Sentences with phrase «kinds of light reflect»

Not exact matches

«The great heart of compassion» (mahakaruna - cittam) is the inmost essence of the Divine in Mahayana Buddhism, (D. T. Suzuki, Outlines of Mahayana Buddhism (London, 1907), p. 292 and passim) and this heart is open to all men; just as the light of the moon is reflected in all kinds of water, the muddiest puddle as in the crystal - clear mountain lake and the endless ocean, so this divine heart of love reveals itself in all levels of mankind.

Not only that, but certain parts of the shrimps» bodies can reflect the same kind of light, creating a signal only other mantis shrimp can see.

Good because I like being able to control the lighting let into photos (this is a huge deal for when lighting is darker), but it's bad because I've taken some photos that are overexposed (like if the sun is out and my camera's lighting setting haven't been properly adjusted to reflect the brightness outside)... like in this post... kind of...

Secondly, special denim has been used in the manufacturing of this kind of skinny jeans which reflects certain angles of light, thus exuding the feel of velvet.

You go into Tyrell's office in Blade Runner and there's this weird kind of flickering reflected lights on everybody's face and all over the walls and everybody on the set is saying «What the fuck is that?

Year 6 Science Assessments and Tracking Objectives covered: Describe how living things are classified into broad groups according to common observable characteristics and based on similarities and differences, including micro-organisms, plants and animals Give reasons for classifying plants and animals based on specific characteristics Identify and name the main parts of the human circulatory system, and describe the functions of the heart, blood vessels and blood Recognise the impact of diet, exercise, drugs and lifestyle on the way their bodies function Describe the ways in which nutrients and water are transported within animals, including humans Recognise that living things have changed over time and that fossils provide information about living things that inhabited the Earth millions of years ago Recognise that living things produce offspring of the same kind, but normally offspring vary and are not identical to their parents Identify how animals and plants are adapted to suit their environment in different ways and that adaptation may lead to evolution Recognise that light appears to travel in straight lines Use the idea that light travels in straight lines to explain that objects are seen because they give out or reflect light into the eye Explain that we see things because light travels from light sources to our eyes or from light sources to objects and then to our eyes Use the idea that light travels in straight lines to explain why shadows have the same shape as the objects that cast them Associate the brightness of a lamp or the volume of a buzzer with the number and voltage of cells used in the circuit Compare and give reasons for variations in how components function, including the brightness of bulbs, the loudness of buzzers and the on / off position of switches Use recognised symbols when representing a simple circuit in a diagram

Children must be invited to reflect on complex issues, to recast them in light of their own experiences and questions, to figure out for themselves — and with one another — what kind of person one ought to be, which traditions are worth keeping, and how to proceed when two basic values seem to be in conflict.

Federal policy also has reflected much of this change, with the U.S. Department of Education providing options for states to seek waivers from some of the dated NCLB requirements (in light of delays in Congressional reauthorization of that law), in an effort to promote innovation toward satisfaction of the rigorous kinds of standards established by the common core state standards.

Painters will tell you that New York has a certain kind of light, and it's because of the light reflected off the water.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

By introducing to a reductive abstract composition various reflected lights, kaleidoscopic and variant in intensities, Bell gives represented «materials» a sense of non-objectivity, a kind of constructed non-space.

He also created a signature kind of tesserae: small cubes cut from slabs of acrylic paint and adhered to the canvas, angled to catch and reflect light.

This is a different kind of light than the reflected light used by camera containing film.