Sentences with phrase «kinds of movies over»

It doesn't seem to have much of a following, but I guess that's what happens to these kinds of movies over time.

Walt Disney Pictures has made many different kinds of movies over the past eighty years.

Not exact matches

With over 80 million subscribers today, Hunt says Netflix has an «unprecedented» level of data that «helps us decide the kinds of shows / movies we should make, and we can predict an audience for them with a surprising degree of certainty.»

Nerding out over an online video game or a fantasy series or a beloved sitcom isn't bad — that kind of deep passion can drive culture forward — but when that love is self - contained, it's useless, and that makes the diverted goals of Ready Player One's book and movie feel in counter to one another.

Here was Alyssa Rosenberg at the Washington Post claiming that the whole point of Wonder Woman is that she's a role model for prepubescent girls, a kind of «Fearless Girl» avant la statue: «[T] he movie... argues that it's... little girls all over the world who stand to gain if they can grow up free of the distorting influence of misogyny,» Rosenberg wrote, with a schoolmarm's didacticism.

We've been enjoying this awesome Tortilla Party Bowl for a long time now... it kind of really goes with our movie nights or when friends come over.

Liam Neeson has become extremely popular over the years for his amazing action - packed movies and one of a kind fight scenes...

By comparing those samples, they can see what's changing over time — kind of like combining still images to form a movie.

As a fan of super emo lyrics, the new - to - the - movie song that the Beast sings after giving Belle her freedom and watching her ride off, expecting never to see her again, had me recalling all kinds of teenage angst over lost love.

I can watch My fave movies over & over LOL:P I'm kind of a nerd & I like music, dancing & going 2 cultural events:) I'm not Ur average run of the mill girl LOL I'm definitely My own person:P GO 2 MY FB 2...

And to make up for that lack of actual tension, co-writers Liz Hannah and Josh Singer sprinkle in heavy doses of the kind of things people only say in movies («Jefferson just rolled over in his grave,» for example).

They knock each other over, hit each other with hammers and do all sorts of crazy stints that only the Stooges could pull off and for that the movie kind of works.

There's no good reason anyone should have given Miller any kind of budget or creative control over a movie and Lionsgate, being Lionsgate, did and he created this mess.

Dave this movie is brilliant, you may want to watch it again, just in case you missed out on the clever jokes... The kind of movie to LOL the entire time, also, what «s so wrong about falling in love and rolling over like a dog?

The romance is there to ground the movie, I suppose, and Lawrence and Edgerton have a kind of cool chemistry that suggests not red - hot lovers but two people who enjoy trying to get one over on the other.

The nadir of the movie's poor judgment occurs during its still - mostly - astonishing climax, when Petit lies down on the cable, engulfed in misty cloud cover, and watches a lone gull hovers over him and seems to stare into his eyes, as if wondering if he's some kind of bird, too.

And though I'm often reticent to watch movies more than once or twice, Tully is the kind of cinematic treat — a cult classic well in the making — that you'll want to rewatch again the second it's over, not just to help piece together various narrative clues but to revisit the rib - tickling jokes and hang out with these characters for a little longer.

It's the kind of movie that starts out strong (in this case with a terrific scene where Mendelsohn and Reynolds meet at a poker table) and seems capable of toppling over into a pile of disappointment at any moment; its characters are similarly perched.

While I'm kind of over the whole movie awards thing — at least in terms of who wins, I do still enjoy the conversation that surrounds them.

Ultimately, Thoroughbreds is handsome, occasionally intriguing, but mostly empty — the kind of movie where people are too busy falling over themselves applauding its polish and performances to notice that their prize winner never gets out of the starting gate.

Dario Argento was the master choreographer of the distinctly Italian art of horror known as giallo, was a baroque, often sadistic kind of slasher movie that favors intricately - designed murder sequences and aesthetic beauty over logic.

Unfortunately, any hope of that happening has effectively been squashed by «Sea of Monsters,» a half - baked sequel that feels like the kind of kiddie movie Robert Rodriguez knocks out over a few weekends in his backyard.

Itís the kind of movie that could only be made in 1942, and it won awards all over the place.

Later, Dev Patel takes over the role of Saroo, and it's a jarring transition, not only because the little boy is now a man, but because the lyrical nature of the film transforms into a standard «issue movie with stars» kind of thing.

Him taking over and sometimes adding to what Zimmer had already done made this feel like the kind of adventures that many like to see when viewing movies about epic heroes attempting to save the world.

Release: Friday, March 8, 2013 [Theater] Somewhere over the rainbow, a new director was buried up to his neck in notes, Munchkins (the kind from Dunkin Donuts, not the ones in the movie) and contemporary revisions to one of the most classic fairy tale stories of all time.

Yet it's the kind of movie where that real - life incident ends up hanging over the entire film, almost holding it back from being able to be great on its own merits.

Like other Joe Swanberg movies, Happy Christmas is quiet but endlessly charming, the kind of film that washes over you and continues to grow on you long after you've finished watching.

«Congrats to the entire #blackpanther team,» Michelle tweeted on Monday after the movie smashed all kinds of box office records over the weekend.

In his one - of - a-kind fiction / documentary hybrid Symbiopsychotaxiplasm Take One, director William Greaves presides over a beleaguered film crew in New York's Central Park, leaving them to try to figure out what kind of movie they're making.

It's morally ambiguous, without rooting interest, without movie stars (unless you count Eric Bana), and with the same kinds of actions being repeated over and over.

After all the controversy over Jane Got a Gun — the Natalie Portman western that Ramsay was supposed to direct until she dropped out on the first day of filming — the mere fact of this movie making it to the finish line without any kind of drama would be a victory.

The Poseidon Adventure is a bad movie, but it's precisely the kind of bad movie that audiences could get nostalgic over and appropriate as their own.

This highly underrated movie was something of a flop when first released; you can kind of see why, as its story of a young girl infatuated with tales of the pirate Mack the Black and a circus performer who gets mistaken for said pirate is a bit all over the place, and the musical numbers fall toward the overly frenzied.

Given the hype and fanfare The Dark Knight has received over the past few months — surpassing other blockbusters like Iron Man and even Indiana Jones — you'd expect it to be the kind of movie that inspire a boyish cheerfest like Star Wars, not a straight - faced Best Picture contender.

It will sound like the kind of movie that, if you are over 17, you don't usually go to see.

Their deciphering over what a drooling face means vs. the significance of an eggplant is the kind of dialogue this movie needed more of.

May is moving on with or without me, and now that I've committed to doing Adam Sandler movies this month, I kind of can't wait for it to be over so I don't have to be responsible for these posts anymore.

Here's a movie that, kind of, tells the story of Alan Turing whose work during World War II was so secret it took over 50 years to be declassified.

But the power players behind the hotly anticipated scifi movie are still battling over what kind of release it should get.

McFeely: People don't get to do that kind of character work over such a span of movies.

After all, that kind of fanbase is meant to grow organically as movie buffs pore over key scenes...

Any movie like this made for the most part since the 1980s would talk the talk about showing the changes, but not show it, show it badly and / or be more sexually oppressed than not, but Russell has zero trouble from this first film he had control over himself dealing with all kinds of human sexuality, yet that freedom is incidental to character study, capturing the story and bringing it to life as he does so well here.

Those reshoots were deemed necessary after video surfaced of Lawley making racist remarks, and it's sure hard to sell a topical movie like this one with that kind of cloud hanging over the film.

Max (Bateman) and Annie (McAdams) share a strong competitive streak, a love for games of all kinds (their wedding reception featured a Dance Dance Revolution machine), and a fertility problem, that, in the fairy tale world of this movie, seems to be attributable to Max's stress over his more successful brother, Brooks (Kyle Chandler).

But they're kind of all over the place and the first two feel like trashy B - movie tripe, the kind that Tarantino and Rodriguez can't seem to get over paying homage to.

Yet another variation on the kind of bobos - adrift - in - L.A. narratives that have cluttered screens both big and small over the last several years, Duck Butter opens on Naima (Shawkat), a twentysomething working actress who lives in one of those improbably spacious SoCal - movie homes.

Surely this kind of thing has been happening a lot lately, in movie theaters all over the place — and not just during the Good Time trailer.

It's the kind of movie that could only be made in 1942, and it won awards all over the place.

It's the kind of movie that can grow and develop over time in that realm.