Sentences with phrase «kinetic work with»

Zilvinas Kempinas is known for his kinetic works with magnetic tape.

Not exact matches

The Conture Kinetic Skin Toning System is easy to use and is designed to fit easily into existing beauty routines with minimal work or effort.

A competing antimatter experiment at CERN, known as ATRAP, has been working toward producing larger numbers of antihydrogen atoms with lower kinetic energies, which would facilitate their trapping.

The successful applicant will work with Prof. Dr. Jörg Büchner and Dr. Patricio Muñoz on kinetic simulations of electron acceleration by magnetic reconnection in stellar atmospheres to be verified by observed solar type - III radio bursts.

Brief moments of interesting camera work and fight choreography tease us with the idea that this could have been much more kinetic and memorable.

The strategy apparently worked: Guillermin infuses what would be the slow parts with a kinetic energy that nearly matches the intensity of the set - pieces.

Quick study: a cinematographer who's worked with Lars von Trier, Danny Boyle, and Oliver Stone describes capturing the kinetic on film

And yet, for all its non-stop joking and jockeying, The Final Girls displays a willingness to experiment, running rampant with the absurdly witty violence, kinetic energy, and almost nihilist intemperance, like that you'd find in similarly satirical works like Deathgasm, Cabin in the Woods and The Editor.

With over a hundred films in his C.V. (including silents), King remained one of the studio's leading directors for decades, and though he worked with superb cinematographers, his films consistently show a dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action scenes — particularly the storming of the fortress at the end of the fWith over a hundred films in his C.V. (including silents), King remained one of the studio's leading directors for decades, and though he worked with superb cinematographers, his films consistently show a dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action scenes — particularly the storming of the fortress at the end of the fwith superb cinematographers, his films consistently show a dramatic visual style that maximizes elements within a single shot, plus a knack for crafting kinetic action scenes — particularly the storming of the fortress at the end of the film.

Scorsese, it goes without saying, directs this with the fervour of a true auteur — perhaps not the most distinctive film he's made stylistically speaking, but still propelled by inspired musical choices, bold voiceover work, kinetic camera movements and a general structural playfulness (such as the fake television ads planted throughout the film).

Illustrated with performance, private videos, and recollections from those who knew him, this detailed and innovative documentary looks at the life of the always provocative artist Chris Burden, whose work consistently challenged ideas about the limits and nature of modern art, from his notorious performances in the 1970s to his later assemblages, installations, kinetic and static sculptures, and scientific models.

Once more, Katz works with a kinetic and inspired cast, featuring Game of Thrones hunk Nikolaj Coster - Waldau as the ex-cop Joe Denton, veteran heavies Robert Forster and Jacki Weaver as a very bewildered Mr. and Mrs. Denton, House of Cards heroine Molly Parker as an all - too - forgivable nurse, an ever - reliable Blair as an all - too - gullible friend, a supremely terrifying Healy as a mob boss» dickhead son, and the one and only Gary Cole as a dirty cop trying to cover his dirty ass.

Working from a script by Rhett Reese, Paul Wernick and Ryan Reynolds, director David Leitch (John Wick, Atomic Blonde) produces a film that is even more kinetic than DP1 and filled with at least as much heart (and a couple / three moments of oddly exhilarating spirituality!).

Working again with director Jeremy Saulnier, Blair had perhaps the most thankless task in Green Room, literally moderating between the ice cold portrayal of Patrick Stewart and the more kinetic travails of the punk band at the center of the narrative.

There's energy in the thing, no question, even if it's stolen, a few scenes and shots breathlessly romantic and breathtakingly kinetic, but Once Upon a Time in Mexico is a picture mostly in love with the grotesque and itself — a work of immense hubris, and a series of barely related vignettes with loosely continuous characters.

The hyper - colour, hyper - kinetic animation is designed with the youngest viewers in mind, as is the film's evident slightness and simplicity; many of the gags, particularly those stemming from the voice work of Samuel L. Jackson (Django Unchained), Snoop Dogg (Scary Movie 5), Maya Rudolph (The Way, Way Back) and Ben Schwartz (Parks and Recreation) as fellow snails, are firmly aimed at their adult chaperones.

For another example of students sharing their final products with a community audience, watch the video Anatomy of a Project: Kinetic Conundrum, from Edutopia's Schools That Work series.

My biggest accomplishment so far has to be working with Kia and Kinetic.

My specific interests are three dimensional work with kinetic elements, painting, printing, sound art and video.

All of the works featured in the exhibition — ranging from video games, single channel video, kinetic sculpture, and prints, to pen plotter drawings — have been created by means of technological tools with an emphasis on the mixing and matching of both professional and amateur technologies, as well as the vernaculars these technologies encourage within culture at large.

With unusual materials and creations that awaken, startle, and disturb the senses, the German artist's kinetic works create an entrancing and electrifying environment.

Marcel Wanders» total environment will include several bodies of work: large abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or ghostly figure; Self 2 is a steel cabinet and kinetic piece, balancing a sculptural ovoid form that abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.

Studio 10 will present «Host,» with work by Tom Butter that features an 11 - foot - tall kinetic sculpture, while Amos Eno Gallery's «Perceptual Slip» features a group show by Samantha Jones, Erik Patton and José - Ricardo Presman, with work created from discarded and unassuming materials.

Contrasting, say, the Trevor Sutton painting Christow with Giulia Ricci's Order Disruption Painting, could reinforce this view, as might opposing the serene geometry of the Natalie Dower to the visual excitation of Patrick Morrissey's work, or the stability of Sutton with the kinetic, off - balance effect of Morrissey (see image below), and I know I am going too far in contrasting the contained circularity of Farrer's Knot in Time or Robertson's Aura with the eccentricity of Martin Church's Definitions (Study No. 3), because mostly what I am finding here is continuity.

Refusing to be institutionalized in his oeuvre, Tinguely's works reflect his involvement with Nouveau Réalisme, the ZERO group and kinetic art.

The expressive gestures, loose and atmospheric in many cases, imbue the works with a kinetic energy that is almost cinematic (in 1893, the cinema was invented).

Le Parc is one of the leading exponents of kinetic and Optical art: in his work, he experiments with the fourth dimension, introducing light and movement into his work: his installations are in a state of continuous transformation.

Often associated in the 70's with kinetic and concrete art, his work has also a strong affinity with Dada, Kurt Schwitters and Marcel Duchamp, working with found objects, tables, chairs, crates, tools, jugs, suitcases, lampshades, wine glasses (filled with wine, red as it happens) and electric light, which through the conductors of fluorescents and bulbs is a ready - made in itself.

«More Wrong Things», a solo exhibition at Hales Gallery in London (20 May — 24 June) displaying a small group of works from the 1980s to the early 2000s, coincided with the opening of «Kinetic Painting» at the Museum für Moderne Kunst in Frankfurt (until 24 September), a vast survey of Schneemann's career.

Liliane Lijn is a leading pioneer and exponent of kinetic art who in her work has experimented with light, movement, words, film, liquids and industrial materials.

Some of the works feature kinetic elements, and the sculptures interact so beautifully with Whitney's lyrical, energetic paintings that the dialogue reminds me of that between David Smith's canvases and 3 - D works.

Based in one large gallery with adjoining exhibition spaces around the periphery, Kessler's work is comprised of a network of kinetic sculptures, each of which incorporate surveillance cameras acting in tandem with the sculptures» movements to create video imagery occurring in real time.

Tomasello, a leading representative of Latin American Kinetic art, worked extensively in Paris from the late 1950s onwards exhibiting with Galerie Denise René, alongside Victor Vasarely and Jesús Rafael Soto.

My current show at Honfleur gallery May4 - june 8th consists of a sculptural installation with sound elements, a kinetic interactive sculpture, an immersive scent and light object, and several interstitial castings, along with light - works derived from these castings, mimic and sometimes manipulate viewers» body language by evoking gestural interactions between bodies.

The collboration made a lasting impact, says Mack: «Tingueley pushed me - before I began making kinetic sculpture, he said, «What you're doing with your art is completely all right, but you really should work with motors.»»

Examining the connection between breakthroughs in photography and new techniques in painting, the exhibition will present rooms devoted to Op Art and Kinetic Art from 1960, with paintings by Bridget Riley and installations of key photographic works from the era by artists including Floris Neussis and Gottfried Jaeger.

They work with various media, but perhaps most notably with kinetic sculptures and electromechanical sculptures.

Kempinas is internationally acclaimed for his kinetic installations and controlled, minimalist works; notably, the artist represented Lithuania at the 2009 Venice Biennale with a site - specific installation entitled Tube, and more recently Double O at the Museum of Modern Art, New York (2010), and Slow Motion at Museum Tinguely, Switzerland (2013).

Among the numerous works on display are sculptures that he created with artist friends such as Niki de Saint Phalle, Berhard Luginbühl, Daniel Spoerri, and Eva Aeppli, his sculptures that deal with his passion for motor racing, and two of his complex large - scale sculptures that touch the senses by the use of kinetic, optical, and acoustic means.

Whilst in Hear, There, Where the Echoes Are (2016), beams of light and color pour into the space and over visitors through a kinetic installation of sound and light, with five projectors synchronized to the rhythm of a drum score, showing a more performative aspect of Rosa Barba's work.

Kessler's work since the»80s has been aligned with the tradition of kinetic sculpture and assemblage that emerged in the early twentieth century — such works as Marcel Duchamp's Rotoreliefs, Moholy Nagy's time / space modulators and Yves Tinguely's self - destructive machines are obvious sources — but filtered through the erratic, jury - rigged aesthetic of artists like Robert Rauschenberg and the improvised, makeshift special effects of B - filmmaker Ed Wood.

These works are described by Medalla as the first «auto - creative sculptures» — works built with industrial materials to generate kinetic, evolving forms.

His interest in optics and movement brought his work to the kinetic perception with the use of systems which combine logic and chance, juxtaposition, overlapping, interferences and fragmentation.

Works by Gianni Colombo, Enrico Castellani, Bridget Riley and Giovanni Korompay thus formed the first nucleus of the GAM's holdings, revealing an interest in spatial and environmental research that would subsequently expand to include the work of Grazia Varisco, Getulio Alviani, Dadamaino, Gruppo T and Gruppo N, together with various exponents of Kinetic Art and Programmed Art.

Perhaps most known for founding the Galería de Arte Color - Luz, Loló Soldevilla (1901 — 1971) produced only a small but considered body of work, spanning kinetic sculpture, hard - edge painting, and geometric collages that reveal her sustained and thoughtful engagement with historical and contemporaneous abstract tendencies.

Alexander Knox is a Melbourne based artist working with a various range of materials combing lighting, optics, audio, kinetic and more formal elements that pull from his training in film and industrial design.

His body of work ranges from the collaborative performances with the group SHRIMPS (1984 - 1993) to large - scale sculptures such as Tumble Room (2001) to photographs of performative actions to kinetic and sound producing sculptures.

CAROLEE SCHNEEMANN: KINETIC PAINTING Beginning with the paintings she made in the early 1950s, Ms. Schneemann's first American retrospective will trace the development of her boldly personal and emphatically feminist performance and video work.

Piene's kinetic light ballets are on view, including earlier types with construction work lights.

Presented side - by - side their works obliquely summon Calder's use of reductive forms, his serious yet playful endeavors with materials as well as his development of kinetic sculpture.