Sentences with phrase «know women of color»

Not exact matches

We already know that women business owners are driving the growth in small business, and that within that group, it's women of color who are making the most progress.

We know you're very sorry about creating a culture that for decades has demeaned and excluded both women and people of color.

Soon Allison knew all the details of the woman's sister's wedding — the first and second — from how much it cost to the color of the dresses.

It is no longer true as it used to be, that the judgment of the masses is like foam on water — nonsense, though loudly proclaimed; blind, though sharply decisive; impossible to follow because it changes more swiftly than a woman changes color.

She cast two of the three supernatural figures who guide Meg on her quest as women of color (Oprah Winfrey and Mindy Kaling), and cast a little - known black actress named Storm Reid as Meg herself.

I know how I am stereotyped as a woman of color and have certain views.

They also tell me that people in the Middle Ages thought the earth was flat (everybody knew it was round), that women in the Middle Ages were no better than cattle (they had more freedom than they would enjoy until the twentieth century), that people in the Middle Ages were morose and grim (they were boisterous partiers who loved color), that they were morbidly fascinated with demons (they portrayed demons as ridiculous stooges), and they were oppressed by their kings (most of the kings were weak).

There are many chefs deserving of profiles on bonappetit.com, and we have chosen to feature primarily women, many of them people of color, first and foremost because they're extremely talented people we think our readers need to know about.

I don't know if MANA has published their data yet or just the article, so I haven't looked at it myself (obviously)-- it'll be interesting to see what the findings are on how many women of color contributed to the study.

It's well known that white women have better outcomes all over the board in hospitals, compared to women of color.

What we now know from Unnatural Causes: «When the Bough Breaks» is that the stress hormones in pregnant women of color caused by the stress of daily engagements with racism may contribute to more complicated pregnancies and births, including prematurity and increased mortality and morbidity.

She says that many of the birth stories she has heard, ``... omitted all the excitement, the emotions, the color, the magic [of the birth]... [Women need to] gather to share and write their stories in a creative way and bring magic to an already magical experience no matter where the birth happened or how the baby was born.»

Men and women, old and young, people of every color and culture and creed, not knowing whether additional attacks were coming, out in the dark, out in the smoke, out in the chaos, comforting the families of the missing, donating blood, assisting and providing relief to our valiant police, firefighters and rescue workers.

Her warm - up act included several female firsts: State Senator Andrea Stewart - Cousins, the first female legislative conference leader in the New York State, Assemblywoman Deborah Glick, the legislature's first openly lesbian member, and Public Advocate Letitia James, the first woman of color to hold citywide office in New York City, as well as city first lady Chirlane McCray and former congresswoman Gabby Giffords, who is now one of the country's best - known advocates for gun control.

And University of Arizona researchers recently reported that postmenopausal women who most closely adhered to the American Cancer Society's Guidelines on Nutrition and Physical Activity for Cancer Prevention, which include eating at least 2 1/2 cups of fruits and vegetables a day (no matter what kind or color), had a 22 % lower risk of breast cancer than those who complied the least.

I know legions of women that will not let a bite of inorganic food touch their lips, yet they still receive traditional, chemical - laden hair coloring treatments on a regular basis.

The color scheme is a long - standing and well - known tradition that sparked fires of controversy recently when a female professor took exception to the implied insult to women.

It's no doubt that 2017 raised the bar for what it means to be truly inclusive and accommodate women of color, and black women in particular.

«I learned very early as a person of color and as a woman — and, frankly, as a petite woman of color — that if you want to be taken seriously, you really have to know your stuff.»

Did you know: in a research study, men were asked to rate photographs of women in different colors and women in red were consistently rated more attractive?

But I know that some women shy away from bright colors, they prefer neutrals and lovely combinations of earthy tones.

One of the chicest women I know almost always has on a white shirt as you pictured, colored jeans turned up at the bottom, and a gorgeous piece of jewelry she's made.

Mustard is one of the colors that always gets attention and many women are afraid to wear it, as they don't know how to style it right and what color clothes can work with it.

Unlike many women of color before her, Mindy actually wakes up as a the blonde - haired, blue - eyed Michael Lancaster (Ryan Hansen) and knows who writer - director Whit Stillman is.

Hi I'm on here looking for a serious relationship I'm ready to get out and be in love stuff about me I love panda bears I love Chinese food is my favorite I love neon colors and cotton candy colors my favorite kind of dog is the Siberian Husky I have always wanted one I love love love a guy who knows how to spoil his woman.

Like Patty Jenkins» Wonder Woman, Coogler's comic book movie will no doubt inspire the under - represented with its powerful depiction of a person of color who is not only a superhero, but also a leader who preaches empathy, understanding, and sincerity over cynicism and hatred.

I support change, I support 50/50 in 2020, which just means, you know, people that are underrepresented — women and people of color, people in the L.G.B.T. community — get leadership positions, that they fill all positions that they've been deprived of.

Felix van Groeningen — Beautiful Boy Dexter Fletcher — Bohemian Rhapsody Joel Edgerton — Boy Erased Jon M. Chu — Crazy Rich Asians Asghar Farhadi — Everybody Knows Julia Hart — Fast Color Yorgos Lanthimos — The Favourite Jason Reitman — The Front Runner Sebastián Lelio — Gloria Ari Aster — Hereditary Kim Nyugen — The Hummingbird Project Barry Jenkins — If Beale Street Could Talk Wes Anderson — Isle of Dogs Justin Kelly — JT Leroy Thomas Vinterberg — Kursk Debra Granik — Leave No Trace Paolo Sorrentino — Loro Terry Gilliam — The Man Who Killed Don Quixote Rob Marshall — Mary Poppins Returns Jonah Hill — Mid 90s Jennifer Kent — The Nightingale David Lowery — Old Man and the Gun Mimi Leder — On the Basis of Sex David Mackenzie — Outlaw King Alfonso Cuaron — Roma Jacques Audiard — The Sisters Brothers Bradley Cooper — A Star is Born László Nemes — Sunset Luca Guadagnino — Suspiria Jason Reitman — Tully David Robert Mitchell — Under the Silver Lake Benh Zeitlin — Wendy Richard Linklater — Where'd You Go, Bernadette Steve McQueen — Widows Paul Dano — Wildlife Susanna White — Woman Walks Ahead Robert Zemeckis — The Women of Marwen Lynne Ramsay — You Were Never Really Here Pippa Bianco — Untitled Pippa Bianco aka Share

3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)

... * Ed Lachman colors of Manhattan streets, 1977 — Wonderstruck... * On Molly Bloom not being Irish: preposterous dialog between Molly (Jessica Chastain) and Downey (Chris O'Dowd), Molly's Game... * Dunkirk: pale hand of a man drowning on boat... * «They're no longer persons, only body parts» — In the Fade... * Thelma: the baby under the divan... * The opening of Wind River: young Native American woman running barefoot against moon glaze on snow... * Mother and non-reincarnated deer, Three Billboards Outside Ebbing, Missouri... * In Film Stars Don't Die in Liverpool, father (Kenneth Cranham) remembering Gloria Grahame from In a Lonely Place: «Gorgeous mouth.

Hollywood has only grown more dependent on these big blockbusters, which are rarely ever directed by women and people of color, in part because studios keep rewarding filmmakers — like Singer — known for erratic workplace behavior or worse.

Even more, we know that students of color are most likely to be taught by white women, so larger systemic shifts are necessary to ensure that hiring managers recognize and counteract institutional biases that prioritize creating formal and functional opportunities for women of color to drive change.

For all that schools continue expanding Euro - awareness of the value of indigenous culture and the culture of people of color; for the cultural expansion towards equitable roles between women and men; for the upsurging awareness of the equal rights of GBLTQQ folks; we're missing a key element in these conversations, and that's the cultural shoehorn known as children and youth.

Knowing that there are people out there who are going to not only sneer at anything I write just because I'm female (and prone to writing heroines of color, women in positions of power, and queer people), but who will actively work to shout down anything I and authors like me try to do.

Bellwether Prize Winner Hillary Jordan's provocative new novel is the fiercely imagined story of a woman struggling to navigate an America of a not - too - distant future, where the line between church and state has been eradicated and convicted felons are no longer imprisoned and rehabilitated but chromed - their skin color is genetically altered to match the class of their crime - and then released back into the population to survive as best they can.

Christina Quarles» slick acrylic on canvas, And When the Clouds Clear, We Will Know the Color of the Sky (2016), depicts a flaccid woman «starfishing,» but not as a lingerie garnering femme fatale, sexually defined to be iTouched, but as a splayed fluid body, stressed by the specific gravity of the piece, like a floating wet noodle.

Alfred Lombard was a famous French artist widely known for his paintings where he often depicted nude women in brilliant arrangements of colors.

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

From 1950 to 1955, he produced his well - known Women series, «integrating the human form with the aggressive paint application, bold colors, and sweeping strokes of Abstract Expressionism.

CV: Your activity of late, I would say in the late seven to eight years, I'm just being very general, you've pretty much picked a path in which you started looking at the work of artists of color and I know that in your travels you started seeing work by women and I'm wondering what they've been saying about the cannon.

This shift reflects a new emphasis on correcting the blind spots and biases of the past; the purported universality of the white male artist's perspective is no longer a given, but is now seen as a form of oppressive hegemony, obscuring the contributions and innovations of women, people of color, and artists working outside Western art - world centers.

«[Paglia] speaks as if she, a white woman, knew what was best for me, a woman of color she's never met....

Three of the nominees are women, two are people of color, and two (Anderson and Himid) are known primarily for painting — a medium historically disadvantaged in the Turner Prize competition.

The artist is best known for her luscious portraits of black women posed amongst luxurious floral patterns and printed fabrics, all rendered in vividly colored rhinestones and paint on panel.

She is best known for graceful elongated figures of pensive rural women, with each canvas in a single dominant color.

Báez, born in the Dominican Republic in 1981, is known for large - scale, intricate work that explores her interest in anthropology, diasporic identity, and how women of color navigate selfhood.

From exhibitions of renowned and trailblazing artists such as Georgia O'Keeffe and Marilyn Minter, to a breakthrough survey of lesser - known artist Beverly Buchanan; from a long - overdue account of the centrality of women of color in second - wave feminism, to exhibitions with contemporary artists contemplating a future of equality, A Year of Yes pushes back against conventional barriers while expanding the canon.

He is best - known is for his distinct portraits of sophisticated, irresistible women, masterfully painted using precise, broad areas of color.

She is perhaps best known for unflinching paintings of nude women or couples in colors that range from naturalistic to wild and electric, but she has also painted herself for decades.

Known for painting mostly anonymous black men and women within the tradition of decadent European portraiture — glimmering colors, intricate patterning, and gilded details — Wiley shifts gears slightly with this major show.