Sentences with phrase «kineticism in»

Calder began experimenting with kineticism in the 1920s while living in Paris, where he developed close associations with leading European avant - garde artists, including Marcel Duchamp, Piet Mondrian, Edgard Varèse, and Fernand Léger.

An early adopter to an ADD aesthetic that has since become more prevalent, Laure Prouvost formerly dispensed her shattering kineticism in small doses via her moving - image works...

Not exact matches

Zhang doesn't seem entirely invested, though; he forgoes his usual experiments in color and kineticism, and lets a syrupy score carry most of the emotion.

Something dawned on me as Schumacher ripped off entire sequences from The Killer and La Femme Nikita (and, before my very eyes, wondrously sucked them dry of their excitement and kineticism): the reason these idiots on screen were having so much trouble finding the bomb was that they were too busy starring in it.

The bebop idea of riffing on a melody to the extent that the melody becomes unrecognizable (with an attendant introduction of dozens of beats to the standard four - beat bar) carries through in the frenetic kineticism of series that also, by its format, mirrors jazz bebop's compact agility (generally carried by quartet and quintet arrangements)-- making a feature - length film, then, a strange place for the «Cowboy Bebop» franchise to go.

The kineticism of his art rivals that of the most exuberant DC and Marvel adventure comics — and in black - and - white only, yet!

Prints by Carlos Cruz - Diez and Manuel Espinoza illustrate what came to be known as Venezuelan kineticism; Cruz - Diez and his contemporaries were searching for an egalitarian form of art based in perceptual manipulation through additive color experiments.

Their lack of balance implies a kineticism and propulsion echoed in their push into three dimensions.

1969 0 Objects, 0 Painters, 0 Sculptors, 4 Artists..., Seth Siegelaub at McLendon Building, New York, US One Month Exhibition, Seth Siegelaub Contemporary Art, New York, US Op Losse Schroeven / Situaties en Cryptostructuren (Square Pegs in Round Holes), Stedelijk Museum, Amsterdam, NL (Verborgene Strukuren), Folkwang Museum, Essen, DE When Attitudes Become Form, Live in Your Head, Kunsthalle Bern, Bern, CH; Museum Haus Lange, Krefeld, DE 18» 6» x 6» 9» x 11» 2 1/2» x 47» x 11 3/16» x 29» 8 1/2» x 31» 9 3/16», San Francisco Art Institute, San Francisco, California, US; traveled to Simon Fraser Center for Communication and the Arts, Simon Fraser University, Vancouver, CA No. 7, Art Workers Federation Benefit, organised by Lucy Lippard, Paula Cooper Gallery, New York, US May - June 1969, Center for Communication and the Arts, Simon Fraser University, Vancouver, CA Language III, Dwan Gallery, New York, US July, August, September 1969, Seth Siegelaub Contemporary Art, New York, US Conception, Perception, Eugenia Butler Gallery, Los Angeles, California, US 0 - 9, Issue # 6, New York, US Wall Show - Part 1, Ace Gallery, Los Angeles, California, US When Attitudes Become Form, Institute for Contemporary Art, London, UK Place and Process, Edmonton Art Gallery, Edmonton, CA; Kineticism Press, New York, US 557,087, Seattle Museum of Art, Seattle, Washington D.C., US Prospect 69, Stadtische Kunsthalle Düsseldorf, Düsseldorf, DE Project Class, Nova Scotia College of Art and Design, Halifax, CA Konzeption / Conception, Stadtisches Museum Leverkusen, Schloss Morsbroich, DE Groups, The Visual Arts Gallery, School of Visual Arts, New York, US Pläne und Projekte als Kunst (Plans and Projects as Art), Kunsthalle Bern, Bern, CH Art Without Space, WBAI - FM, New York, US Art in Process IV, Finch College Museum of Art, New York, US Mail Exhibition, Nova Scotia College of Art and Design, Halifax, CA

Just as Calder amazed the world by ingeniously incorporating kineticism into his works in the 1930s, these Chinese artists showcase asimilar degree of innovation.