Sentences with phrase «known publishers like»

Google Textbooks offers a wide array of content from well - known publishers like Pearson, Wiley, Macmillan Higher Education, Random House, McGraw - Hill and Cengage Learning.

Search more than 30,000 of the best recipes from well - known publishers like Gourmet, Bon Appetite, Random House.

-- You know having a book can really be that that key piece of credibility especially if you're in the professional services essentially the expert space right I'm okay so let's let's say that Onward Nation business owners thinking well how do I do I self - published do I you know try to sell my manuscript to you know a publisher like your traditional publisher so like do I need to engage in agent and and so you know.

Not exact matches

I've written a book about what I went through, and gave it to all my family members (still working on preparing it for a publisher so I can get it out to the world) and it was my way of sharing my pain, and like you said, letting others know that they are not alone.

I liked «your» cover better anyways, what do those publishers know about marketing?

Genevieve, if you would like a copy to review or give - away, let me know and the publisher will send one over!

Rime no longer has a publisher, so it sounds like this pretty title could be left in the lurch.

Legendary video game developer Hideo Kojima has hailed Death Stranding as his magnum opus, partly because he no longer has the restraints of working under a major publisher like Konami and can instead pursue his vision to its fullest extent.

Nice to see this game will likely have dual audio for those of us who like to hear the games native language, I don't buy games like this if it's only available in English, not after the likes pandoras tower, arc rise fantasia, the last story etc, the voices in those games was make or break for me, I really appreciated Platinum giving us the option in the Wonderful 101, and they'll most likely do it with Bayonetta 2 as well, I don't know why Japanese game developers or publishers (whoever makes the decision) can't just leave them in there as an option, it's not like they lose anything by doing so, fyi, this game looks AMAZING.

Publisher Nicalis is known for working with indie developers on games like Cave Story.

It's a smaller, quieter audience — I like to imagine all of us wearing headphones all the time — but they are fiercely loyal to the developers no matter which name they're going by, and thankful for publishers like PM Studios and Acttil for bringing games like Superbeat: Xonic to the States.

Over the next month, just like the Publishers Clearinghouse Prize Patrol, district administrators, including the superintendent, will make surprise visits to the four schools» faculty meetings to break the news to the teachers about their stipends and to let them know how much we appreciate the positive impact they are having on the students.

Two years later, thanks in part to easy - to - use platforms like Createspace and Kindle Direct, authors are no longer forced to rely on traditional publishers — the tables have turned.

Like me, no doubt, most new authors somehow think that once they've reached a certain level of proficiency with respect to their writing abilities, that they are ready to seek out a publisher, an agent, or proceed with self - publishing.

For certain well known marquee writers this might be true but my suspicion is that the market is far more elastic than any publisher would like to think.

The savvy indie author, like you, is already beating out a million other self - publishers just by knowing the necessity of offering these discounts.

The competition is no longer our other books, the competition is twofold: It's those other publishers like Penguin House.

If you are going to be looking for a publisher or publishing yourself, you need to know what books like yours sell for.

Except the books from big publishers often look like crap in digital and utterly mundane in print — no better than a well made self - published book.

Whether you're unpublished, self - published, or working with a traditional publisher (like Random House), it's important to know that book royalties should only be one of your many streams of income.

I know they send material to publishers and wait for them to respond, just like authors must wait for literary agents to respond...

Some, like Darcy Chan and Jamie McGuire, enter lucrative arrangements with legacy publishers; others like Ruthie Cardello take a look at their numbers and say, «no thank you.»

I know alot of self - publishers think they are the publisher when they go through places like «lulu or authorhouse, but are not.

As well - known and highly respected publishing entities like newspapers and reference books struggle to compete with free information available on the internet, publishers of these types of content are forced to find new ways to stay relevant and more importantly, to stay in business.

I'd like to see more publishers on there making fully - interactive and engaging digital products regardless of Newsstand or their print edition, and making sure their readers know about it... I'd also like to see less PDF replica editions, and more innovation — wether its via Adobe DPS, or HTML5, or Mag + or whatever platform the publisher chooses.

You can question my legitimacy as a publisher all you would like, Just like I know I'm an author, I know I'm as publisher as well.

(2) Traditional publishers are no longer providing editorial support like they used to — your work has to be perfect to be considered.

I know what it's like to have a book published by a traditional publisher.

While I «like» to learn knew things and be very hands on most of the time, my golden nuggets of time that I carve ot of my day are better served trying to write good fiction rather than trying to learn how to «be» my own publisher.

Folks like Kevin and Joel are experienced self - publishers who know what questions to ask.

For one thing, as traditional publishers have cut back on marketing, this route allows well - known figures like Mr. Mamet to look after their own publicity.

Why you need it: If you're an author you need to know how to distill your book down to its most potent form (just like a jug of moonshine), for both readers and potential publishers.

And you know PUBLISHERS are browsing sites like those for the next big hits.

I also don't refuse books that are given to me free, as many self - publishers already know — though I prefer to buy them because I'm a hard - working author and I like to support other authors, AND I will only accept ones from those who try to make an effort to get to know me first — but I won't guarantee that I'll read them if I can't get past the first couple of chapters, and they will receive the same hard criticism that I give all books, that is if I give a review.

(If you don't know how to get a business name, read my «Think Like a Publisher» articles under the tab above.

I know indie authors and many readers would like us publishers to get rid of them so you could transfer files between devices... I get that... I'd like it to.

But what we do know is that the list factors in sales from brick and mortar bookstores around the country, and if your book isn't in bookstores, it can't make the list (or other major lists like Wall Street Journal or Publisher's Weekly).

You publishers cling to this meme like drowning men, no matter how many times it's disproven that piracy costs you money.

I know that several of our industry organizations like Alliance of Independent Authors and Independent Book Publishers Association have raised their voice on issues that affect the industry.

You seem satisfied that Hamilton has creditable publishers interested now (though how you can verify that claim unless she names them in public, I don't know - sounds more like she's afraid they will disown the claim if she names them.)

For those of you who don't know, the bankruptcy clause in writer's publishing contract is not valid, and when your publisher drops into bankruptcy, your book is an asset of the company and is treated like one and can be sold off to anyone for any purpose and you have no say over anything.

For instance, did you know that among the top 10 performing authors at Amazon's publisher you will find authors like Jane Austen and Sun Tzu?

Literary agents (also known as book agents or publishing agents) act primarily as authors» representatives for the sale and / or licensing of their books with large domestic publishers like Random House and Simon & Schuster, and sometimes small - or medium - sized domestic publishers like Peachtree Publishing.

Human beings (yes, I'm including New York editors and publishers in that category) prefer working with people (including literary agents) that they know, like, trust, and respect.

Yes, the self - publishers need to know how to produce and market their books, just like the traditional authors need to know how to write a query letter and keep track of submissions.

No matter what anyone tells you (like that agent you've been talking to in Wichita, KS), it's much easier for a New York literary agent to meet (or be introduced to) editors and publishers.

I have one story where the heroine became pregnant as a teen (a definite no - no to a traditional publisher), I have one who became addicted to prescription drugs, (equally taboo), and I have one where the man who seems like he's going to be the love interest dies.

Not someone who has ever worked in publishing, who knows what publishers do behind the scenes, or what the issues are, or how the distribution works, or what the boots - on - the - ground challenges are, or how the industry is changing, or what publishers do to help authors build long term careers, or the differences between large and small presses, or the history of returnable books or what it's like to work with major distributors such as Amazon... a sociologist, armed with some numbers.»

For curated self - published and small publisher titles, we have Kobo Next, which has been a rotated banner that appears in various different spots on the website and features a mix of well known plus lesser known authors and titles that our merchandisers feel are worthy of a second look (all divided by genre)-- much like that gorgeous table display that reflects a bookstore staff's selection:

More generally, whether it's your editor relationship or no, publishers do more for authors they like.