Sentences with phrase «known as an art critic»

He is better known as an art critic and co-founder of Artforum.

Not exact matches

Its attackers have mainly been the I - was - in - Nam - so - I - know school who, not being film critics, have ignored any considerations as piffling as those of art.

Joyce Kulhawik Joyce Kulhawik is best known as the Emmy award - winning arts and entertainment critic for CBS - BOSTON (WBZ - TV 1981 - 2008).

Some of you might already know, but for those who don't, Fumita Ueda is the man behind «Ico» and «Shadow of the Colossus», two games hailed by both fans and critics alike as being two of the best examples on the pro-side of the «Games as Art» debate; the third game in the series, «The Last Guardian», is already being anticipated to be of equal quality.

Known for expansive grid panoramas and painted installations, Bartlett's art was aptly described by New York Times critic John Russell as enlarging «our notion of time, memory, and of change, and of painting itself.»

On the occasion of the only full - scale retrospective Porter's work has been given - the exhibition called Fairfield Porter (1907 - 1975): Realist Painter in an Age of Abstraction, which Kenworth Moffett organized at the Museum of Fine Arts in Bostonin1983 - I wrote that «For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition....

He flourished as a critic in New York from the 1940s to 1960s, but even today, decades after his best - known work and 17 years after his death, he is a totemic and constantly invoked voice on modern art.

Fairfield Porter reared in Winnetka, educated at Harvard, art developed in New York City.F.Porter although known as a conservative carries weight as a critic.

He is best known for his paintings and drawings of the desert, and is recognized by art critic Donald Kuspit as «one of the most significant contemporary landscape artists.»

Frankenthaler, Louis and Noland formed the core of a group known as the colour field painters, though the critic Clement Greenberg preferred one of his own clunking coinages, «post-painterly abstractionists», meaning that after the «painterly» surfaces of the abstract expressionists, the purely colour - based paintings of Noland and the others marked out a different and more advanced stage of art's march to absolute abstraction.

He was a Los Angeles based artist known strictly in the West Coast art circles as one of, or perhaps the pioneer (unbeknownst to most) of what some critics called «Hard Edge Abstraction.»

For the first time, these early examples are shown alongside Donaldson's later, lesser known works from the 80s, 90s, and early 2000s demonstrate the artist's lifelong commitment of using the politics of representation to make, as he often said, «art for the people, not for critics.»

In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.

CV: Peter, your influence as a world class, world renowned art historian, art critic as art writer spans over sixty years and so in terms of re-historicizing abstract expressionism I know that you have been around... Read more»

No, not the kind who imagine the art world as a handful of dealers, critics, collectors, and celebrity artists out to screw serious painters like them.

His second feature film JUNK was praised by critic Amy Taubin as «everything indie film no longer is» having its premiere at the New York Underground and as well as screening at the Museum of Modern Art, Chicago Underground Film Festival, Asian American International Film Festival and Exground Filmfest in Wiesbaden.

Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replied no.

Described by the renowned art critic Li Xianting as «the epitome of the Chinese contemporary artist», Zhang is known for his lyricism as well as highly liberal refinement, reconstruction, fusion and renewal of the stereotypical depictions of history and reality, culture and society, collective and private memories.

His art was championed by important curators, critics, and art dealers like Dick Bellamy and André Emmerich, and he immediately joined the ranks of other well - known Color Field painters like Kenneth Noland, Jules Olitski and Larry Poons as his work was placed in major museums.

Peter Plagens is best known to the general public for his work as Senior Writer and staff art critic at Newsweek (1989 — 2003), for which he continues to write occasional art criticism as Contributing Editor.

In the 1960s however, Fried was, along with his mentor Clement Greenberg, perhaps the most insightful critic of contemporary art in the United States, and certainly the strongest advocate for what was then known as «modernist» painting and sculpture, as epitomized in the work of Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella and English sculptor Anthony Caro among others.

«Return to Graceland: Works From the»80s and»90s,» through January 20, 2018 There was a time when Howard Halle was best known as the Time Out New York art critic.

Clement Greenberg (/ ˈɡriːnbɜːrɡ /), [1] occasionally writing under the pseudonym K. Hardesh (January 16, 1909 — May 7, 1994), was an American essayist known mainly as an influential visual art critic closely associated with American Modern art of the mid-20th century.

In the late 1950s / early 1960s, a purely abstract form of Colour Field painting appeared in works by Helen Frankenthaler and others, while in 1964, the famous art critic Clement Greenberg helped to introduce a further stylistic development known as «Post-Painterly Abstraction».

All present seemed to agree that life is more interesting when it includes your critics, and that art is more interesting when you get to know the artist, as it enriches your understanding of the work, even if you think that the work is hateful.

Making the top twelve list of top art world events taking place in early February, the exhibition, «deftly organized by art critic and curator Gregory Volk,» is higlighted as an opportunity to view the artist's lesser - known photography - based works, including «her recent still lifes, which poetically combine distinctive objects and images culled from her vast archive.»

Perhaps best known for his tenure as Newsweek's art critic from 1989 to 2003, Plagens (pronounced play - gens, with a hard g) is the author of a seminal book on West Coast art and another on the multimedia artist Bruce Nauman.

«He is delving as deep as he ever has into privacy, copyright, and appropriation, twisting images so that they actually seem to undergo some sort of sick psychic - artistic transubstantiation where they no longer belong to the original makers,» art critic Jerry Saltz explained to Vulture when New Portraits was first shown in the fall of 2o14.

In addition to his work in painting and drawing, Richard Kalina is a well - known art critic, serving as a Contributing Editor at Art in America and regularly publishing articles in that magazine and otheart critic, serving as a Contributing Editor at Art in America and regularly publishing articles in that magazine and otheArt in America and regularly publishing articles in that magazine and others.

Lately, as an art critic it has, at times, seemed hard to know who you are writing for, hard to visualize the audience that is, you hope, engaged by your writing.

The Thomas McEvilley best known to the world was active as a publishing art critic chiefly between 1980 - 2000.

Despite the fact that his art remains in huge demand across the world, he continues to be better known as an outspoken critic of the Chinese authorities, especially following his illegal detention in 2011 and a subsequent, much - publicised tax case.

Described by New York Times art critic Holland Cotter as «a classic artist's artist and one of our few important practicing history painters» Saul is best known for his paintings depicting exaggerated, provocative images of pop culture ranging from well - known art references to political icons.

Harold Rosenberg, American art critic known for championing the work of such painters as Jackson Pollock.

Le Va has long been admired by critics and art historians (he was included in MoMA's seminal 1970 group show «Information,» and the ICA Philadelphia gave him a retrospective in 2005), but he's still not nearly as well - known as his contemporaries Donald Judd and Richard Serra.

Friend and art critic Harry Bouras (also known as «Hairy Who?»)

This Peabody Award - winning weekday magazine of contemporary arts and issues hosted by Terry Gross gives interviews as much time as needed, and complements them with comments from well - known critics, commentators and more.

-- LA Weekly «a gorgeous retrospective» — Los Angeles Times Critic's Pick — Artforum Widely known as a performance artist, Faith Wilding was a key figure in the formation of the first Feminist Art Program in Fresno, CA in 1970 and at California Institute of the Arts in 1971.

Phong Bui: So far we know about your career as an art historian / critic, as you began in your memoir, Sweeper - Up after Artists, from the time you were a graduate student in American History at Columbia University in the early 1950s, which proceeded right after having gone to school in the same field of study at Temple University and the University of Pennsylvania.

Much of this art will be surprising even to scholars and critics of the period, and should elicit reappraisals of some of the lesser - known painters in this exhibition, as well as of the artists more often associated with other mediums and practices.

When in 1946 New Yorker critic Robert Coates identified an expressive, gestural and subjective approach towards abstract painting in American art, he inadvertently gave the name to a style popularly known as «Abstract Expressionism.»

In 1968, Ron Clark, at the age of 25, established in conjunction with the Whitney Museum of American Art an independent study program (known as the ISP or sometimes the Whitney ISP), which helped start the careers of artists, critics, and curators including Jenny Holzer, Andrea Fraser, Julian Schnabel, Kathryn Bigelow, Roberta Smith, and Félix González - Torres, as well as many other well - known and influential cultural producers.

A French term meaning «formless art», which was invented by the critic Michel Tapie in his 1952 book «An Autre Art», when referring to the European equivalent of the American style of painting known as Abstract Expressioniart», which was invented by the critic Michel Tapie in his 1952 book «An Autre Art», when referring to the European equivalent of the American style of painting known as Abstract ExpressioniArt», when referring to the European equivalent of the American style of painting known as Abstract Expressionism.

Founded by the renowned art critic, dealer and collector Clara Diament Sujo, and initially known as Estudio Actual, the gallery opened its doors in Caracas in 1968 with the first posthumous exhibition of the work of Marcel Duchamp.

Rated by some art critics as one of the greatest 20th century sculptors of the postmodernist era, the American Minimalist artist Richard Serra is best known for his large scale sheet metal works of public art.

The speakers» list included Lucy Lippard and Linda Nochlin and a panel of international art historians, artists, critics, and curators — as well as two founding members of the Guerrilla Girls (known by their aliases Frida Kahlo and Kathe Kollwitz).

Only those «who know nothing about the grave difficulties of art,» wrote art critic Christian Zervos shortly after Bonnard's death, could admire pictures as... read more... «Bonnard: One tough son - of - a-bitch?»