Sentences with phrase «kinds of films from»

At that point in the»70s I think you had your ideal audience, schooled on lots of different kinds of films from Bergman and Fellini to James Bond.

Most people, for example, consider the majority of Quentin Tarantino's work to be inspired by and homages to his favorite kinds of films from the 70s (exploitation, etc).

I can't wait to write my review, but suffice it to say that it's unlike any film you'll see this year, just as its probably one of the last gasps of this kind of film from a major studio, where the shock and awe comes from expert artistry of the hand drawn variety rather than CGI (which Scorsese mastered in Hugo).

Not exact matches

Some of the things that made T'Challa [the film's main character] a good leader were that he wasn't afraid to empower the people that worked with him, and he was somebody who kind of gathers information from everybody.

A group of scientists from Max Planck Institute for Chemistry and Johannes Gutenberg University of Mainz in Germany recently found that they were able to identify what kind of films a group of subjects viewed — whether it was funny, sad or suspenseful — based on the different combinations of chemicals, or peaks of one in particular, such as carbon dioxide, that were found in the air in the theater.

There's a full - on atheist in the film; her atheism is treated as a local secret, the kind of thing the adults know but children must be kept from hearing.

The main street looks like a set from a Hallmark film — worn storefronts, light posts wearing seasonal decorations and a certain kind of bustle most cities never experience.

Particular attention is given to the kinds of content that is communicated through such narratives (cognitive, social and emotional, information processing skills, implicit messages, and modes of learning), and to the processes and potential of learning from television and film.

What I do care about is that his 10 - yard splits were 1.62 and 1.65, unofficially, because that lined up with the kind of get - off I saw from him on film.

Solar - sensitive CQDs printed onto a flexible film could be used to coat all kinds of weirdly shaped surfaces, from patio furniture to an airplane's wing.

Best known for his Superman films, Reeve had long advocated research into embryonic stem cells to repair the kind of spinal cord injury that left him paralyzed from the neck down after a horseback riding accident 10 years ago.

The participants viewed videos filmed from cyclists» perspective, and at some point we stopped the clip and masked the video image — the screen turns all gray, and there's no kind of visual information anymore.

Born in precisely the kind of small - town American setting so familiar from his films, David Lynch spent his childhood David Lynch news and opinion Chats with Terry Manning and Dan Vallor, Plus Jesse Cook, Ensemble Mik Nawooj, Vincent Colbert, Ships Have Sailed, Dead

The reference is to a certain kind of Internet dating hoax and comes from a 2010 documentary film and a new MTV reality series.

The reference is to a certain kind of Internet dating hoax and comes from a 2010 documentary film and an MTV series.

Gilchrist starred in the Focus Features film IT»S KIND OF A FUNNY STORY, a coming - of - age story from writer - directors Anna Boden and Ryan Fleck (HALF NELSON) opposite Zach Galifianakis, Emma Roberts, and Viola DaviOF A FUNNY STORY, a coming - of - age story from writer - directors Anna Boden and Ryan Fleck (HALF NELSON) opposite Zach Galifianakis, Emma Roberts, and Viola Daviof - age story from writer - directors Anna Boden and Ryan Fleck (HALF NELSON) opposite Zach Galifianakis, Emma Roberts, and Viola Davis.

Jack hands off one of his stories early in the film for his brothers to read and while hints to its plot are dropped, only later does it manifest itself into one of the few scenes in the film that felt not merely fresh to me but touching; briefly, we glimpse an event from the day of the funeral, awkward and uncomfortable, with the kind of details that only siblings might later recall.

What makes Se7en so unique is the way Fincher treats his material - he permeates the film with the very essence of dread, fear and self - loathing, from the relentlessly dark imagery to the up - front portrayal of the desperate need of all the principal characters for some kind of redemption.

The film lacks any kind of real «action», which makes it a departure from Mann's other work like Heat or Last of the Mohicans, but it still feels like an action movie because of the aggressive way in which Mann directs it.

Baggage Claim is definitely a film that is made for an audience that is into these kinds of clichéd romantic comedies, which feature attractive casts and the bare minimum requirements to develop a premise that slightly differs from those that came before it.

While it suffers from the obviously propagandist nature of World War 2 films, it's better than most when it comes to the human non-political nature of this kind of warfare.

Lullaby is the kind of film that's best described as a having been cobbled together from an indie scrapyard.

The first half of the film builds suspense by putting the group through a number of classic hunting situations — from the perspective of the prey — being flushed out by dogs [though these alien «dogs» have all kinds of horns, spine razors and bad attitudes]; a booby - trapped companion; wandering into deadfalls, and the like.

I didn't expect much from it because this kind of film doesn't really lend itself to spectacular audio mixes; those seem more the domain of action flicks.

Instead of coming off like a vanity project, however, it has a casual kind of intimacy missing from most mainstream - type films.

As a portrait of modern journalism, though, it leaves quite a lot to be desired; this is the kind of film that has characters trade grandiose talking points about the ethics of reporting, but can't be bothered to show its reporter hero — still recovering from the damage factual inaccuracies did to his career — using a recording device during interviews.

It takes a special kind of film to evoke uproarious laughter from the sight of Sandra Bullock being repeatedly stabbed in the leg, but «The Heat» does exactly that.

Tom of Finland is a film about a man who was famous for very dirty drawings, but it is unfortunately restricted by a dehydrated kind of good taste from ever being very dirty or very sexy.

The will of this woman to perservere is astonishing, and the film does a nice job of showing you what would have happened if she had taken the offered plea bargain - a felony record that would prohibit her from receiving any kind of government assistance; from food stamps to housing - and, having a criminal record would severly hamper her attempts at finding a job, which of course could possibly lead to child protective services taking her children.

There is nothing too complex or overdone about it, which is kind of what I was hoping for, but there are no real stakes aside from seeing if our main characters make it out alive, which in the end does not really matter, because they all pull of ridiculous stunts, making for a very far - fetched film.

The question of whose disobedience, and what kind of disobedience it is, are at the heart of this absorbing and moving love story from Chilean director Sebastián Lelio, his English language debut, following very quickly on the heels of his film A Fantastic Woman which has been a festival - circuit hit this year.

All we learn about Max and Annie, aside from their love of games, is that they live in the kind of antiseptic suburban comfort that seems to be a given for protagonists in these films — and they're having trouble conceiving.

After the war, his film parts multiplied, and he was very busy on the screen during the 1950s, in productions as different as Anthony Asquith's The Importance of Being Earnest and Tony Richardson's Look Back in Anger, and playing every kind of character role from coroners (in Cast a Dark Shadow) to British admirals (in Sink the Bismarck!)

Bleakness, Arturo Ripstein's film implies, demands different kinds of labor from a man than from a woman.

... Okay, so it's kind of lame to forcibly cite this film as nerdy to the point of getting a star with a surname that sounds kind of like «Edison», but the filmmakers had to have some corny joke somewhere in the casting, for it's not like Edison has been earning enough attention from, well, anyone to get a gig even this low in profile.

A kind of low - level trickster god of indie cinema himself, Waititi lets his film go a little crazy: He's outfitted it with garish colors and costumes and set designs, some not - entirely - perfect special effects, and a synthesized Mark Mothersbaugh score that sounds like it was lifted from an early period Jean - Claude Van Damme flick.

That kind of emotional centre is key to the success of Crowe's films, and it works beautifully here, aided immeasurably by a wonderful performance by then - newcomer Renee Zellweger, as well as a spot - on effort from Cruise and a deliciously over-the-top innings from Cuba Gooding Jr..

That doesn't mean the movie escapes the intersectional nature of this universe of movies: There's a cameo from one superhero (kind of a favor, since Thor appeared after the end credits of that hero's solo film), and the Hulk, as well as his scientist counterpart Bruce Banner (Mark Ruffalo), has a supporting role.

Apparently it's already been and gone from British cinemas, but I don't remember noticing it was there; a pity, because it sounds quite engaging, the kind of lighthearted caper film which used to come from these shores on a frequent basis in days gone by.

Too bad it's not longer, as this is the kind of film that would benefit from a nice long 90 - minute or two - hour documentary that covers its creation from start to finish.

Historically, American film has accompanied depictions of death with some kind of mark of registration, either from characters, machines, or stylistic cues, because, unlike photography's stillness, cinema gives us a moving image.

Anderson has championed an audacious, anarchic kind of youth in many of his other films: Rushmore's Max Fischer, The Royal Tenenbaums» Margot Tenenbaum and Suzie Bishop and Sam Shakusky from Moonrise Kingdom are all variations on a concept that was so eloquently personified by Scorsese's Johnny Boy back in 1973.

In The Heart Of The Sea is everything that you want from a film of its kinOf The Sea is everything that you want from a film of its kinof its kind.

With so much non-fiction footage available, culled from such a long time span, the last thing the case would seem to cry out for is a conventional dramatization, the kind in which glamorous actors put on just enough makeup to look 10 percent like the people they play, without any hope of imbuing the roles with the intensity already captured on film.

Combine that with the fact that the film comes from writer / director Jonathan Kasdan, son of iconic Raiders of the Lost Ark and Empire Strikes Back screenwriter Lawrence Kasdan, and this sounds like the kind of film that truly takes off after Sundance.

Where the later films move away from the painstakingly literal translations of J.K Rowling's increasingly sprawling novels, these first two films are perfect replicas created with a kind of funhouse spectacle of the wonders of the magical world come to life.

From the moment it was announced Rian Johnson would be directing «Star Wars: Episode VIII,» fans have been excitedly wondering what kind of special sauce the director of genre - bending films like «Looper» and «Brick» (not to mention a few of the best episodes of «Breaking Bad») will bring to the universe George Lucas created.

This is the start of exactly the kind of film you would expect from Sundance as each of these characters have something to teach and learn from the other, especially about life and the pursuit of happiness.

The films you're making are very different from the kind of cinema that's most popular and widely consumed in India.

There's not a lot to say about the film's 5.1 DTS - HD MA soundtrack (English only), except that it's everything you expect from this kind of movie.