Sentences with phrase «known classical paintings»

Artist Eisen Bernardo combines well - known classical paintings with album covers for his collection of «mashups».

Not exact matches

About me: If Ya want to know... True loves are Painting, art, Photography, Classical music, the piano.

The area produces traditional musical instrument, silver, clothes, and also well known with the classical wayang painting of Kamasan which has rich full meaning of religion art.

Working in Paris, Feitelson no doubt was aware that Picasso had already moved in this classical direction, creating beautifully outlined figures inspired by classical sculpture and Renaissance painting.

One of the most significant young artists today, Kehinde Wiley (American, b. 1977) is known for his vibrant, large - scale paintings of black urban men rendered in the self - confident, empowered poses typical of classical European portrait painting.

No longer setting a stage for a dystopian lifestyle borne by the delusions and failures of the Soviet system, the paintings on view are referencing Soviet visual representation and its history by juxtaposing, in fragments, hypothetical subjects from Soviet life and classical or baroque mythology.

It may seem like an unusual choice for a sculptor known for working with classical materials, but in Atchugarry's hands, the vibrant paint adds bold energy to a modern aesthetic.

As in classical Chinese painting, the perspective of the café is suspended, and the viewer can no longer determine where the floor ends and the wall begins.

Judith Raphael who is known for her paintings of girls in the poses of classical mythology is here presenting the iconic image «Pandora / Caught Red - handed», of a young girl wielding an open red box surrounded by war planes.

Her figurative paintings use traditional art - historical genres (the still life, the formal portrait, depictions of classical statuary) to explore people and objects that no longer have the fixed representational or symbolic status that allowed those genres to operate.

Kehinde Wiley is known for his naturalistic paintings of contemporary urban men adopting heroic poses that directly reference classical portraiture.

Best known for his semi-abstract paintings of universal symbols that emphasize the contrast and synthesis between «classical» and «modern» beauty, Torres - García defies easy categorization.

Although focused on classical drawing and painting, she soon began dabbling in more abstracted works, clearly influenced by the likes of Willem de Kooning, Egon Schiele and Robert Rauschenberg whom she came to know briefly in his later years.

Museum of Western and Oriental Art, Kiev Also known as the Bogdan and Varvara Khanenko Museum of Art, and formerly ranked the third most important museum in the Soviet Union after the Hermitage in St Petersburg and the Pushkin Museum of Fine Arts in Moscow, the museum's permanent collection (begun 1919) includes Egyptian and Classical antiquities, Byzantine art and icons, Italian Maiolica pottery, Meissen porcelain, Persian Ceramics and Bronze sculpture, Chinese paintings and Chinese pottery, as well as European paintings, sculptures, and etchings.

One of the most significant young artists today, Kehinde Wiley is known for vibrant, large - scale paintings of young urban men, rendered in the self - confident, empowered poses typical of classical European portrait painting.

He is most well known for his large paintings populated with scribbled marks, calligraphic or graffiti - like words, letters, numbers, and references to Classical culture.

Foreword by James Rosenquist vii Preface by Ira Goldberg viii Acknowledgments x Introduction: Miracle on 57th Street 1 Part 1: Lessons and Demos 15 Henry Finkelstein: On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 286

A total of 150 works by some 80 artists will be shown, from classical paintings of the forties through Andy Warhol to contemporary renowned and as well yet less known protagonists of young international art.

Known for large - scale, energetic oil and enamel paintings, Martinez's work in Salmon Eye synthesizes classical formal composition with a speed bordering on stream of consciousness.

Best known for his monumental black - painted steel sculptures composed of complex arrangements and combinations of classical geometric forms, Tony Smith would often make smaller bronze versions of his large - scale outdoor sculptures.

Mostly posted between the 1960s and the 1980s, the postcards represent landscapes that somehow allude to well - known paintings in their classical composition.

Drawing inspiration from classical painting London - based artist is known for his unique blend of serene, realistic elements along with expressive brushstrokes and the raw energy of abstraction.

The finished paintings depict the West, North and East sides of the green and focus on a number of well — known modern and classical buildings, which are interwoven with the beautiful flowers, trees and ponds of the gardens.

Best known as the creator of The Lady of Shalott, one of England's great masterpieces of Romanticism, John William Waterhouse started painting in a manner close to Lawrence Alma - Tadema (1836 - 1912) and Frederic Leighton (1830 - 96), depicting classical and historical scenes, but then turned to the depiction of literary themes executed in a dreamy, romantic manner.

Known for his ability to recall classical painting, both through technical mastery and subject matter, Borremans's depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer.