Sentences with phrase «kinds of painting during»

Not exact matches

I would do it if I could but paint fumes are kind of a no - no during pregnancy, and Matthew has terrible shoulders -LCB- remember when he had to get shoulder surgery the other year? -RCB-.

It was carved and painted to look almost like a leaf of some kind - giving a healthy, natural feel which is always appreciated during a meal.

What kinds of images and paintings inspired you during the filmmaking process?

Bought this truck in the past year and she takes me anywhere, I use it as a daily driver and a racer, I have done many performance modifications to it, such as fuel injection ratio tuner, K&N cold air intake, champion spark plugs, tuned the camshaft a little, etc. and I did some cosmetic work on it as well such as painted rims, mesh grille, dipped my truck pearlescent, put neon lights in the cab hooked up to a toggle switch, put rain guards on the doors, new nerf bar, etc. it is all the kind of mean look you want it to be at night and a family vehicle during the day.

ML: I made objects out of paint for several years, and during that time I was doing a lot of different kinds of making, using paint as a sculpture material.

During this time, Serrano also worked on the series Bodily Fluids where he employed various fluids in order to create works that referred to abstract painting, a kind of anti-photography.

During a painting workshop in Saskatchewan Canada in 1981, Bannard developed a kind of gel «drawing» on canvas, in which he applied his paint on large sheets of fiberglass, according to Berry Campbell.

During the Apartheid era, mural art was a kind of protest painting.

Still a professor of painting at Yale, for this Tuesday Evenings presentation Storr talks about learning on the job as a way of life during a period of extraordinarily complex, rapid, and far - flung changes in the «art world» — now a polycentric, culturally diverse, and ever - morphing economic and politic alternate reality — as well as the abiding values that draw people to art and into an «art community» primarily inhabited by makers of various kinds.

Early in his career, during the decade he spent mostly living in Japan (c. 1958 — 68), Byars did in fact make paintings — or rather, large black ink drawings — featuring dense iconic shapes that assume a kind of sculptural weight.

The exhibition at Kunstmuseum Liechtenstein focuses on Thomas Schütte's lesser - known early works of the late 1970s, a period of time which for Thomas Schütte was a kind of «research phase» during which, as a student in Fritz Schwegler's class, and later in Gerhard Richter's painting class, he gradually made his way to sculpture: «As the student of a painter who could do everything, you couldn't just paint anymore.»

A certain kind of creative ruthlessness connects the various artists represented in «Low Life Slow Life,» from the raw ugliness of Robert Mallary's «Little Hans» (1963), a sculpture made of resin - dipped tuxedos, to the sheds - present in the exhibition but sealed shut - containing all the paintings acknowledged as his own by McCarthy's friend, Al Payne, who died during the show's preparation.

During this time, his paintings increasingly embraced a kind of monumentality, spontaneity, and luminosity.

During a painting workshop in Saskatchewan Canada in 1981, Bannard developed a kind of gel «drawing» on canvas, in which he applied his paint on large sheets of fiberglass.

Illustrated throughout with full - color reproductions of paintings, drawings, and archival photos, this book is an important contribution to the literature on Abstract Expressionism, women artists, and feminism during a transformative period, and will also appeal to lovers of painting of all kinds.

[11] And in another interview, three years later, she said her painting style had grown and changed during her career as she herself had grown and changed, but, though her work tended toward increasing abstraction, she insisted that it «must have some kind of human depth to it.»

But if, like me, you get a jolt from the kinds of discussions that consumed New York painters and their circle during those years, Painters Painting is a must - see.

Art of Another Kind charts the years during which James Johnson Sweeney became the Guggenheim's director, following on the heels of Hilla Rebay, the original steward of «The Museum of Non-Objective Painting.»

They did not borrow from each other; they looked long and thoughtfully at each other's work during their shared years...» Many of Edith's late figurative paintings have a kind of shorthand that resembles that of David Park, but Edith also had a deep engagement with landscape painting, a subject that David had left alone.

Some of these paintings were created in the open air in Florida during a temporary stay by Julian using all kinds of materials like: old tarpaulins, sailcloth, and rolls of velvet.