Sentences with phrase «known early painting»

The exhibition reveals Martin's lesser - known early paintings and her experimental work then, including The Garden (1958).

Not exact matches

Volume XVI, Number 2 Science and the Humanities; The Great Rift in Modern Consciousness — Douglas Sloan What Stands Behind a Waldorf School — David Mitchell On Earth as It Is in Heaven: The Task of the College of Teachers — Roberto Trostli The Plight of Early Childhood Education in the U.S. — Joan Almon The Art of Knowing — Jonathan Code Painting from a Palette Entirely Different — Johannes Kiersch Authenticity in Education — Elan: Leibner Soul Breathing Exercises — Dennis Klocek

These objects are painting vivid pictures of life at the site now known as the Bathonea excavations, from the earliest days of the Lower Paleolithic era to the bustle of a busy trading port during the Byzantine Empire.

Many of their painted designs were stylized birds, deer, snakes, goats and ceremonial designs in story - form pictographs — illustrations Tankersley describes as the earliest known form of writing.

Dadiwan, which was first settled about 8000 years ago and produced China's earliest known painted pottery, was excavated in the 1970s and again in 2006.

At Saqqara, there were early reports of extensive damage to the tomb of Maya, the wet nurse of King Tut, which is well - known for its elaborate paintings.

While many contend that the earliest cognitive deficits are caused by damage to the striatum — a structure deep in the brain known to be severely affected in HD — recent evidence suggests that this claim may paint an incomplete picture of the widespread changes occurring in the brains of HD patients during the very early stages of the disease.

You know I just love that combination of paint and stained wood (I gave my little country end tables got that treatment earlier this year) and this desk is the perfect (beautiful) example of that combination!

The early years of Wolseley — How the company developed up to the First World War by Norman Painting / Homage to a Morris 8 — D.H. Smith relates his memories of a 1937 Morris 8 named «Cleopatra» / Amilcar anniversary — Brian Heath visited the Auvergne in company with other Amilcar enthusiasts on the occasion of the car's 75th anniversary / The Citroen 2CV phenomenon — The story of this unconventional classic is told by Chris Bowes / Honeymoon trip in a Riley — Malcolm Bates tells us about a young couple's trip to remember in a 1929/30 Riley Monaco / Memories of Woolf Barnato and W.O. Bentley — Rivers Fletcher relates his personal reminiscences of Woolf Barnato and W.O. Bentley in the 1920s and 30s / 1933 Alvis Speed Twenty — This month The Editor gives us his impressions of this traditional — but tecnically advanced — British sporting car / Sunbeam Talbot Darracq rally — A report on the STD register's national rally by Nick Baldwin / Vulcan history part two — Michael Worthington - Williams continues his article on this comparitively little known manufacturer.

The editor tells the story of Mrs Jo Jo, recently resurrected and now competing again / Dexter Brown also known as de Bruyne — Tony Clark traces the career of this renowned artist and evaluates his distinctive style, illustrated with examples of his work / de Bruyne Painting — One of the earlier, large De Bryune paintings depicting a scene from the 1908 French Grand Prix / Granville Bradshaw — Michael Worthington - Williams considers a new biography of this prolific and talented, but flawed, designer / The Genius of Fangio — Simon Moore talks to Michel Poberejsky about Juan Manuel Fangio and the 1957 Monaco Grand Prix

From early reviewers who couldn't spell Doyle's name to grand lunches with famous magazine editors alongside Oscar Wilde, Sims knows how to paint a picture that fascinates and delights.

Radisson Blu is further growing the European portfolio — recent highlights include the very first Radisson Blu hotel in Madrid, and flagship of the year 2010 will be the Radisson Royal Hotel Moscow which is scheduled to open in May: Also known as «Hotel Ukraina» the building is part of Stalin's legendary Soviet skyscrapers «Seven Sisters» and will offer 506 luxurious rooms and suites as well as 38 apartments, world class restaurants including dinner river cruise boats, and a unique art collection featuring 1,200 original paintings by leading Russian artists of the early XX.

I just sent one out today and was contacted by two customers that wanted to know about paintings they had seen earlier.

And Big Issue founder and editor - in - chief, Lord John Bird, who showcased his artworks in a special edition of the magazine earlier in 2017 to great acclaim, has also offered one of his iconic paintings, titled «I never knew Walt Disney», a truly unique wrapping paper.

The basic point about Louis's work and that of other Color Field painters, sometimes known as the Washington Color School in contrast to most of the other new approaches of the late 1950s and early 1960s, is that they greatly simplified the idea of what constitutes the look of a finished painting.

Reinhardt is, of course, best known for monochromatic paintings he made between the early 1950s and his death in 1967.

Liat Yossifor gets up very early and paints by natural light, details that gain significance once you know she works on Hollywood Blvd — prone to late night revelry and not known for really anything natural at all.

In the early 1950s, she participated in the vibrant downtown New York art scene; during this time, she began to paint in a style that became known as Abstract Expressionism.

Visitors can explore Xu Beihong's career from early works including a 1918 landscape painting, drawings and paintings created during his studies in Europe, and several of his well - known and loved horse paintings.

And the nine works representing Edward Hopper include the well - known «Early Sunday Morning» but also less familiar works, among them a silken view of an outdoor bistro in Paris (1909), some hardscrabble houses in Italian Quarter of Gloucester, Mass. (1912), and a sun - baked farm near Cape Cod (1930 - 33) rendered so straightforwardly that it might almost be an unusually good painting by Andrew Wyeth.

She is no more representative of her generation than De Keyser is of his, but like him she has been a favorite of fellow painters, most notably, in her case, Mary Heilmann, whose gloss of Greenbaum's early work is worth quoting here, for the sake of its descriptive energy (which matches the nondescriptive energy of the paintings) and the way it highlights how Greenbaum's work has changed: «Joanne seemed to be remembering the atmosphere of a festive female experience of the 60s.

Since the early 1960s, Faith Ringgold has been known for her story quilts, politically charged paintings and prints, and illustrated children's books.

Kline's early paintings are very different from the paintings he became known for.

In a sense, his best known works — the «multiforms» and his other signature paintings — are, in essence, the same expression, albeit one of purer (or less concrete or definable, depending on your interpretation) means, which is that of the same «basic human emotions,» as his earlier surrealistic mythological paintings.

Most of these are more intimately scaled than the early monumental «Fuck» paintings, 1969 — , for which the artist is perhaps best known, doing away with some of the optic strangeness of those works and replacing it with something similar to, but not quite like, eroticism.

I think the thought depends on being at a greater distance from the early 20th century, that while Reinhardt and everyone else could not imagine abstraction (whatever he may have said to the contrary) other than as a struggle to find what an abstract as opposed to a representational painting really might be and do, is no longer the case.

She is known for her vast and vivid improvised painted canvases, which in her early career were inspired by Jackson Pollock.

Artist Inka Essenhigh spent the early years of her career thinking that her fluid, feminine paintings were a no - no.

No doubt my companion appreciated the devotion to art, including two paintings by Lee Krasner alone and early work by Eva Hesse, Mark Rothko, and Louise Nevelson — not yet abstract but already matters of life and death.

Auerbach also uses a bright palette which is in contrast with his earlier paintings, known for their earthy colours.

Phillips, an artist best known for his evocative large - format portraits of people at society's fringe, found himself necessarily responsive to those queries warranted by Schutz's painting earlier this year.

might be the most concise of Frank Stella's well - known early black paintings.

John Yau offers a tribute to the late painter Michael Mazur, whose early paintings of apes in a zoo were recently exhibited in New York: «This is the kind of challenge that most artists, no matter what the medium, avoid: to confront and stroke difficult subject matter, to be open and sympathetic without trivializing or becoming sentimental.»

This is an early landmark painting by the British artist known for his painterly Pop realism.

«Then, Stettheimer was still known only to insiders,» said Mr. Deitch, who used cellophane curtains and gilded white furniture to evoke the artist's early - 20th - century salon, and juxtaposed Stettheimer's frothy paintings of her illustrious friends with works by Elizabeth Peyton, Jeff Koons and Jane Kaplowitz.

In the 1980s, a decade when artists commonly appropriated styles or imagery from earlier art historical periods, Mark Innerst became known for beautifully crafted natural and urban landscape paintings that gave new life to the American tradition of the romantic sublime.

Yet Diebenkorn's earliest paintings and drawings remain little known.

As Lobel states, «While the reference images for most of Lichtenstein's signature Pop paintings are now known, the source for Mr. Bellamy, an important early canvas in the collection of the Modern Art Museum of Fort Worth, has long gone unidentified.»

Painting with complex diversity has some mileage still to explore given that this type of work is both in its relative infancy and very unfashionable.The general downturn in the complex diversity of abstract work, from the 50's to around the early 60's, is a notable historical shift (anyone with relevant sources / references please let me know), granted that some abstract painters have continued to explore complex diversity in their work; Alan Gouk and Gary Wragg being two of the most notable painters.

At the gallery's 293 Tenth Avenue location, «Robert Motherwell: Early Paintings» examines the lesser - known, experimental abstractions of the artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothko.3

Although Don Nice is best known for his depictions of contemporary American culture such as candies, soda bottles and branded sneakers, the early watercolor and oil paintings in this exhibition stem from the artist's upbringing on an open range and his love of nature.

«WOMEN Words» is a clarion call, far more radical and revealing than Tompkins» better known earlier works also on display: her Cunt paintings and Fuck series, enlarged photorealistic depictions of sex in acrylic.

Artists of earlier generations sought a signature style and produced exhibitions of very similar paintings, and old - school galleries and collectors no doubt still favour this kind of «branding.»

So while Caterpillars on a Leaf (c. 1952) represents (in a charming semi-figurative style of hatched black on yellow) the curling form of the creatures, by the early 1960s the artist was no longer focusing on the world of appearances, jettisoning still - lifes and interiors for paintings of pure feeling.

Jananggoo Butcher Cherel - Unearthed, showcases 14 historically significant paintings which, are some of the earliest known works produced by Jananggoo between 1989 to 1992.

«Blue Umbrella # 2» (1972)-- Perhaps Katz's best - known image, painted of his wife Ada beneath an umbrella, this work is an early example of Katz's use of the environment as a setting for the figure.

I knew what I wanted to paint, and my early years of studying art at the Kansas City Art Institute and working as a studio assistant instilled in me an understanding of handling professional art materials.

While Thomas, who is featured in a solo exhibition at the Studio Museum in Harlem this summer, is best known for her geometric compositions of blazing color, her early paintings from the 1950s are rooted in the AbEx style, which unlocked her nimble experiments with hue and form.

Since 2011 Michelle Grabner, who is known for her abstract paintings based on mathematic principles, has been depicting and appropriating domestic textiles to emphasize the fundamental (yet overlooked) relationship between painting and weaving — a motif last seen in her early 1990s work.

Emerging from the experimental Philadelphia art scene in the early 1970s, Warren Rohrer (1927 - 1995) became known for his luminous, meditative paintings that concentrate intensely on subtle shifts of color and the steady repetition of the artist's stroke.