It's been a long time since we trusted McConaughey to give us anything but crappy romantic comedies, but this looks like
the kind of movie Paul Newman might have starred in during his rumpled «70s run.
Not exact matches
For Mana, showing up for practice and competing in the meet are acts
of open defiance, and Ariki isn't the
kind of character you want to make angry, which pulls the openly conflicted Gen into the center
of a potentially violent situation — one that feels like something out
of a
Paul Schrader
movie (say, Travis Bickle's foolhardy attempt to liberate Iris at the end
of «Taxi Driver») rather than the sort
of climax audiences might anticipate from this otherwise Disney - appropriate inspirational drama.
«That was
kind of like making this
movie with me and
Paul.
There's no genre yet for the
kind of breathless thrillmaking that
Paul Greengrass is achieving in his
movies lately — last with United 93, an unlikely triumph, and now with this superb spy threequel, the giddiest warm - weather action
movie since John Woo swapped dimples in Face / Off.
The
movie is such a massive decline that it must be some
kind of joke on the part
of any combination
of director
Paul Weitz (perhaps a subversive plan to kill a franchise he was not a fan
of with his first (and let us hope only) entry), writers John Hamburg and Larry Stuckey (the former, maybe, enjoying steady work with the series after the success
of the first
movie; the latter possibly assuming he could coast on the coattails
of his partner), and / or the cast (if we go with the hypothetical assault on the audience's sense
of dignity, no doubt laughing themselves silly at the sight
of the paycheck).
I must admit, a heartwarming Disney film starring
Paul Walker and a bunch
of dogs isn't the
kind of thing that typically ranks high on my list
of movies to see, so it comes with great surprise for me to state that I actually enjoyed Eight Below considerably.
It's
kind of incredible that a
movie starring
Paul Rudd and Amy Poehler was released in 2014 and barely anyone saw it.
'' «Birdman» is the
kind of movie that benefits most from this
kind of exposure,» said Rentrak analyst
Paul Dergarabedian.
is a deliriously biblical portrait
of the artist as a godlike monster (for the record, I liked it), this new film by
Paul Thomas Anderson offers a more graceful and far more complicated version
of the same idea... Quiet, moody, and deeply perverse (I'll say no more), this fascinating
movie reminds us that Anderson is the
kind of alchemist - director who can turn somebody ordering breakfast into a classic scene.»
The camper van is soon located along with its owner, a gangly, inarticulate man - child named Alex (played to creepy perfection by
Paul Dano), who lives with his aunt (Melissa Leo) in the
kind of run - down, cluttered tract house where serial killers and other
movie deviants tend to reside.
I have never not loved a
Paul Thomas Anderson
movie, and this one looked like it would contain everything I could have wanted: something weird and
kind of kinky, set among the fashion world in London, starring Daniel Day - Lewis.
Before he became famous for a different
kind of movie,
Paul Reubens delighted audiences in director Tim Burton's first feature - length film.
by Walter Chaw As talky and obsessed with Star Wars as a Kevin Smith joint and every bit as awkward and unfunny for extended stretches, Greg Mottola's
Paul squanders a wonderful cast and a vaguely interesting concept in pursuit
of the same pomo alchemy wrought in the
kinds of movies Edgar Wright makes.
Paul Dano plays another in a series
of sniveling creeps, and Brad Pitt — who also co-produced the
movie — plays the
movie's
kindest and most forward - thinking white man.
For the rest
of you, though, suffice it to say it's the
kind of movie in which Rachel Leigh Cook is considered so hideous that BMOC Freddie Prinze Jr. has to be dared (by future Skull / car thief
Paul Walker!)
Warren Beatty's bizarre Howard Hughes biopic / sex comedy / look at idealism gone sour boasts four credited editors (including
Paul Thomas Anderson regular Leslie Jones and Terrence Malick veteran Billy Weber), adding to the narrative that the director didn't know what
kind of movie he wanted to make and wound up with a mess.
This one
of a
kind item was made and sent to me by
Paul Jones the special makeup & creature effects designer on the
movie.
Many
of these are exceedingly rare, and one - the Seal
of Metatron from Silent Hill: Revelation - is one
of a
kind and was custom made by the special makeup & creature effects designer on the
movie,
Paul Jones.