Following this idea of a responsive archive, Koh has chosen to profile one of the lesser
known early artists from Singapore's art history, Shui Tit Sing (1914 — 1997), who commenced his artistic training in 1935, the same year the Gillman Barracks were erected.
Not exact matches
I had seen a number of his
earlier films at Paris Cinematheque and was very curious to get to
know a real - live Soviet
artist.
Like the ancient apocalyptic seer, the modern
artist has unveiled a world of darkness, but whereas
earlier seers could
know a darkness penetrated by a new æon of light, the contemporary
artist has seen light itself as darkness, and embodied in his work an all - embracing vacuity dissolving every previous form of life and light.
We do
know that the
artists were among the
earliest inhabitants of southern Africa, the ancestors of the modern - day «San» peoples.
Despite the public
knowing of Jack's
earlier crime, they are clearly able to look beyond it and take the man as an
artist devoid of circumstance.
Whatever position one takes on his worth as an
artist, one thing is for sure: Fincher has come a long way since the
early days of his career, when he was
known simply as yet another television - commercial and music - video wunderkind (along with, say, Spike Jonze, Mark Pellington, Michel Gondry, and others) taking some bold stabs at feature - film directing.
Argo — Telluride,
early September, 2012 The
Artist — Cannes, May, 2011 The King's Speech — Toronto, September, 2010 The Hurt Locker — the previous year, Toronto Film Fest Slumdog Millionaire — Telluride, Toronto, September 2008
No Country for Old Men — Cannes, May, 2007 The Departed — October, 2006 Crash — May, 2005 Million Dollar Baby, December, 2004
The editor tells the story of Mrs Jo Jo, recently resurrected and now competing again / Dexter Brown also
known as de Bruyne — Tony Clark traces the career of this renowned
artist and evaluates his distinctive style, illustrated with examples of his work / de Bruyne Painting — One of the
earlier, large De Bryune paintings depicting a scene from the 1908 French Grand Prix / Granville Bradshaw — Michael Worthington - Williams considers a new biography of this prolific and talented, but flawed, designer / The Genius of Fangio — Simon Moore talks to Michel Poberejsky about Juan Manuel Fangio and the 1957 Monaco Grand Prix
In addition to deep archival research into the lives of her
artist subjects, she spent more than a year interviewing former patients at a rehabilitation facility
known as Seneca House, which was established in the
early 1970s near the Potomac River in Maryland.
What gets me, is that in The Grand Illusion, not only do the irrational assume that the editors and
artists etc of the large companies are all those ugly, awful things I listed
earlier, but the smaller players are
no better.
Our years of professional experience, working with every part in that process (designers, editors,
artists, co-authors, actors, musicians, web developers etc.), mean that we
know how to get your project done right and done on time (often
early).
Radisson Blu is further growing the European portfolio — recent highlights include the very first Radisson Blu hotel in Madrid, and flagship of the year 2010 will be the Radisson Royal Hotel Moscow which is scheduled to open in May: Also
known as «Hotel Ukraina» the building is part of Stalin's legendary Soviet skyscrapers «Seven Sisters» and will offer 506 luxurious rooms and suites as well as 38 apartments, world class restaurants including dinner river cruise boats, and a unique art collection featuring 1,200 original paintings by leading Russian
artists of the
early XX.
In this behind the scenes look at the game, the audience will learn how Concept
Artists and Environment
Artists work hand in hand to create the places your heroes explore in search of action and glory, with the opportunity to see some of the
earliest visions of the worlds you've come to
know.
The SCPs in the
earlier «teaser posts» aren't the only new thing coming up: Astray488 (the
artist formerly
known as Mirocaine) has been sending me some other cool stuff as well...
Gilbert had been pretty quiet in recent years working on the odd game or two, but in 2014 he announced he was re-uniting with the graphics
artist from his
early games, Gary Winnick, in a Kickstarter for his new project called Thimbleweed Park and although I
knew it would be a while until it was released, I couldn't wait for it.
«Watteau's Soldiers: Scenes of Military Life in Eighteenth - Century France,» now on view at the Frick Collection, presents twenty or so works created around the War of the Spanish Succession, an
early subject for an
artist far better
known for his fêtes galantes, those rich scenes of courtship and masquerade that catalogue an entire Baroque iconography.
In the
early 1960s, while much of America and Europe was fascinated with the new wave of Pop
Artists, Southern California quietly gave rise to a very different aesthetic revolution
known as the Light and Space movement.
Having witnessed the phenomenal rise of young British
artists in the
early 1990s, he contacted those he
knew and admired and invited them to make a work for his mail art project, Imprint 93.
During the
early 1950s, Richard Diebenkorn was
known as an abstract expressionist, and his gestural abstractions were close to the New York School in sensibility but firmly based in the San Francisco abstract expressionist sensibility; a place where Clyfford Still has a considerable influence on younger
artists by virtue of his teaching at the San Francisco Art Institute.
Although
known for his
early championing of the Abstract Expressionists, he befriended a younger generation of
artists that reacted against the rhetoric of gestural abstraction, the leading style of Tenth Street.
During the
early years, the focus of the gallery was upon mid-career and emerging
artists and the gallery is
known for having introduced some of the most influential contemporary
artists to Brussels at a time when they were still relatively unknown.
Most of these are more intimately scaled than the
early monumental «Fuck» paintings, 1969 — , for which the
artist is perhaps best
known, doing away with some of the optic strangeness of those works and replacing it with something similar to, but not quite like, eroticism.
Understood in their broadest definition, the drawings and photographs assembled here include a wide range of material, among which are an 1864 photograph of the forest of Fontainebleau by the little -
known French photographer Constant Alexandre Famin; a pastel completed
earlier this year by Jasper Johns; a 3 x 5 inch Cezanne figure drawing; a new 6 1/2 x 10 foot landscape drawing by Ugo Rondinone; a digitally - manipulated photograph of the musician Björk by Inez van Lamsweerde; a small piece by an outsider
artist known as the «Philadelphia Wireman,» who carefully bound his drawings up with bits of wire so they are barely visible; a recent charcoal on canvas by Gary Hume; and a 1949 sketchbook by Tony Smith.
Today, the majority of these
artists are best
known for the large - scale, daring abstractions they created in the 1950s and 1960s, but the careers of each painter featured in the exhibition began to take off in the 1930s and
early 1940s, when surrealism still held a central place among the avant - garde.
However, through her work with a group of women
artists known as «The Five», af Klint created experimental «automatic drawings» as
early as 1896, inspiring her to turn to abstraction.
Artist Inka Essenhigh spent the
early years of her career thinking that her fluid, feminine paintings were a
no -
no.
«I
know our esteemed panel of advisors will select an inaugural recipient who is deserving of increased recognition and for whom the award, exhibition, and publication will be transformative — whether they be an
early -, mid -, or late - career
artist.»
Curator Leah Dickerman should be applauded for guiding the viewers towards so many lesser -
known artists and skillfully demonstrating that beyond the super stars of
early Modernism (Moholy - Nagy, Kandinsky, Larionov, Delauney, Malevich, Kupka, Hartley, Leger, Mondrian, Picasso, van Doesburg, etc.) stood many others who defined, developed and promoted the innovations of the first decades of the 20th century.
Phillips, an
artist best
known for his evocative large - format portraits of people at society's fringe, found himself necessarily responsive to those queries warranted by Schutz's painting
earlier this year.
Another
artist that I mentioned
earlier, Nancy Prophet, there are only about a dozen
known works of hers so it's very exciting to find a piece of hers in a private collection and bring it to auction.
John Yau offers a tribute to the late painter Michael Mazur, whose
early paintings of apes in a zoo were recently exhibited in New York: «This is the kind of challenge that most
artists,
no matter what the medium, avoid: to confront and stroke difficult subject matter, to be open and sympathetic without trivializing or becoming sentimental.»
This is an
early landmark painting by the British
artist known for his painterly Pop realism.
For his large retrospective exhibition held
earlier this year as the
artist turned fifty, he chose to title the exhibition I Don't
Know the Mandate of Heaven.
Although, you never
know: if you look back at Dorothy Miller's shows, the
artists she put in her exhibitions in the late»40s and
early»50s included most, if not all, of the great Abstract Expressionists.
«Then, Stettheimer was still
known only to insiders,» said Mr. Deitch, who used cellophane curtains and gilded white furniture to evoke the
artist's
early - 20th - century salon, and juxtaposed Stettheimer's frothy paintings of her illustrious friends with works by Elizabeth Peyton, Jeff Koons and Jane Kaplowitz.
American
artist Alex Katz is primarily
known for his portraiture that synthesizes a kind of color field abstraction with realism; however, nature is a subject the
artist has depicted consistently since the
early 1950s.
While the exhibition features all the major pillars of
early abstraction, with a loud omission of Georges Braque, the true treasure of this survey are the lesser -
known artists.
Know for excellent
artists early highlighting Feminism movement — These are current ceramic works by Ann Agee that are inspired by Italian folk pottery and are all unique pieces called Hand Warmers and have a hole in the back to reference their historical precedent.
Alan Cristea Gallery will present
early prints by Anni Albers (b. 1899, d. 1994), one of the best -
known textile
artists of the 20th century.
In the 1980s, a decade when
artists commonly appropriated styles or imagery from
earlier art historical periods, Mark Innerst became
known for beautifully crafted natural and urban landscape paintings that gave new life to the American tradition of the romantic sublime.
While the Japanese
artist is best
known for orchestrating digital LED counters into richly varied arrangements — strewn across the floor, installed in geometric patterns on walls, even placed on little robotic cars — the works in his recent installation «Totality of Life» span a wider range of media and incorporate a certain humanist dimension that his
earlier installations lacked.
Galerie Perrotin began representing two of its most well -
known artists, Maurizio Cattelan and Takashi Murakami, very
early on in their careers.In 1993, Perrotin brought the works of Maurizio Cattelan — still relatively unknown at that time — to the Yokohoma contemporary art fair, NiCAF.
Topics include his
early childhood; his nomadic adventures to places such as Cuba, California, New York, and Florida; his involvement in various galleries with other
artists; his work lobbying for
artist rights in Washington, D.C.; and details about some of his most best -
known works.
IN 1961,
early in his career, the Pop
artist Claes Oldenburg wrote a manifesto: «I am for an art that grows up not
knowing it is art at all.
At the gallery's 293 Tenth Avenue location, «Robert Motherwell:
Early Paintings» examines the lesser -
known, experimental abstractions of the
artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothko.3
Although Don Nice is best
known for his depictions of contemporary American culture such as candies, soda bottles and branded sneakers, the
early watercolor and oil paintings in this exhibition stem from the
artist's upbringing on an open range and his love of nature.
Announced
earlier this fall, the open call for B Hotel drew over 500 submissions, from both well -
known and emerging
artists from more than 15 countries.
Artists of
earlier generations sought a signature style and produced exhibitions of very similar paintings, and old - school galleries and collectors
no doubt still favour this kind of «branding.»
So while Caterpillars on a Leaf (c. 1952) represents (in a charming semi-figurative style of hatched black on yellow) the curling form of the creatures, by the
early 1960s the
artist was
no longer focusing on the world of appearances, jettisoning still - lifes and interiors for paintings of pure feeling.
Name: Thelma Golden Affiliation: The Studio Museum in Harlem (Director and Chief Curator)
Known For: Championing
early career
artists.