (Michael Pena, especially, steals every scene he's in), and the humor offers a
kind of buffer which allows the
audience to suspend their disbelief long enough to really accept Marvel's newest hero.
Although the film didn't connect as strongly with mass
audiences (although it's considered a «sleeper hit,» you have to wonder what it could have
done if it had been released after Whedon's little art house film «The Avengers «-RRB- and more than a few critics found it befuddling and arch (it's neither), «The Cabin in the Woods» is the
kind of movie that will ultimately live on as a deserved cult classic, perfect for drunken film studies students and bored kids at slumber parties alike.
«I feel so fortunate to have been able to
do it in the first place, and then to have had this really interesting journey, which is
kind of once - in - a-lifetime,» she told the day's BAFTA
audience.
And if you're going to put an
audience through the
kind of torturous experience it is in watching young men tortured and beaten by police officers for over two hours, there needs to be a reason to
do so.
I don't know if that would work or the
audiences would be interested in that, but she was
kind of cool.
Comedies tend to
do better later in the summer (see: Bad Moms, We're the Millers, or even Horrible Bosses), but it seems like this year
audiences are paying more attention to what
kind of reviews a movie is getting.
They don't feel authentic nor genuine rather a mere put on to reassure the
audience the
kind to ensure the mourn and loss
of the Bay Area 22 - year - old.
To be honest, there actually is some merit to Kubrick's assertion that the book is unfilmable, as the story itself doesn't really lend well to the
kinds of things film
audiences would find easy to digest.
While they don't touch on everything, the creators behind I, Tonya manage to blend many
of the most relevant incidents and periods in her life together in order to give the
audience the
kind of film that we rarely get a chance to see.
The recent release
of Lady Bird makes Greta Gerwig one
of several directorial debuts this year to strike a resonant chord with
audiences — it's self - assured and absent
of clichés, and if you've seen it already, you're probably aware that it's the
kind of movie that will make you want to go and call your mom as soon as its
done.
12 Days doesn't need this
kind of emotional rhetoric to move its
audience; you suspect that if Depardon had just held back and given us the more purely observational work that comprises most
of the film, 12 Days would have felt more substantial and incisive.
It willprobably
do extremely well certainly in Ireland because Irish
audiences seem to go for this
kind of crap.
These are the
kinds of releases that studios want to reach the widest possible
audience, and if you don't aim for a PG - 13, you're already severely limiting your box office potential.
It's almost as if his attention span wasn't large enough to bring the heavier musings to any
kind of fruition, or he didn't have faith that his
audience would want them, but Sunshine's individual parts, particularly the mesmerizing visuals and score, aren't enough to create a sum meaningful enough to match them.
GTA 5's main
audience turned out to be the mainstream casual gamer, the
kind that doesn't read Gameinformer, or any
kind of gaming news at all.
For another, the books are moderately popular, but certainly not the
kind of blockbusters as some
of these, so it doesn't have the same built - in
audience.
That's
kind of a critical moment there, because if the
audience doesn't know what the other's thinking, then the whole movie collapses.
«
Audiences need new images and I think visual effects are used too often to just blow things up and
do the same familiar
kinds of stuff,» said director Scott Derrickson.
Well, cult films are films that have
kind of failed and then picked up by critics and loved later after the
audience didn't love them.
You could say the same thing about nostalgia, whether it's the
kind of»80s name - checking that Spielberg and Cline are
doing in «Ready Player One» or the
kind that politicians and advertisers
do when they encourage their
audiences to remember the good ole days - comforting if you don't think too hard and, as corporations and film studios well know, monetizable.
And though it may not differ as markedly from the original as Coppola's Apocalypse Now Redux
did, it nevertheless remains an unqualified triumph, the
kind of cinematic experience that reminds
audiences why they fell in love with Wong in the first place, whether they're rediscovering the film or seeing it for the first time.
Felix Thompson's writing and editing feature debut King Jack has the
kind of bare - bones plot that inspires potential
audiences to think «been - there -
done - that»: The film focuses on lonely, weedy small - town 15 - year - old Jack (Charlie Plummer), who's trying to dodge bullies and his overbearing big brother, and carve out a little emotional satisfaction in his barren world.
A smart person would lock Annabelle in a chest filled with concrete blocks and sink that sucker to the bottom
of the ocean, but if
audiences have learned anything about dumb horror movies like this, it's that those
kinds of people don't exist.
Instead, it is marketed as a
kind of middle -
of - the - road comedy - romance with horror elements, and while it
does contain some rom - com and sitcom elements, the increasingly bleak nature
of the storyline will probably turn off
audiences for that
kind of black material.
Levy
does an amazing job
of letting the adults in the
audience join in the same
kind of wonder that the kids surely feel; the
kind of wonder that is not too often found in this day and age.
It's rarely laugh out loud hilarious, and the film
does drag a little as the characters slowly work out that which we the
audience have known from the very beginning (even if we haven't seen this
kind of film many times before).