Sentences with phrase «kinds of movies young»

We need further research on this kind of intervention, to see if attempting to control what kinds of movies young teens watch actually does make a difference in their sexual behavior.

Not exact matches

Here's a list of films for young girls — movies that show strong female characters with the kind of energy, intelligence, wit, and initiative our daughters hope to develop themselves.

Here you will meet such varied and complex personalities as Marvin Barnes, who some experts say is one of the best natural talents ever to come into the NBA and who destroyed his career with drugs and passionate insouciance — «the last innocent,» Walton called him; Kermit Washington, who fled from a posh Hollywood party because the movie people were sniffing cocaine; Abdul Qadir Jeelani (born Gary Cole), a shy young man who liked Rome better than Portland but yearned for the kind of recognition you can not find as «the king of spaghetti basketball»; Maurice Lucas, educated, intelligent, married to a Harvard graduate, yet tormented by the belief that his $ 300,000 salary was somehow demeaning.

Most children will get exposed to some kind of inappropriate movie or video game at a young age, but you can make sure that your child does not get exposed to too much if you keep an eye on them during the day.

«So I think I speak for people who have birthed their children, adopted their children, had kids in every different kind of way you can have kids, family members who are taking care of other family members, older moms, younger moms... This movie is about the love of caregivers, the love of somebody who gives a sh — about the safety and sanctity of a child.»

BA, interested in fishing, movies, exploring, music of all kinds, good conversationalist, Do not look my age look younger.

I'm a very kind loving young woman I love to cook clean I love watching movies going out to places and I love shopping traveling I'm a Family oriented person I love having family outings hanging out with close friends of the family or of mine once in awhile and I love a little laughter and having...

The film's portrait of young love may be touching, but its most moving moments celebrate love of a different kind: the passion that movie professionals, both young and old, have for their craft.

The sheer goofiness of the concept makes Michael Sucsy's film more enjoyable than most young - adult movies, but I can imagine members of its target audience responding to its dreamy, kind - hearted emotionalism too.

While the movie is targeted to Gomez's fans who would enjoying seeing her in two completely different roles, «Monte Carlo» is also pleasurable enough for anyone interested in seeing what kind of adventures young tourists can get into in Europe.

It plays like the standard «forbidden - love / wrong side of the tracks» kind of movie... save for one of the young lovers being undead.

Older Tom is infinitely more interesting than younger Tom; part of this is because young Tom hasn't experienced the full effect of the events that shape older Tom, but most of this is from the very clear fact that young Tom is kind of a mute witness in this movie.

When I was younger, it was easier to write stuff for myself because I could write the romantic lead in a movie and play the part, but now, I'm 78 years old and I can't be the guy who's flirting with the girl and gets the girl, so it limits the kinds of parts I can do.

While the «first movie is a love story masquerading as a comic book movie,» Reynolds says «this one is kind of a family film masquerading as a comic book film again» with the inclusion of X-Force and the young mutant that Josh Brolin's Cable is after.

The movie feels like part of a horror anthology, and indeed it's part 1 of Shyamalan's planned Night Chronicles, a «Twilight Zone» kind of series with his ideas executed by young filmmakers.

Based on a Daphne Du Maurier novel and made a year before Hitchcock's Oscar - winning movie of Du Maurier's «Rebecca,» the film introduces Maureen O'Hara as Mary, a headstrong young Irish woman (is there any other kind?)

Audrey Hepburn stopped making movies right around the time the «New Hollywood» started gearing up, though not because she didn't have any interest in the more daring kinds of films being made, and not because the younger generation of producers and directors didn't want her.

Of course, if you know anything about these kinds of movies, Dug will find a way, and the match will be on thanks in part to a gigantic duck who helps come to the rescue, as well as a young woman named Goona (Maisie Williams) who also comes in handOf course, if you know anything about these kinds of movies, Dug will find a way, and the match will be on thanks in part to a gigantic duck who helps come to the rescue, as well as a young woman named Goona (Maisie Williams) who also comes in handof movies, Dug will find a way, and the match will be on thanks in part to a gigantic duck who helps come to the rescue, as well as a young woman named Goona (Maisie Williams) who also comes in handy.

Co-written by its director, Noah Baumbach, and its star, Greta Gerwig, Frances Ha is also that rarest kind of new American movie: one that captures in painstaking detail the way young people talk today while simultaneously paying tribute to the past century of movie aesthetics and mythologies.

While I wouldn't mind playing with some of these side characters and superfluous plotlines in a video game, as an adaptation of a beloved work that has enchanted many millions of readers, young and old, I'm left longing for a different kind of fan film — the inevitable one in which someone edits out all of the stuff not from the writings of Tolkien — and makes it the movie it always should have been from inception.

But as with the first two «American Pie» flicks, this is the kind of movie you see again 10 years later and wonder why you liked it back when you were young and dumb.

The movie oozes with that kind of self - conscious piety that sometimes comes with the territory when award - winning young people's books are filmed («Harry Potter» is an exception).

This highly underrated movie was something of a flop when first released; you can kind of see why, as its story of a young girl infatuated with tales of the pirate Mack the Black and a circus performer who gets mistaken for said pirate is a bit all over the place, and the musical numbers fall toward the overly frenzied.

I think with Mistress America, in a way it was about Tracy, the younger character, through her eyes, seeing Brooke, who has kind of aged out of a scene... and with this movie, it's about the vividness of a world that's about to end.

The Young Victoria — The only film we saw at the festival to get any kind of real theatrical release, which is unfortunate because while it's a fine film for what it is, obviously I liked a lot of other movies a lot more.

Henry is an 11 - year - old superkid of a kind only found in movies: able to handle his mother's investments like Warren Buffett, to self - diagnose a malignant medical condition like a top - flight neurosurgeon, to protect his younger brother Peter (Jacob Tremblay) like a guardian angel and, above all, to serve as a rock of stability and common sense for his emotionally fragile mom.

Fans of old movies will recognize «Far From Heaven» as a modified remake of Douglas Sirk's great 1955 drama «All That Heaven Allows,» starring Jane Wyman as an attractive widow and Rock Hudson as the younger man she falls in love with, incurring the same kinds of disapproval Cathy meets in «Heaven.»

If I were to cast an action movie that's got some dramatic tension (so not just a shoot»em up kind of flick), I'd cast Alan Rickman or Timothy Dalton opposite a young actor like James McAvoy or Tom Hardy as a villain.

Moments like O'Brien and his friends jumping from a skyscraper window feel like the kind of sequence that shouldn't go with something technically dubbed a young adult movie (a term I really despise, as it shoots franchises like this in the foot before they even begin), yet here we are, gripping the edge of our seats, mouth agape at the severity of the action.

In the movie directed by the duo who gave us «Little Mary Sunshine» — featuring women who want to get their young daughters into a beauty competition — Bobby Riggs (Steve Carell) is the kind of hustler and self - described male chauvinist pig who want to prove that since women can not beat men in athletics, the sport of tennis is justified in paying male players eight times more than women.

Conceptually speaking, «Cop Car» is the kind of movie that could only be made by filmmakers too young to have children of their own.

Popping up everywhere are movies about people buckling under their own artistic weight — the kind that comes with being a certain type of jazz musician («Whiplash»), actor («Birdman»), novelist («Listen Up Philip»), painter (Mike Leigh's «Mr. Turner»), actor again (Chris Rock's upcoming «Top Five,») concert pianist (the Ethan Hawke - directed fall - festival documentary smash «Seymour»), actor once more (Olivier Assayas» «Clouds of Sils Maria»), rock singer (the Michael Fassbender - starring «Frank»), documentary filmmaker (Noah Baumbach's upcoming «While We're Young») and actor again (Al Pacino's «The Humbling»).

Skaters, especially the youngest set, will probably find it modestly entertaining, although it's the kind of movie you'll probably want to wait for home video to see... it's just not worth eight bucks.

By casting an affectionate eye on a pair of young hopefuls, while aspiring to the kind of full - fledged romanticism you hardly ever see in today's movies, I hope to capture the spirit of the city I now call home, and make a movie that feels both classical and urgent — and, yes, intrinsically L.A.»

It's also not the kind of movie that would normally interest me, but between the casting of Shailene Woodley and the almost unanimous admiration for the John Green novel on which it's based, there's a certain air to the project that suggests it'll be much better than the typical young adult book adaptation.

I was so young and dumb I thought that every book was a New York Times bestseller and got made into some kind of movie or TV program.

DY: Videogames are still young compared to movies and it takes time to foster that kind of appreciation.

With the new Bing Concert Hall opening on the Stanford campus in a couple of months, Connie Wolf, the new director of Stanford's Cantor Arts Center, thought it would be cool to present a music - filled work of art: Christian Marclay's «Video Quartet,» a four - screen work that splices and juxtaposes sonic moments of all kinds from hundreds of movies - people tap dancing and singing arias, explosions and door knocks, Kirk Douglas in «Young Man With a Horn» and Jimi Hendrix in concert - in a 14 - minute video that floored New York Times critic Roberta Smith when she saw it in 2003.