Sentences with phrase «known public gallery»

The Harcourt Street gallery was the first known public gallery of contemporary art in the world.

He is best known for establishing Dublin's Municipal Gallery of Modern Art (the first known public gallery of modern art in the world) and for his contribution to the visual arts in Ireland, including the Lane Bequest.

Not exact matches

Here's something you may not know about court cases: There are often people in the public gallery who are paid to closely watch the members of the jury to see how they react to different witnesses.

«Finch is known for his poetic installations that recreate the ephemeral qualities of light and color in media as varied as watercolor, glass plates and ice cream cones,» said Jo - Ann Conklin, director of the Bell Gallery at Brown and a member of the Public Art Committee.

You only have to look at The Gallery at Sketch to know that rose, dusty rose, pink or whatever shade of it you use is popular amongst the general public.

Any person who really needs to hook up will take a step and go beyond what is commonly known as the general public area and venture into the paid up member galleries.

IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend, WI

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

Known as Visitor Experience Representatives (VERs), these students activate and enhance the experience at all of the Hammer's public spaces, including entrances, galleries, and program venues.

For her solo show at IMT Gallery in East London, Newcastle - based artist Paola Ciarska's minute paintings showcase the personal, domestic spaces of people she knows; this paradox of their display in a public gallery space is engaging, aesthetically beautiful and frequently aGallery in East London, Newcastle - based artist Paola Ciarska's minute paintings showcase the personal, domestic spaces of people she knows; this paradox of their display in a public gallery space is engaging, aesthetically beautiful and frequently agallery space is engaging, aesthetically beautiful and frequently amusing.

2002 Art Basel Miami Beach, Bernice Steinbaum Gallery, Miami, FL Miami Currents, Miami Art Museum, Miami, FL No Show, Fredric Snitzer Gallery, Miami, FL Parallel Zone, Buick Building (Dacra, Miami Design District), Miami, FL That Place, Mia Gallery, Miami - Dade Aviation Department Division of Fine Art & Cultural Affairs, Miami, FL Effexor 75, Kevin Bruk Gallery, Miami, FL The Cuban Poster Project, The Advertising Club, New York, NY The Miami Alphabet, A-Z, Miami - Dade Public Library, Miami, FL That Place, More and Buick Buildings, Miami Design District, Miami, FL Florida Landscape / Escape, Miami - Dade Public Library, Miami, FL

It was known as the Art Gallery of the Carnegie Public Library in 1901 and then as the Fort Worth Museum of Art in 1910, the Fort Worth Art Center in 1954, the Fort Worth Art Center Museum in 1971, and the Fort Worth Art Museum in 1974.

Just like last year and the year before, START art fair draws public attention to the emerging artists, bringing their works to the well known Saatchi Gallery in London.

He is also known for funding his real - estate investments in this neighbourhood partly through the artworks that he sells in galleries — notably vertical stripe paintings made from the wooden floorboards of school gym floors (sourced from condemned Chicago public schools) or canvas fire hoses (in reference to their brutal use against civil - rights protestors in Birmingham, Alabama, in 1963) and also for his expressionist black paintings, abstractions made in tar in collaboration with his father, a retired roofer.

With Bushwick Open Studios just a couple of weeks away, the landlord of 17 - 17 Troutman Street — one of the annual festival's anchors — has demanded that four galleries vacate the building, telling a fifth that it can no longer use its space to display art to the public.

The exhibition is Bravo's first solo show at the gallery, but the Colombia - born New York - based multimedia artist is well known for her installations and public commissions.

Honors: Guggenheim Fellowship Two National Endowment for the Arts grants, among other commendations Public collections Solomon R. Guggenheim Museum, New York, New York Los Angeles County Museum of Art, California The Museum of Modern Art, New York, New York National Gallery of Victoria, Melbourne, Australia San Francisco Museum of Modern Art, California Walker Art Center, Minneapolis, Minnesota Whitney Museum of American Art, New York, New York Retrospective: traveled to Irish Museum of Modern Art, Dublin The Van Abbemuseum, Eindhoven, The Netherlands Le Consortium, Dijon, France Museum of Art, Rhode Island School of Design, Providence New Museum, New York, New York The Museum of Contemporary Art, Los Angeles Roberta Smith wrote in The New York Times on Feb. 17, 2011 of Benglis» retrospective, «Whether you have been watching Ms. Benglis» varied career for decades or know her primarily from the latex pieces and her star turn in Artforum, this exhibition pulls together and elaborates her remarkable career in a thrilling way.

Faced with an absence of information within a provenance, and having taken into account this policy and considered the research undertaken in accordance with the Gallery's codification of procedures for due diligence, the Gallery may from time to time elect to bring a work into the public domain through exhibition, in such circumstances where the Gallery can demonstrate the highest standard of due diligence has been undertaken and consideration has been given to the view of the current possessor, in belief that such display may encourage other legitimate claimants to make known their interest.

The contemporary artist known for her works of color, repetition, interaction and immersion, Yayoi Kusama, opened her latest show, Festival of Life, to the public at both of David Zwirner's New York galleries this weekend.

Opening: «Art for Every Home: Associated American Artists, 1934 — 2000» at Grey Art Gallery Started as a means to sell art to the public at a reasonable price during the Great Depression, the Associated American Artists included such well - known artists of the day as Thomas Hart Benton, John Steuart Curry and Grant Wood.

«When we staged her first show six years ago and had our first Infinity Room, we didn't know that the public would react the way it did, and we didn't know what social media would do,» says Zwirner in an interview at the gallery during a private preview.

Two little - known artists - professional tiler Allan Butt and art enthusiast Rita Gav - have basically immortalised some of the biggest stars from stage, screen, music and sports in mosaic form, with the pieces being given their first ever public viewing at the city's View Two Gallery.

If you didn't already know, the Gallery holds one of the largest public collections of British Pop Art internationally, formed by the architects Colin St John Wilson and MJ Long and gifted to Pallant House Gallery in 2006.

In 2010, Saatchi announced that the gallery would be given to the British public, and would become known as the Museum of Contemporary Art for London.

During the talk, Ms. Dee said the art world's emphasis on fairs and booming prices has created an impossible situation for galleries that have «introduced or discovered and developed artists who would not be known to the public otherwise,» because as those artists become popular, they leave to pursue more lucrative arrangements with bigger galleries.

Known as Presentation House Gallery for nearly four decades, The Polygon Gallery is a non-collecting Canadian public art gallery with a focus on photography and media - basGallery for nearly four decades, The Polygon Gallery is a non-collecting Canadian public art gallery with a focus on photography and media - basGallery is a non-collecting Canadian public art gallery with a focus on photography and media - basgallery with a focus on photography and media - based art.

What struck me in September 2010, when I first saw his work — yes, I know: how could I not have been aware of it before, when 2012 marks his 85th birthday, his paintings are in at least 98 public collections throughout the world, he has had countless solo exhibitions, globally, and been included in an endless series of mixed shows — stumbling across his National Portrait Gallery show, was its supreme stylishness.

Human - scaled, Whiteread's cast mattresses are some of her best known works, with examples in major public museums, such as Untitled (Mattress), 1991 Museum of Modern Art, New York, Untitled (Air Bed II), 1992, with the present work having been exhibited in the artist's solo exhibition at Stedelijk Van Abbemuseum, Eindhoven, 1992 - 1993 as well as her retrospective at the Serpentine Gallery, London, 2001.

Ruperto has exhibited his work internationally at numerous venues, including: Geomancies, at REDCAT Gallery, Los Angeles (2017); What We Know that We Don't Know, Kadist, San Francisco (2017); Afterwork, ILHAM Gallery, Kuala Lumpur (2016) and Para-Site, Hong Kong (2016); Nervous Systems, Haus der Kulturen der Welt, Berlin (2016); The As - if Principle, Magazin4 Bregenzer Kunstverein, Austria (2015); 2014 Whitney Biennial, Whitney Museum of American Art, New York; Janus, Dunlop Art Gallery, Regina Public Library, Saskatchewan, Canada; Made in L.A., Hammer Museum.

Ruperto has exhibited his work internationally at numerous venues, including Geomancies, REDCAT Gallery, Los Angeles (2017); What We Know that We Don't Know, Kadist, San Francisco (2017); Afterwork, ILHAM Gallery, Kuala Lumpur (2016 — 17) and Para-Site, Hong Kong (2016); Nervous Systems, Haus der Kulturen der Welt, Berlin (2016); The As - if Principle, Magazin4 Bregenzer Kunstverein, Austria (2015); 2014 Whitney Biennial, Whitney Museum of American Art, New York; Janus, Dunlop Art Gallery, Regina Public Library, Saskatchewan, Canada (2014); Made in L.A., Hammer Museum (2012).

Richard Billingham is well known, and his presence overdue, even if last year's Ikon Gallery exhibition in his home town of Birmingham was the first big public overview of his photographs and videos in this country.

Liberman's work is in the collection of many major U.S. museums, including the Museum of Modern Art; the Whitney Museum of American Art and the Metropolitan Museum in New York and the Corcoran Gallery of Art in Washington, D.C.. His large - scale public sculptures are widely known with examples sited in cities around the world and in sculpture gardens including Storm King Art Center in Mountainville, NY; the Hirshhorn Museum and Sculpture Garden in Washington, DC; the Los Angeles County Museum of Art and the Laumeier Sculpture Park in St. Louis.

Shawcross, 35, whose work first came to public attention at the 2004 New Blood exhibition at the Saatchi Gallery, is known for mechanical sculptures which express abstract ideas.

As he explained to Rachel Felder in The New York Times, «People know my photographs because they're published in books and shown in galleries and museums and so forth, and yet I don't perform music in public, ever — only in front of good friends who really want to hear it and who really listen.»

Although she was nominated for the Turner Prize in 2012 — when she was still known as Spartacus Chetwynd — this is the artist's first major solo exhibition in a British public gallery.

There are artists internationally creating public art for cities as opposed to their gallery representations, but I would be curious to know what kind of presence there is of commercial galleries commissioning this type of work.

Watch FAD's highlights from London Art Fair 2012 here: London Art Fair opened its doors to the public on Wednesday, presenting over 100 galleries, featuring well known «greats» of the 20th century such as Andy Warhol and David Hockney and leading figures within contemporary art.

The public is invited to trade their art with the work of Northern New Mexico, Colorado, New Jersey and New York based artists, as the NMSU University Art Gallery unveils an interactive installation by artist Jason Middlebrook, known as Your General Store.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Known and lauded for his sculptures (particularly Angel of the North, the imposing public colossus commissioned in 1994), installations and public art works exploring the human body's relationship to space, this is Gormley's fifth exhibition with the gallery.

The top - end commercial sector can afford to do what public institutions no longer can: this summer, Hauser & Wirth turned their gallery in Piccadilly, London, into a social centre, offering pensioners fencing classes and tea dances.

Controversy has also stemmed from Martin Creed's Lights Going On and Off (winner 2000), Langlands and Bell's 2004 nomination for The House of Osama bin Laden and Simon Starling's Shedboatshed (Mobile Architecture No 2)(2005), but it is interesting to note that the ire of the press has not been matched by the public, and for many The Turner Prize has become an innovative introduction to contemporary art practice, welcoming engagement and debate outside the usual demographic of gallery - goers.

Known primarily as a public artist, with numerous commissions across the U.S. and internationally, this is the first major gallery exhibition of this body of work.

The result was that although most of Parsons's artists and her closest friends knew about the women she loved, this legendary art dealer did not permit her sexuality to become a part of her public persona, the Parsons she presented to visitors to her gallery.

Solo exhibitions 2017 «The Guinness Curse», T293, Rome 2016 «Palace Ruin», Public Art Project, Amsterdam 2014 «Dowsing Schools: Preliminary Findings and Corresponding Survey Kit», The Physics Room, Christchurch 2014 «Dowsing Schools: Preliminary Findings and Corresponding Survey Kit», Artspace, Auckland 2014 «KaVo Zahnarztstuhl Regie 1520 A», Wilfried Lentz, Rotterdam 2013 «That's That, That Way «Round, Basically — As You Probably Know», Artists» Club Coffrefort, Brussels 2013 «Passionate Advocate for a Poisoned Earth», TWAAS, New York 2012 «Of Animal and Inventory», Blank Projects, Cape Town 2012 «Door and Milk Permutations», Luettgenmeijer, Berlin 2011 «My Friend André's Grandmother's Sawmill», Neuer Kunstverein, Vienna 2011 «Khevsurvite Derivative (potential dwellers in ravines)», T293, Rome 2010 «Untitled», Museum Hilversum, Hilversum 2009 «Bagnoli (and Italsider as extract — arrangement)», T293, Naples 2008 «Limburgerhof (The Agricultural Extract - Arrangements)», Wilfried Lentz, Rotterdam 2008 «Dalmine (and other industry extract — arrangements)», LuettgenMeijer, Berlin 2008 «Spade Scrapes 1 — 6, Van Zijll Langhout Gallery, Amsterdam 2007 «Living Registration», T293, Naples 2006 «Living Registration», BüroFriedrich, Berlin 2006 «Untitled Installation», Natal Society of Arts, Durban 2003 «Climb on Shoulders to Peep Over and Dismount with Lips in Hedge», NICC, Koninklijk Museum Voor Schoene Kunsten, Antwerp 2002 «Extract arrangements (tribute to Mucha)», PLUS Gallery, Dusseldorf 1999 «Home», Natal Society of Arts, Durban 1999 «Breathing Space», The Yard, B / W Photography, London 1999 «Breathing Space», Natal Society of Arts / Palmer street studios, Durban

She is also known for her monumental outdoor installations such as Rainsquare which wasinstalled at the South London Gallery (1994) and Angel Row Gallery, Nottingham (2002); and public commissions including Royal Albert Hall, London (2001), Marunouchi Building, Tokyo (2002), Beckenham Beacon Hospital, Kent, (2009), and Nottingham University Hospital City Campus, Nottingham (2010).

Array of Public Programs Celebrating Yes, No, Maybe: Artists Working At Crown Point Press at the National Gallery of Art

With a mandate to support creative initiatives, Alserkal Avenue is known for supporting local talent and cultural projects: Quoz Arts Festival, the first free, community arts festival in the UAE, Galleries Night, a biannual feature on Dubai's art calendar; galleries and creative spaces simultaneously open their doors to the public, including live performances by local musicians; and Urban Market, a seasonal, daylong, outdoor festival to bring the community together, celebrating arts, food and creativity.

Answer: «Public» normally does mean anyone can come in, but sometimes when people are known to have physically attacked paintings in a gallery, they can be banned from returning.

The Camera and Gallery apps, for example, are no longer updated at the same cadence in the public realm as what is released on the Play Store — code that developers can not tinker with — so CyanogenMOD engineers are forced to create their own.